A Odisséia dos Monstros

This time, the overgrown-lizard hero is confronted by a mechanical doppelganger, courtesy of an army of extraterrestrial apes. Unable to best his metallic twin in combat, Godzilla seeks out the aid of Okinawan monster god King Seeser. Godzilla's 14th film, his 20th Anniversary. The story wasn't a rehash of the others and they actually brought back some of the best Toho actors, Akihiko Hirata and Hiroshi Koizumi! The music was all right for the most part, with its jazzy feel to it. For SFX director Teruyoshi Nakano to actually display something presentable and all of Mecha-G's rampage scenes are carried out nicely. Angiurus returns, now able to leap at his foes. His fight with Mecha-G is very physical, ripping Anguirus' jaws apart and all. Mecha-G was incredibly cool looking and all his weapons are brought to life fantastically.King Seeser is actually a decent monster. The human characters all give good performances and a few espionage scenes.Toho hired veteran composer Masaru Sato for the music. Here's an interesting fact for those who don't already know: During Godzilla's fight with Fake Godzilla, you may notice that Fake Godzilla seems rather goofy, with a chubbier jaw, and his hands resemble Mechagodzilla's missile finger. This is because Toho used a promotional Godzilla suit, instead of making a second Megarogoji suit, which they couldn't afford. The Fake Godzilla suit was also used for water scenes, because water causes a lot of wear and tear on Godzilla suits. Seeing Godzilla fight Mechagodzilla is truly an entertaining watch. All the battles in this movie are totally epic, and the addition of the King Seesar monster makes it truly a unique and satisfying experience.The 1970s aren't particularly known for having the best Godzilla movies, but when Godzilla was good, he was very good, and this is one of those cases. In fact, Godzilla vs. Mechagodzilla is highly regarded by fans if the franchise for this reason.

The original Godzilla vs. Mechagodzilla is quite an enjoyable entry in the franchise and definitely an improvement then it's three predecessors, but it's not without it's flaws. The story is simply another alien invasion story, this time about aliens who are actually rip-offs of the apes from Planet of the Apes. There's a prophecy about a monster that will arise and destroy Japan while two monsters will save it. They think the destroyer is Godzilla when he appears and destroys some stuff, but it's revealed to be an imposter, while the humans and aliens fight over a statue to awaken King Caesar. The story is entertaining but at the same time the reusing of aliens over and over for these last few entries makes it feel stale, and so do the characters, as they are another cast of forgettable, shallow archetypes with nothing to them. None of the characters, except maybe the alien commander, really resonate and are one-dimensional. In fact, you can actually end up mixing them up. Also, the aliens in this film make no sense, with some of their decisions being rather questionable, and the reveal that they are actually space apes raises a lot of questions, such as why they suddenly lose their human-like intelligence when they revert back to their true forms, and why they need help from the human scientist to fix Mechagodzilla, which they created from their own technology. The ape makeup and the effect of them transforming also look atrocious. The monster side of things, however, makes up for these somewhat lacking areas. Mechagodzilla looks great, with a design resembling a menacing cartoon villain, Godzilla's design is a vast improvement over the previous one and is definitely one of the best Showa Godzilla designs, Anguirus looks just as good as ever, and King Caesar is another creative new monster that adds a mammalian touch to Godzilla's vast array of kaiju. The special effects are also an improvement over the last few entries and quite well done, with many satisfying and entertaining monster scenes and tons of awesome explosions. Masaru Sato delivers probably his best musical score here, as his music is fun and jazzy while also being foreboding. Overall, Godzilla vs. Mechagodzilla is a decent, enjoyable Godzilla film. While it lacks in delivering compelling human characters, it delivers in satisfying kaiju action that will leave any Godzilla fan entertained.

In this little doozy, Godzilla goes up against Mechagodzilla, a monster with a long name and made of space titanium. Godzilla teams up with King Seesar, a furry guy who likes quiet evenings at home until he is woken up by singing. MechaG is the evil aliens' world conquering device. By the way, the aliens in their true form look like Japanese actors with green ape masks on. Big budget fun. King Seesar is called upon to protect his home Okinawa and make sure Mr.Miyagi's parents survive so he can grow up to teach Daniel-San. All I can say is if this is Okinawa's best defense, that island is screwed. Godzilla eventually beats MechaG by drawing him to his body magnetically (along with some electrical towers) and ripping his head off. Anguirus is in it too, but who cares? Note: this is one of the films where Godzilla squirts blood likes he's in a Peckinpah flick.

Aliens create a giant mechanical version of Godzilla, Mechagodzilla, in an effort to destroy Japan. The mechanical creature nearly defeats Godzilla until our rubber- suited hero enlists the help of a fellow Kaiju, the dog-like King Seesar, to defeat the new bionic beast. With the exception of the original films, none of the Godzilla movies are all that serious, but this one seems downright gonzo when the aliens are revealed to be gorilla-like creatures, particularly during one shootout when one of the aliens has half of his human mask removed. What makes or breaks most Godzilla films are the subplots involving the human characters, which if they are boring (as is in most Godzilla films), the movies drag between monster battles, but when the human stories are interesting it makes the film work as a whole. "Godzilla vs. Mechagodzilla" also features a fun jazzy score by Masaru Sato, who scores many films for Akira Kurosawa, and the movie contains plenty of bright colorful Kaiju battles. Overall, this is probably the best of the Godzilla films of the 1970s and is well worth watching for fans of our favorite Japanese monster.

This film was pretty much the beginning of the end of the Showa era. This film was very fast paced and had a lot of good fight sequences between the two monsters. However, the story left a little bit to be desired. In fact, the non monster scenes almost cause this movie to grind to a halt. At least the battle at the end featuring the new monster King Seesar helps to keep the film from going totally down the tubes. Also, this film isn't really for the faint of heart due to the fact that it is probably the bloodiest of all the Godzilla films. This film may not have been among the best in the series, but it still was pretty decent.