Missão Saturno 3

In the future, Earth is overcrowded and the population relies on distant bases to be fed. In the Saturn 3 station, Major Adam (Kirk Douglas) and the scientist Alex (Farrah Fawcett), who is also his lover and has never been on Earth, have been researching hydroponics for three years in the base alone with their dog Sally.

Meanwhile, the psychotic Captain Benson (Harvey Keitel) fails the mental test required to travel to Saturn 3 and kills his replacement, Captain James, taking his place in the mission of assembling and programming the Demi-God series robot Hector to replace one of the scientists in Saturn 3.

On the arrival, the mentally disturbed Captain Benson becomes sexually obsessed for Alex. Then he uses an interface to link his brain to program Hector, but incapable to control his emotions, he transfers his homicidal tendency and insanity to Hector. Now Major Adam and Alex are trapped in the station with a dangerous psychopath robot.

"Saturn 3" is an underrated sci-fi cult from the 80's with a dark story that has not aged. The plot is very simple but creepy and the cast is very well selected: Kirk Douglas very mature but still handsome, convincing that Major Adam is capable to seduce Alex. The underrated actress Farrah Fawcett in the top of her beauty and showing parts of her body, seducing not only the psychopath Captain Benson but ( I believe) most of the male viewers. And Harvey Keitel is perfect as a mentally unstable man with sex drive on Alex. The non-commercial conclusion is also excellent and perfect for the story. My vote is seven.

Title (Brazil): "Missão Saturno 3" ("Mission Saturn 3")

Right. Saturn 3 is one of those films that always seems to divide reviewers into the two old and trustworthy camps: "what a great picture" and "who the heck let this pile of manure be made?" And then, it has the ability to have a solid middle ground; the "nyah...not bad..." crowd. I have to say that I fall into this latter group. I first saw Saturn 3 when I was a teenager and was gripped by it. I remember thinking how cool Hector looked and the fact that he was also downright creepy. In the years before seeing The Terminator Hector, for me, was the archetypal maniac machine that will stop at nothing to kill you in a (probably) gruesome way. Okay, the film's saving graces: the overall design of the sets and costumes. Ignoring the rather bleak look of the corridors, the Saturn 3 station has that feeling of being futuristic but also familiar in a Holiday Inn-sort of way, and the launching area at the film's beginning, with that great big flaming hole image effectively acting as a rather cool backdrop. Benson's (and also James') space suits are very nicely done. They give off the distinct air of practicality, like a hyper-modern air force pressure suit, and also a sense of impersonality about them which becomes menacing with the addition of the dark face plated helmets. Adam and Alex's work-out gear, however, is very dated and it's also quite excruciating to watch their exercise routine. The ships aren't Star Wars Star Destroyers, but then they're not meant to be. The way I look at it, they were designed to look slightly other worldly and also practical. Benson's pod that he flies to Saturn 3 looks entirely functional and although it appears rather clunky and distinctly un-aerodynamic, it's worth remembering that in space there isn't any wind resistance so sleek lines aren't necessary. Unfortunately, because this was a full-sized prop for the actors to interact with the other ships do look like the models they are. Hector is a piece of design excellence. For a start, the actual costume is made from metal, instantly rendering the appearance of a real robot. The actual laboured gait and measured way of moving employed by the actor playing Hector (probably due to the considerable weight of the suit) is instrumental in convincing the viewer of his cybernetic credentials. What helps is that we see Hector being constructed and that can block out any ideas of the "man in a suit" mold, particularly in regards to the insertion of the brain tissue into (effectively) the torso of the costume. Finally, Harvey Keitel. His performance in this film is derided by many as being too over the top and hammy but I think that he actually saw the script for what it really was - eighty-odd minutes of comic-book fun. He had a ball with the Benson character and it's quite obvious that he knew he wasn't asked to do Shakespeare and play it straight. Kirk Douglas and Farrah Fawcett are a let down to be sure. It's evident that Kirk's entering his dotage and the idea of him being an action hero and hot stud when he's the same age as most of the audience's grandfathers is frankly ludicrous. And showing your sagging butt, Kirk? Should've kept those training suit bottoms on. Farrah does play Alex well when she's there to look good, but any semblance of the idea that she's a research scientist just doesn't compute. The film in itself is a bit of a hit and miss affair. It aims to be a sophisticated sci-fi thriller like Alien but the casting of Douglas and Fawcett certainly taint any idea of it being classed as a thriller. The music (what there is of it) is original, the direction so-so and the overall concept is there, but it fails to it the target spot on. An enjoyable piece of hokum to pass the time would be a fair review.

Two lovers stationed on a remote moon base of Saturn are intruded upon by a murderous man and his malevolent 8-ft robot.

Its production issues, changing of directors (one of which was the late great John Barry) and budget cuts aside for a film that was made in 1980 it feels like late 60s/70s. That said, the sets that take a leaf from Alien (1979) are partially effective and the blue ominous lighting works but is sadly used sparingly.

The late Farrah Fawcett is still a major draw and although there's a cringe worthy age gap between leads it is fitting to the narratives themes. Acting legend Kirk Douglas is a little inconsistent and not on form possibly due to the script or production woes. Harvey Keitel has been unconventionally re-dubbed which is a shame, but he still is effective as the homicidal sociopath, off beat, boorish Earth Captain Benson. Although choppy, there's some great setups with the interestingly designed Hector robot and Elmer Bernstein's score if fantastic.

It's not purposely ambiguous, but it leaves many questions and loose ends. It's by no means the worst science-fiction movie, John Barry's story offers some great ideas and has clearly influenced subsequent scifi's notably the Matrix (1999) plug-in.

It's flawed and inconsistent but still worth viewing for the concept alone.

A lot of people bag on this film and I'm the first to admit that it is not a good film but I would be lying if I said I wasn't entertained by certain things in it. I was entertained by the incredibly bad set designs. Here's a film with a good budget, big stars and directed by the great Stanley Donen and it looks like it was filmed in someone's garage! And of course Farrah gets naked. Thank god for VHS and the pause button! If your wondering why Farrah was a sex symbol in the 70's freeze the scene where she takes her clothes off. And Keitel was creepy and his voice sounded different. Maybe it was dubbed but he gave a convincing menacing performance. Not a good film but the story had promise.

This movie is about a couple that lives on this outpost in space. They are lovers and their world is carefree and simple. That is until a criminal comes and builds a robot that goes insane. The problem with this movie is that there just isn't enough cast here to make this movie as cool as it should have been. The robot needed people to kill, but there were only three people around so it didn't really get to flex its muscle. On the plus side Kirk Douglas is good, and so is Harvey Kietal as the criminal. Fawcett isn't great, but she does ok. The plot should have included more though as a lot of this movie goes unexplained, like Kietal's character motivations, or why didn't anyone warn Kirk and Farrah that a criminal was out there. In the end this movie has its moments, but tends to become a bit tedious.