Houston, We've Got a Problem
- Filme para televisão
- 1974
- 1 h 14 min
AVALIAÇÃO DA IMDb
5,9/10
115
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaNASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.
- Direção
- Roteirista
- Artistas
Quinn K. Redeker
- Cap. Com. Jack Lousma
- (as Quinn Redeker)
Bob Corff
- Abraham Levin
- (as Robert Corff)
James Harrel
- Newsman
- (as James N. Harrell)
Thomas P. Stafford
- Astronaut in Simulator
- (as Brig. Gen. Thomas P. Stafford)
Eli Wallach
- Narrator
- (narração)
Avaliações em destaque
10rjdyck88
It show the human side behind the technical marvels of the apollo program.
The commentary keeps you informed as to what is going on and the included history videos fit in well with the flow of the movie.
The fact that Apollo 13 was a disaster and the astronauts almost died in space is a commonly known part of our history. Much of this is because of Ron Howard's excellent film, as it's acquainted new generations of folks with this heroic story. However, long before this movie came out, there was a made for TV film about it...or, rather, kind of about it. While the film ostensibly is about the Apollo mission, it's much more a trite and soapy film about the folks on the ground who were trying to get the three astronauts back safe and sound. It's a shame, as these people were heroes...but in this story they just come off as silly characters and plot devices...almost like guest stars on "Fantasy Island" or "The Love Boat"!
While much of the story is set at Mission Control, so much of it takes place outside this NASA base...with one family crisis after another and the men are simply unable to deal with them because they must focus on saving the crew of Apollo 13. One guy (Robert Culp) has already had a coronary but remains on the job...and it might kill him. Another (Clu Gulager) is fighting a vindictive wife for custody of his son. Another (Gary Collins) is married to a hellish mess of a wife (Sandra Dee)--someone who would likely be diagnosed with a Borderline Personality and who does everything she can to undermine his work. And, finally, another (Steve Franken) is a devout Jew whose father is dying...and he cannot do what is required and expected of him.
The stories come off as very contrived and stupid. Many of these problems simply could have been solved if the men just screamed at everyone "The $^%# Apollo mission needs me, now $*%@ off and let me work!!!"....but this never happens. And, in the custody case, any sane judge would agree to a postponement and yet the film acts as if the man must choose between his son and saving the astronauts!! It's also, when you think about it, a very offensive film because it makes everything seem so trite and soapy! Surely the ground crew deserved better than this crappy film! One of the worst made for TV films I can recall...and I've seen a bunch!
While much of the story is set at Mission Control, so much of it takes place outside this NASA base...with one family crisis after another and the men are simply unable to deal with them because they must focus on saving the crew of Apollo 13. One guy (Robert Culp) has already had a coronary but remains on the job...and it might kill him. Another (Clu Gulager) is fighting a vindictive wife for custody of his son. Another (Gary Collins) is married to a hellish mess of a wife (Sandra Dee)--someone who would likely be diagnosed with a Borderline Personality and who does everything she can to undermine his work. And, finally, another (Steve Franken) is a devout Jew whose father is dying...and he cannot do what is required and expected of him.
The stories come off as very contrived and stupid. Many of these problems simply could have been solved if the men just screamed at everyone "The $^%# Apollo mission needs me, now $*%@ off and let me work!!!"....but this never happens. And, in the custody case, any sane judge would agree to a postponement and yet the film acts as if the man must choose between his son and saving the astronauts!! It's also, when you think about it, a very offensive film because it makes everything seem so trite and soapy! Surely the ground crew deserved better than this crappy film! One of the worst made for TV films I can recall...and I've seen a bunch!
This made for TV piece of junk shows exactly why made for TV movies are held in disdain.
This is supposed to be the Apollo 13 story, but it has nothing to do with the astronauts. All of the film is about the flight controllers and their personal problems at home. It is just stupid.
Gary Collins is in it... enough said.
Robert Culp should have know better than to be in this.
Most of the story in the film is fictitious.
Thank goodness Ron Howard came along twenty years later and told the Apollo 13 story is a way that NASA and everyone involved deserved.
This is supposed to be the Apollo 13 story, but it has nothing to do with the astronauts. All of the film is about the flight controllers and their personal problems at home. It is just stupid.
Gary Collins is in it... enough said.
Robert Culp should have know better than to be in this.
Most of the story in the film is fictitious.
Thank goodness Ron Howard came along twenty years later and told the Apollo 13 story is a way that NASA and everyone involved deserved.
Made for TV movie about the Apollo 13 scare. Would love to see this again as my dad has a bit part
When I saw this as a youngster, I was already deeply involved in the space program. So naturally I was excited to see a movie about a real space flight that I had followed only a few years before.
I was disappointed. The movie has less to do with the astronauts than with one of the flight controller's personal problems. As I recall, the plot centers around whether or not he should be working on his religious holiday; of course, the fate of the crew depends on him being there. He has to go through a lot of strenuous soul searching, flack from his relatives and other angst in order to make his decision.
I don't know if this was based on fact or not. But it didn't have the space flight thrills that I was looking for. And I remember reading a letter Jim Lovell wrote to TV Guide about the flick, saying that if this is what the flight controllers had to go through, then it was probably safer in the damaged capsule than it was on earth.
I was disappointed. The movie has less to do with the astronauts than with one of the flight controller's personal problems. As I recall, the plot centers around whether or not he should be working on his religious holiday; of course, the fate of the crew depends on him being there. He has to go through a lot of strenuous soul searching, flack from his relatives and other angst in order to make his decision.
I don't know if this was based on fact or not. But it didn't have the space flight thrills that I was looking for. And I remember reading a letter Jim Lovell wrote to TV Guide about the flick, saying that if this is what the flight controllers had to go through, then it was probably safer in the damaged capsule than it was on earth.
Você sabia?
- CuriosidadesAstronaut Jim Lovell called this movie "fictitious and in poor taste". He "resented the mixing of fact and fiction" and said that if NASA wanted publicity they should have endorsed a story of a fictitious space flight.
- Erros de gravaçãoApollo 19 commander Tom Stafford is seen training in a simulator in a small cameo, but the circa 1974 mustard yellow flight suit he's wearing was not in use at the time of Apollo 13. The footage is from when he was training for the 1975 Apollo-Soyuz mission.
- Citações
Angie Cordell: I feel like a perfect idiot.
Tim Cordell: Nobody's perfect.
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Houston, bitte kommen...
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 14 min(74 min)
- Mixagem de som
- Proporção
- 1.33 : 1
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