Adicionar um enredo no seu idiomaAn Australian pediatrician gives a speech on the consequences of a nuclear war.An Australian pediatrician gives a speech on the consequences of a nuclear war.An Australian pediatrician gives a speech on the consequences of a nuclear war.
- Ganhou 1 Oscar
- 3 vitórias no total
Helen Caldicott
- Self
- (as Dr. Helen Caldicott)
Vannevar Bush
- Self - In front of map of Japan
- (cenas de arquivo)
Winston Churchill
- Self
- (cenas de arquivo)
Leslie Groves
- Self - In front of map of Japan
- (cenas de arquivo)
Ronald Reagan
- Self
- (cenas de arquivo)
Franklin D. Roosevelt
- Self
- (cenas de arquivo)
Richard Tolman
- Self - In front of map of Japan
- (cenas de arquivo)
Harry S. Truman
- Self
- (cenas de arquivo)
Clement Attlee
- Self - at Potsdam
- (cenas de arquivo)
- (não creditado)
Ernest Bevin
- Self - at Potsdam
- (cenas de arquivo)
- (não creditado)
James Byrnes
- Self - at Potsdam
- (cenas de arquivo)
- (não creditado)
Ed Herlihy
- Self - Universal Newsreel Narrator
- (cenas de arquivo)
- (narração)
- (não creditado)
Ernest O. Lawrence
- Self - with Cyclotron Controls
- (cenas de arquivo)
- (não creditado)
William D. Leahy
- Self - at Potsdam
- (cenas de arquivo)
- (não creditado)
Vyacheslav Molotov
- Self - at Potsdam
- (cenas de arquivo)
- (não creditado)
Joseph Stalin
- Self - at Potsdam
- (cenas de arquivo)
- (não creditado)
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Avaliações em destaque
First showing in Britain?
I understand the 1st British showing of this film was at the RENOIR London WC1 on the 13th April 2008.It is remarkable that it won an "Oscar"The film is short and to the point and I found it very moving even though it was made over 25 years ago,the use of historical film is well done and includes some of President Ragan when he was a film actor during W.W.11,the faces of the young people listening are priceless.Through out Dr.Helen Caldicott put across the truth about the use of Nuclear Weapons and using drawings at the end is very powerful.Well worth seeing but please remember there is sad and moving film of people damaged by Nuclear Weapons.
If You Love This Planet
Made amidst the first term of Ronald Reagan's US Presidency, this short documentary uses some clips of his wartime propaganda feature "Jap Zero" (1943) along with some devastatingly effective archive to illustrate a lecture from Dr. Helen Caldicott. She's an Australian paediatrician who is using her time at the podium to warn of the dangers of nuclear proliferation by pointing out some of the medical issues any use of these weapons might cause. The death toll in Hiroshima and Nagasaki is proof of the sheer destructive capability of these devices that can wipe out huge swathes of living things whilst leaving any survivors severely burned and unlikely to receive adequate medical attention from an equally decimated profession now devoid of staff and facilities. The imagery is potent but her accompanying diatribe is much less so. She really does lecture her, admittedly captivated, audience. Not that this is exactly a laughing matter, but she does rather pontificate at us rather than carry us along with her. She frequently cites her reference sources and recent surveys selected, it seemed, to support her position rather than promote any discussion of the political and military realities that prevailed at the height of the Cold War. It's the imagery on screen that we see that pulls no punches. Her tones are at times rather patronising and her school-mistress style of handing-down the gospel according to Dr. Caldicott did start to grate as she continued for just a bit too long. Yes it's a serious issue, none more so, but to engage an audience you have to make them feel invested in your ideals, your language, and your personality - a bit of charisma never goes amiss. I just didn't feel she did that here and there are way more striking demonstrations of the horror of atomic warfare to be found in cinema than this.
A must see for political and history buffs!
I definitely agree with the comment posted above. A good description of the film. Yes, Caldicott does explain the absolute worst case scenario of nuclear-war, from the environmental consequences, the biological outcomes and the absolute physical destruction that would arise. She does not hold back and shares all of the gruesome and realistic details in the outcome of a nuclear war. However, we need to remember that this was shot in 1982, at the height of the cold war. The outcomes she discusses are all factual and possible outcomes of nuclear war. This movie touched me, even though I was not even born at the time. It instilled a feeling of shock and dismay over nuclear-armament.
If You Love This Planet was Part of the Campaign Against NATO Missiles in Europe
It must be understood that this film was released in a particular historical context with a particular objective. It was part of a world-wide campaign to prevent NATO from deploying medium range nuclear missiles in Europe. The Soviet Union had deployed similar missiles in Eastern Europe in the 1970's and this was perceived as a danger to the people of Western Europe against which the missiles were directed. NATO then decided to deploy similar missiles in Western Europe directed at Eastern Europe.
At the time thousands of people were organized to try to prevent this. There were riots in West Berlin. There was a months-long campaign to try to prevent the deployment of Cruise Missiles in Britain. IN the Netherlands the parliament agonized over whether to go ahead with deployment. Cities world-wide declared themselves nuclear free zones. This film was released right into the middle of this uproar. Its purpose was clear.
When the missiles were ultimately deployed anyway the whole anti-nuclear campaign folded up its tents and disappeared. My opinion is that the Soviet funding evaporated once it was clear that NATO was not going to be deterred from countering the Soviet deployment by domestic political pressure. Today the same Helen Caldecott defends the Iranians' right to develop Uranium enrichment technology.
