O Rabino e o Pistoleiro

Robert Aldrich was a director who made entertaining films throughout his career. He can count his blessings in having had the opportunity to work with one of the best comedians of all times: Gene Wilder.

This film is a delight, from beginning to end. Mr. Wilder, as Avram is a man we can't keep our eyes from, as he dominates the screen and makes this film his own. The adventures Avram goes through, coming to a country where everything is so different from the world he leaves behind, is what glues this tale together.

A young Harrison Ford is Mr. Wilder's sidekick. This bank robber shows the naive Avram the tricks about how to survive in a hostile environment. Mr. Ford underplays the role, and it works well because the funny lines are meant for Avram, and how he reacts to what he discovers, as he travels west.

This film will always be a favorite because it is universal and it reaches the audience with its positive message while laughing and enjoying the great Gene Wilder on the screen.

This is one of my all-time favorite comedies. A lot of it is gritty, but the movie never loses sight of the humor it's trying to get across.

Gene Wilder is the center of it. Anyone could have played Ford's role, but he does a competent job. He's not really believable, but the ROLE isn't believable. It's hard to be a good guy when you're threatening peoples' lives in order to rob them.

Wilder is the whole movie, except for Val Bisoglio as Chief Gray Cloud. Wilder portrays a lost man in the wilds of frontier America, and he does it well. The movie itself deftly avoids moralizing about the 'right' religion. The Amish people helping the Rabbi on his journey is very realistic. They would not have turned down another religious man; they would have helped him, just as they do, in the film. I appreciate little touches, like this. It would have been far too easy to portray the Amish (or Mennonites; it's hard to tell, with a movie set in that time period) as ultraconservative bigots, but instead, the production crew chose to show them realistically.

This is a sweet, funny movie, with some real drama, unless you're just too cynical to care. And if you ARE too cynical to care, I truly pity you. This is a fun, exciting movie that anyone should like.

knsevy KCMO

When the "Frisco Kid" first came on tv two decades ago I recorded it and watched it over and over, my wife and friends and I quoting parts of it at each other at appropriate moments in our lives.

I read the (some) lukewarm comments here on the Database and the more positive ones and let them ride, just keeping this small pearl tucked away as my favorite movie. Then last night I came home, turned on the tv and caught Gene Wilder as the rabbi Avram Belinksi trying NOT to look at the woman on the train's wondrous cleavage as he was making his way to 1850 San Francisco, so I and sat down and watched the movie through again. It is still as funny, quaint, realistic, well acted and kind as it has ever been.

Gene Wilder demonstrates the best acting he has ever done. He IS Avram Belinski. Complex, human, childlike and oh so (what I imagine) European Jewish. A stranger in a doubly strange land. Strange by being an urban Pole in the "wild west" and strange by being a Jew in that world. I learnt a lot about "Jewishness" from this movie, and at the same time a lot about Americanism too. Being neither myself I can still appreciate the humour. Humanist, long suffering, realistic and proud.

Whatever it is inside me that makes me feel good and part of humanity is touched by "The Frisco Kid". That is why I regard it as my "favorite" movie, not the best movie ever made. That title I reserve for another totally different obscure B/W movie called "King and Country" whose demonstrated injustice is counter-balanced by Avram's integrity.

This movie is hysterical, from its depiction of what the American west must have looked like to an outsider to its terrific Jewish guilt and humor, although it does have a lot of "insider" Jewish humor. That's not to say it can't be enjoyed by non-Jews, as well, but a familiarity with Jewish culture definitely makes the movie more enjoyable. Wilder is at his funniest and Harrison Ford is charming as a side-kick, a role I wasn't accustomed to seeing him in. Watching Ford succumb to Jewish guilt--even when it means freezing his butt--is fantastic. My apologies to Blazing Saddles fans but I think this is way funnier. And it didn't even have to rely on fart-humor.

I read all the commentaries and disagree with most, but particularly those who moan about this being "slow" for the first 45 minutes. Look. This is a classic. The story is great. A misanthropic rabbi comes to a congregation in San Francisco and get waylaid and falls into (mis)adventures with a seedy character. This unlikely duo make their way to SF undergoing a number of adventures. If you do not understand the yiddishekeit of this film, go take a look at the Marx brothers. The scene where battered Wilder sees the Amish and goes screaming in Yiddish only to discover the cross in the bible in one of the farmer's pockets and faints dead away, is worth the price of admission along. The voting scene at the Yeshiva where only the little boy votes for Wilder invoking the older Rabbi turning his eyes to heaven and saying, "It's going to be close!" is likewise great. This is zany Yiddish theater at its best. Wilder, always overacting, is SUPERB as the rabbi. Ford is merely great as the kindhearted outlaw. The bad guys are bad, the characters they meet along the way, Schiavelli and veteran character actor Ian Wolfe are great as the Trappist monks, even Joe Kapp is great as the Mexican RR worker. This is great watching and one of my favorite films. Don't knock it. It's hilarious. Check it out!