Adicionar um enredo no seu idiomaW.W. Bright is a robber with a heart of gold who travels the South robbing gas stations. When he hijacks their car, he meets an aspiring country band and, trailed by religious zealot cop, Br... Ler tudoW.W. Bright is a robber with a heart of gold who travels the South robbing gas stations. When he hijacks their car, he meets an aspiring country band and, trailed by religious zealot cop, Bright helps the band make it big while on the run.W.W. Bright is a robber with a heart of gold who travels the South robbing gas stations. When he hijacks their car, he meets an aspiring country band and, trailed by religious zealot cop, Bright helps the band make it big while on the run.
- Butterball
- (as Richard D. Hurst)
Avaliações em destaque
I expect a movie like this, filled with Southern stereotypes plus Reynolds smashing his share of hot cars, is mainly a matter of taste. But I found the general goofiness hard to resist. It's a perfect role for Reynold's brand of leering charm. At the same time, it's an uptight Art Carney, a million miles from his good-natured dimwit Ed Norton of the Honeymooners. Of course, there's the usual amount of car bashing and Keystone Cop car chases for a Reynolds movie. Plus, I really like the slow, engaging way WW takes over the fortunes of the Dixie Dancekings. You just know they'll make it big, but will the non-musical WW with the Deacon on his trail.
All in all, the movie's an entertaining 90-minutes of Reynolds nonsense, despite my better judgment.
Then Art Carney takes over the film, the pace quickens, wry humor and conflict push the down-home charm to the back burner. That's okay because Carney is on his game and delivers a terrific performance as a self-righteous and determined lawman. And, Burt seems to turn his energy up two notches when Carney shares the screen with him.
And, without giving anything up, they saved the best for last. The ending of this one is an all-time classic.
Art Carney was perfect as the preacher with a gun and plenty of fire and brimstone who loved tracking down the occasional sinner/thief. Yes, there's great comedy here too, but the music is what makes the film.
This film was replayed a lot on 70's TV, that's where I learned to love it. And after having watched it last night (on a poor TV-formatted copy which was, I believe, otherwise unedited), I believe it's gotten better with age. Don Williams showed that he was a pretty darned good actor in addition to being a successful country crooner of the era. Mel Tillis was great as a goofy gas station attendant. But savor Furry Lewis. How wonderful that we got to see this wonderful legend in good health making that slide guitar scream on his front porch.
The Dance Kings are country dance band looking for the big break and they're headed by Jerry Reed. Conny Van Dyke is their singer named Dixie. Time and circumstance throw Reynolds and the band together and with his natural charm and gift of gab Burt guarantees to make them a success and some more filling station holdups finance their future.
But the company ain't taking this lying down. The head of the company is Sherman G. Lloyd one harder than hardshell Baptist. He hires his own investigator, former southern sheriff now gospel preacher Art Carney and he's a dedicated man of the law and the Lord always in reverse order. In fact his own strict moral code trips him up in the end in a really grand climax.
W.W. And The Dixie Dancekings is a film that I can't imagine anyone else making but Burt Reynolds. It's maybe the drollest performance he ever put on the big screen.
Art Carney for those who see him as lovable dumb Ed Norton are in for quite a revelation. Carney is so different, but so good as Deacon John S. Gore who never let it be said took his religious beliefs nightly. He gets himself on a gospel show financed by Lloyd who by the way plays it as a Strother Martin light. I think that was who was intended for the part originally. He uses the radio audience to locate that 'devil' Burt Reynolds.
W.W. And The Dixie Dancekings is not a great film, but it is great rollicking entertainment.
Você sabia?
- CuriosidadesThe female lead of Dixie was originally offered to Lynn Anderson and then Dolly Parton, both of whom turned it down.
- Erros de gravaçãoWhen Deacon crosses the street to the SOS building, all the traffic is driving through a red light.
- Citações
June Ann: [Dixie and WW are in the back seat of a car at a Drive-in movie, where an Errol Flynn flick is playing; WW pops up to watch the screen] What's the matter? Are you queer or somethin'?
W.W. Bright: No, but if I was queer, that's
[pointing at Flynn]
W.W. Bright: who I'd be queer FOR.
- ConexõesFeatured in Ammo for Shooting Clouds: John G. Avildsen Before Rocky (2022)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Ein Supertyp haut auf die Pauke
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 17.440.000
- Tempo de duração1 hora 31 minutos
- Cor
- Proporção
- 1.85 : 1