Um Lance no Escuro

NIght Moves falls into that category of movies that was not so loved when it came it but since time has passed, people have come around to it. It also benefits from being from that new golden era of cinema, the 70s, where the films showcase a gritty side to characters, often played by some of the best anti-hero actors of all time -- Hackman, in this case. Night Moves is a good movie and a lot of fun but it has some limitations which keep it from being more than that.

First of which, the story really doesn't make sense. It's clear when the case is more or less solved about an hour in that the movie is really going to be about something else. In this case, it's more about Hackman's character, a guy who despite his love of things like chess, can't seem to really figure stuff out. So we are taken through his marriage, his wife's infidelity. an attempted reconciliation, etc. All that stuff is great for a great actor like Hackman who makes you feel how lost he is.

The problem is that the ties that connect that to the real story, that of the art smuggling, which is the real mystery, are very thin. Also, the ties that connect the plot points of the smuggling story are very week. Too much coincidence, too many people happen to be exactly where they need to be. Too much crossing the country - - LA to Florida in the blink of an eye. One second Gene Hackman is chasing James Woods around LA on a motorcycle. The next scene, he finds him in Florida.

I read that the film was shot in 1973 and then shelved until 1975, meaning that there must have been issues with it then. There must have also been a lot scenes cut, because a lot is in there, it's just hidden very deeply with no way to get at it. I think this is a film to check out and enjoy for some very good elements. I just don't think we can put our blinders on and make it a 70s classic. Good film. Worth a watch.

Private investigator Harry Moseby (Hackman) has his hands full retrieving a teen runaway (Griffith) from the Florida Keys back to Los Angeles. A routine case shuffled off to him by a rival, the matter nevertheless evolves into a complicated multiple murder plot. Normally distant Harry has difficulty separating his personal feelings from the facts.

The first half of this film is such a dull and plodding downbeat soap opera that it challenges the patience of the viewer. The relationships of a group of emotionally broken people hinting at personal guilt over sordid pasts thrown together by less than ideal circumstances don't always tie in with the actual narrative. But they aren't really meant to.

The real mystery of the story rests within the human interactions and what is important vs what is trivial. Harry is in fact a very poor detective. He lets those few emotional connections he is able to make with people cloud his judgments whilst assuming guilt on the part of those he doesn't like. What makes him a hero nevertheless is that he doesn't quit even if it means discovering personal betrayal.

Telling moments are rife. The way different people react differently from each other is a continual source of confusion for Harry. His inability to connect with his own wife on an emotional level has made her feel alone even in their most intimate moments together. Yet he lets his guard down with the wrong kinds of complete strangers. It certainly isn't by choice that he has chosen misread both the situation and the people surrounding it..

This is a more sophisticated form of detective story in that it offers an examination of the mindset of the detective - one who happens to be emotionally vulnerable and even a tad fragile.

In Los Angeles, the private detective and former athlete Harry Moseby (Gene Hackman) is hired by the retired obscure Hollywood actress Arlene Iverson (Janet Ward) to find her 16 year-old missing daughter Delly Grastner (Melanie Griffith). Harry discovers that the runaway girl has a promiscuous life and uses drugs, and he tracks down her last boyfriend Quinten (James Woods), who works as a mechanic on the sets. Meanwhile, Harry finds that his wife Ellen Moseby (Susan Clark) is cheating him and he has difficulties to handle the situation. Then he visits the stuntman Marv Ellman (Anthony Costello) and the stunt coordinator Joey Ziegler (Ed Binn) and follows the new lead, heading to Florida Keys, where Delly would be living with her stepfather Tom Iverson (John Crawford). Harry is welcomed by Paula (Jennifer Warren), who works with Tom in a boat and has an open relationship with him. After seeing an accident in the sea, the reluctant Delly surprisingly accepts to return to Los Angeles with Harry to live with her mother. Harry and Ellen have a long conversation trying to solve their marriage problems. When Harry learns that Delly has died in a car crash, he suspects of Quinten. But sooner he finds that the initially missing person case is actually a complex smuggling operation of a valuable artifact.

With the recent death of Arthur Penn, I decide to see again "Night Moves", a movie that I watched in the 80's and was forgotten in my collection. "Night Moves" is a different and complex detective story, supported by an engaging and flawed screenplay and great characters development. The top-notch actor Gene Hackman in the top of his successful career performs a detective that snoops the lives of other people and is incapable to see that his marriage is deteriorating. The 18 year-old Melanie Griffith in her first credited role is extremely sexy and beautiful, undressing easily along the film. It is also interesting to see James Woods also in the beginning of career in a supporting role. It is also great to see again the gorgeous vanished actresses Jennifer Warren and Susan Clark. My vote is seven.

Title (Brazil): "Um Lance no Escuro" ("A Bid in the Dark")

Note: On 26 October 2014 I saw this movie again on DVD and now my vote is eight.

"Night Moves" was a surprise to me. I assumed it could be a far more simple mystery/action film, but the whole thing caught my attention and really amazed me. What a great study in murder, infidelity, cruelty, sex, and relationships between strangers. A kind of film noir with dark overtones and a slow but effective suspense, the story starts as a simple investigation about a runaway teenager, but grows more and more into a complex drama plenty of unexpected twists. Gene Hackman is superb as the rude detective, the rest of the cast is also in fine form, but the real shock is to see a very young, hot (and naked) Melanie Grifith doing a terrific performance. James Woods is also here, with less impact but great to see too. An excellent film, one of the finest 70's underrated movies.

Night Moves is not a bad film. It's actually quite good. It is also off-beat and a just a little bit odd but not quirky.

It is not hard to figure out why a young girl has run away from home when we see her mother, a washed up, alcoholic living in the Hollywood Hills. What is odd is trying to figure out the relationship between her, her stepfather and his girlfriend in the Florida Keys where she has gone to live. It is hinted that the stepfather is not just a stepfather.

Even stranger is Jennifer Warren's odd, abrupt, salty behavior in the film and the the strange dialog written for her. At one point, Gene Hackman even tells her he is tired of her "ping-pong talk". Was that written for the benefit of the audience or did he improvise? I felt puzzled by much of her performance.

It is also painful, really painful to watch Gene Hackman's wife struggle with their relationship and her learning new things about her husband.

Yes, a strange, strange little film. The acting is almost too revealing. I can't quite wrap my brain around the whole thing. I think it will be appreciated by fans of films from the 70's.