Um Longo Fim de Semana

Peter and Marcia (John Hargreaves and Briony Behets) are having marital problems. In fact, their marriage is almost over. Peter drags Marcia on a trip to the -very isolated- Aussie seashore. Along the way, the couple spend most of their time fighting -they have a secret- and abusing nature in the same callous way that they treat each other. Slowly, very subtly, nature reacts.

Peter and Marcia are so busy hurting and blaming each other, that they hardly notice the growing menace around them. Like a tightening slipknot, the creatures close in.

LONG WEEKEND has a building atmosphere of approaching, encroaching doom, like the changes in the air before a bad storm. It's not your typical "nature's revenge" film. In this movie, the danger grows in proportion to what we learn about Peter and Marcia's history and true character. Highly recommended...

A feuding yuppie couple whose marriage is slowly falling apart set out on a camping trip along a remote Australian coastline to hopefully rekindle their love. While, the husband is all geared up for the adventure with his new equipment, his wife would prefer to be at luxurious hotel. But this trip doesn't all go to plan with their constant friction getting even worst and they seem to take their stress out on the ecosystem. This reckless discard to the environment is soon reversed when nature decides to give a little back to its selfish protagonists.

Now this is want you call a man vs. nature film! And a real merciless one too! This low-budget, under-appreciated (if forgotten) Australian gem is far from your typical excursion into horror with a melodramatic backdrop involving the couples' martial problems, but the way the insightful story folds out you can't deny that this isn't one horrifying exercise when nature finally unleashes its devastating power with such an claustrophobic strangle hold. You might think the idea in this particular sub-genre would be hokey and overall, a campy b-grade animal feature, but here that's not the case because there's nothing cheap about the story and thrills, as it goes for some old fashion spookiness and slow grinding suspense, where we are asked to think about the couples' careless actions towards nature and the environmental message. There's a little bit more going on in the film's material and visuals then you might think and it does play on your mind with it's disorientating atmosphere.

The story slowly delivers in spurts a heavy amount of unbearable suspense and startling images that have a real unnerving effect with its terribly, uncomfortable mood. The nagging couple here are very obnoxious and a long way from likable, but they aren't suppose to be! The anger towards them is justified because they're the villains of this piece and we continuously witness their lack of respect for the surroundings. What nature has in store for them is powerfully effective and we can't help but be drawn into the brooding mystery of how its going to play out.

The picturesque location for the film is simply exquisite with the sprawling beach line and flourishing vegetation and wildlife. The way it can suddenly turn aggressive and change appearance after only being peacefully luminous (such in the weather and environment) makes it incredibly eerie, as you don't know what's up coming next. What caught this development was the hypnotic cinematography (done in anamorphic widescreen) that brought the wildlife off the screen with it's incredibly spacious execution and swift movement in following the couple around and great panning that captures all the small things. It has a semi-documentary feel about it. The foreboding sound effects of the nightlife really do have a strong impact on your senses with the jerky and high-pitch sensation eating away at you with such well placed tension and strange noises that won't let you escape. Also the quiet moments, since the dialogue is rather sparse, builds up the harrowing situation they're faced with. The hauntingly, charged score by Michael Carlos is just like a ticking time bomb waiting to explode with it's imminent dread and the tight editing nicely keeps the film moving until it reaches boiling point in the third act with an ending that shocks.

The screenplay by Everett De Roche (Patrick, Road Games, Harlequin & Razorback) is an intelligent look at the relationship between the carelessness of mankind and the suffering of nature, which it does takes its time in delivering justice. The plot's focus on the couples' marriage, which is on the rocks is an good companion piece with their inconsiderable intrusion on nature where they believe their own problems are more important and think less of their surroundings. The performances are astoundingly, realistic in their interactions by John Hargraves as the arrogantly, destructive Peter (who has a better connection with his dog) and Briony Behets as selfishly, close-minded Marcia. This is one stuck up couple you like to see crash and burn, and nature provides that wish.

'Long Weekend' is an sincere, atmospheric revenge tale with a ironically dour twist. It's a very well made production that maximizes its chilling backdrop, petering tension and stimulating concept to send chills down your spine.

A bickering couple decide to spend a long weekend at a secluded beach. Once there, the disrespect they show for their surroundings leads to nature taking it's revenge on them.

This is the epitome of Australian horror. Not only is it the best horror film to come from down under, but it's one of the best horror films, period. I first discovered this film back in the late 90's and was quite blown away by it. I love the nature strikes back sub-genre, but never had I found such films to be legitimately frightening. "Long Weekend", however, really got to me. I'm happy to say that it's still just as effective to this day.

The mood, the haunting score, the atmosphere of the beach and the overall sense of nature conspiring against the characters all makes for a remarkable amount of tension. I love this film for many of the same reasons that I love "The Blair Witch Project", though there are many differences between the two as well. What's more, the animals attacks never come off as fake. A scene where an eagle comes in search of it's egg is raw and eerie. There are no fake birds on wires or men in bear suits to be found here. Our two leads aren't very likable, but that doesn't keep the film from being an unsettling experience. You have to love the ending too, which brings things full circle.

A masterpiece of mood and tension, "Long Weekend" stands the test of time.

...when I first saw THE BLAIR WITCH PROJECT, I kept thinking that I'd seen this basic idea before, and this was where it was. The basic setup is different -- this time it's a married couple who take their bickering into a camping weekend -- but the effect is identical, with supernatural forces terrorising them for daring to trespass onto the wrong territory. The suspense is a slow build, and there's even some touches that popped up in later flicks; for instance, the idea for the shot of the scorpion being run over by a truck in close-up during the opening title sequence of NATURAL BORN KILLERS was taken directly from this one. Part of the first major wave of Australian pictures that made a big splash in the States circa '79 and '80 -- among the others were GALLIPOLI, BREAKER MORANT and THE LAST WAVE -- LONG WEEKEND is, unfortunately, one of the forgotten gems of the period. If you ever see an old video of it in a shop somewhere -- anywhere -- grab it. And watch it...

"Long Weekend" is a well-done, environmentally-conscious horror film from Down Under. The plot is rather simple, but makes a point: when you snooty urban dwellers go camping for the weekend, don't do anything to p**s off Mother Nature! Which is exactly what our two selfish, unappealing protagonists do; they also have a marriage that's on the rocks (gee, I wonder if they'll make it through the weekend alive? Any takers?). The acting is good (though the characters are hateful and stupid), and the emotional intensity is complemented by a very brooding atmosphere of impending horror (the night scenes will give you the willies) as Nature gears up for revenge.

6/10