I would like to believe that the people responsible for this film were, like so many others at that time, unwitting dupes of the Soviet Union rather than actually being their paid agents. This was never about protecting humanity from nuclear weapons. None of these people ever complained about Soviet weapons. It was part of an effort to shift the balance of world power in favor of the Soviet Union. Fortunately it failed and even more fortunately the Soviet Union is no more.
The film is a good example of effective propaganda. It will frighten an uninformed viewer. As a more informed viewer, I was outraged by it rather than spurred to action, because I saw that the antinuclear campaign was only directed at missiles in the free world and not at those in the Soviet Union.
Watch it as a cautionary experience of the power of propaganda.
David in Ottawa
At the time thousands of people were organized to try to prevent this. There were riots in West Berlin. There was a months-long campaign to try to prevent the deployment of Cruise Missiles in Britain. IN the Netherlands the parliament agonized over whether to go ahead with deployment. Cities world-wide declared themselves nuclear free zones. This film was released right into the middle of this uproar. Its purpose was clear.
When the missiles were ultimately deployed anyway the whole anti-nuclear campaign folded up its tents and disappeared. My opinion is that the Soviet funding evaporated once it was clear that NATO was not going to be deterred from countering the Soviet deployment by domestic political pressure. Today the same Helen Caldecott defends the Iranians' right to develop Uranium enrichment technology.
I would like to believe that the people responsible for this film were, like so many others at that time, unwitting dupes of the Soviet Union rather than actually being their paid agents. This was never about protecting humanity from nuclear weapons. None of these people ever complained about Soviet weapons. It was part of an effort to shift the balance of world power in favor of the Soviet Union. Fortunately it failed and even more fortunately the Soviet Union is no more.
The film is a good example of effective propaganda. It will frighten an uninformed viewer. As a more informed viewer, I was outraged by it rather than spurred to action, because I saw that the antinuclear campaign was only directed at missiles in the free world and not at those in the Soviet Union.
Watch it as a cautionary experience of the power of propaganda.
David in Ottawa
Timely and Timeless
Apparently, this film has been criticized for its "talking heads" approach - but what talk it is! For much of If You Love This Planet Dr. Helen Caldicott mesmerizes the spectator with her clearly articulated and persuasively argued lecture against the nuclear arms race, circa 1982.
The intercutting of newsreel shots gives us a disturbing picture of the nuclear age. "As we drift towards unparalleled catastrophe", the images of bomb development, all supported by government policies, prove beyond doubt that scientists and politicians have unleashed a force capable of destroying the planet.
Dr. Caldicott speaks as scientist, medical doctor, historian and political activist. The film, directed by Terre Nash and an Oscar winner in 1983, presents a complete overview of nuclear age history, and a clear decisive statement of the dangers of irresponsible actions by the heads of government. The facts as she presents them are indisputable. The supporting visual evidence, particularly the newsreel shots of Hiroshima casualties, give impact and authority to her lecture.
Like Peter Watkins in the 1965 film The War Game, Dr. Caldicott is not afraid to present the grim, realistic facts of nuclear catastrophe. (The nuclear accident at Chernobyl later in the decade partly verifies her warnings.) At this time, Reagan is proposing the Star Wars program and she undermines the "lunatic-type statements" that all the president's men make to justify the arms build-up.
What can I do? Caldicott speaks to our social responsibility, and outlines the democratic policies of peaceful protest and persuasion. She takes the role of a doctor for the threatened planet, to some extent already diagnosed as a "terminally ill" patient. But it can still be saved. If you love this planet.
A wonderful time capsule for the early 1980s - and a timeless argument for social responsibility.
The intercutting of newsreel shots gives us a disturbing picture of the nuclear age. "As we drift towards unparalleled catastrophe", the images of bomb development, all supported by government policies, prove beyond doubt that scientists and politicians have unleashed a force capable of destroying the planet.
Dr. Caldicott speaks as scientist, medical doctor, historian and political activist. The film, directed by Terre Nash and an Oscar winner in 1983, presents a complete overview of nuclear age history, and a clear decisive statement of the dangers of irresponsible actions by the heads of government. The facts as she presents them are indisputable. The supporting visual evidence, particularly the newsreel shots of Hiroshima casualties, give impact and authority to her lecture.
Like Peter Watkins in the 1965 film The War Game, Dr. Caldicott is not afraid to present the grim, realistic facts of nuclear catastrophe. (The nuclear accident at Chernobyl later in the decade partly verifies her warnings.) At this time, Reagan is proposing the Star Wars program and she undermines the "lunatic-type statements" that all the president's men make to justify the arms build-up.
What can I do? Caldicott speaks to our social responsibility, and outlines the democratic policies of peaceful protest and persuasion. She takes the role of a doctor for the threatened planet, to some extent already diagnosed as a "terminally ill" patient. But it can still be saved. If you love this planet.
A wonderful time capsule for the early 1980s - and a timeless argument for social responsibility.
Você sabia?
- CuriosidadesThis film was labeled "foreign political propaganda" by the United States' Justice Department in an attempt to limit its distribution. All distributors who sold a copy were required to give the purchaser's name to the Justice Department. This may have had the opposite effect from the suppression desired by the Reagan administration, as the negative label caused a rallying of support around the film from anti-censorship activists. During her Oscar acceptance speech director Terre Nash thanked the US Justice Department for their effective "advertisement" of her film.
- ConexõesFeatured in Unfinished Business (1984)
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- Tempo de duração
- 26 min
- Cor
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