007 Contra Octopussy

I did not predict that I would like this the most of Roger Moore's Bond films. It's reputation is honestly not that good, but I was more caught up in the action and story of Octopussy than any Bond film since On Her Majesty's Secret Service. It doesn't go the same route as Lazenby's picture, though. It's more of a straight forward action mystery, but it does it with more style and clarity than any other Moore film.

This is what Diamonds are Forever wanted to be, except that this film actually gives us a good excuse for Bond to investigate diamond smuggling while also providing an interesting series of clues that add up to an actual adventure. We start with two main actions, the killing of a clown outside of a circus in Germany where he delivers a Faberge Egg to a British official in his final moments, and a crazed Soviet general outlining his plan to send a couple dozen tank divisions into the West, confident that there would be no counterattack. The general gets dismissed angrily by General Gogol, but it's obvious that General Orlov isn't going to stop there.

The death of 009, the clown, is the exact kind of hook that would send 007 into the field to investigate, and the investigation quickly takes him to India. The movie uses the colors and visual flavors of the country really well as Bond navigates backgammon games, chases with auto rickshaws, and even a hunt that includes elephants where Bond himself is the quarry. It's well filmed and exciting stuff that gets Bond one step closer each time to what he thinks is the center of the mystery, an island populated by young women and the eponymous Octopussy, a slightly older woman who runs a jewelry smuggling ring whom Bond immediately beds because he's James Bond.

The mystery continues, though, because there has to be more than just jewelry smuggling and, as Octopussy points out, jewelry smuggling isn't the concern of the British secret service (a subtle dig at Diamonds are Forever, perhaps?). Bond keeps following the trail and finds that there is more, and it involves that Russian General Orlov. He's used the jewelry smuggling operation by stealing precious Russian jewels and selling them in order to buy a nuclear weapon that he will detonate at an American military base in Germany. His hope is that the explosion will look like an accident and drive the West towards denuclearization, which he'll be able to use back home as justification for a more aggressive approach towards dealing with Europe.

For a movie that's talked about as inherently silly, that plot by Orlov is surprisingly grounded. It's not about neutering the human race like in Moonraker or making life unlivable on land so people will move to the sea like in The Spy Who Loved Me. It's about triggering an explosion that will create a political environment for the Soviet Union can take advantage of. It's still about bombs, spies, and chases, but the basic evil plot feels surprisingly grounded and real. I've never minded the sillier aspects of Moore's run as Bond, mostly objecting to the fact that they're poorly constructed, but this plot feels like something Connery's Bond would have dealt with.

The silliness is there, though. The famous Tarzan yell is a headscratcher at best. The alligator disguise isn't really that out there, but it's definitely weird. However, in particular with the Tarzan yell, that happens at the end of a compelling chase where Bond has to escape captivity in an Indian mansion where his host is readying a hunt on his elephant and ends up chasing Bond instead. It's taught and exciting, and then there's the embarrassing visual and sound, but it's a very small part of the sequence. I don't excuse the yell, but I do note that it's a small part of a sequence that works really well in a movie that actually knows how to unfold a mystery. Oh, and it ends with one of the best stunt sequences in the franchise as Bond fights his way into a plane as its flying.

Maud Adams as the titular character has an easy rapport with Bond and fits in nicely with the overall plot, running a circus that Orlov uses to get the bomb into West Germany. When she strikes back out against Khan, the man who got her unwittingly involved with Orlov, she does it from a position of strength, using what skills she has to exact her revenge. Yes, the sight of a series of circus performers descending on an Indian villa and using their skills to infiltrate and fight is a bit silly, but it still works overall.

So, yeah, if the movie had held back some of its sillier elements (I guess it could have done with one less bit of Bond dressed up like a clown), I think it would have improved. There's a tonal problem when some of these things pop up, but the rest of the movie around them is really, really good. The only Bond movie under Moore that understands how to unfold a mystery and gives us a compelling antagonist. This movie is really underappreciated and is Moore's best outing.

This was where my live for the James Bond franchise began. What a great character to follow for decades to come!

They didn't know what type of Bond film to make: an overblown action comedy best personified by Moonraker or a down to earth action thriller like they had done in For Your Eyes only, the previous picture. Solution: they gave the audience both! Result: this movie is very uneven. There are some great sequences: the teaser featuring the mini jet, the killing of 009, the auction, the backgammon game and subsequent chase scene, the fight in Octopussy's bedroom and the train sequence all come to mind. But there is just too much misplaced humor in between and the rest of the movie after Bond diffuses the bomb is unnecessary and somewhat silly. Moore really shows his age in this one too, as does Maude Adams. Stephen Berkoff is awful, but Louis Jordan is great. Christina Wayborn deserves top marks as well. While not a bad film, and certainly one of Moore's better outings, this could have been so much better. Some of the best Bond scenes ever are present here, but they are overwhelmed by the shear enormity of it all: the producers just tried to put all of the past elements into this movie to please every Bond fan. So while there is something for everyone and it is entertaining, Octopussy is ultimately a victim of it's own excesses.

This is by far the best of the Roger Moore Bond films in my opinion. I may be prejudiced since "Octopussy" was the first Bond film I saw theatrically, but I absolutely loved it back then and it still holds up today. The plot is a fine blend of the serious stories of the early Connery films and the humorous touches of the Moore era. Add to that a smooth villain in Louis Jourdan, delicious over-the-top counterpoint from Steven Berkoff, a formidable henchman in Kabir Bedi, two exotic Bond girls in Maud Adams and Kristina Wayborn, beautiful location photography in the rich "travelogue" style (did India ever look as good as it does here?) and a great John Barry score and you can't go wrong with it at all. The tense buildup in the bomb countdown which has Bond donning clown makeup at one point is probably one of the most exciting in any Bond film.

Roger Moore hit his peak playing Bond in this film and the proof is how he seems so much better than Sean Connery does in the inferior "Never Say Never Again" that came out that same year. It's a pity that Moore didn't go out with this one, since "A View To A Kill" was so poor by comparison.

By all means rent this, watch it and have fun!

Bond again in an electrifying movie that scored a new hit in the action genre . The immortal agent 007 , whose deadly precision , sourness , irony and irresistible attractive is perfectly portrayed by Roger Moore. This time he investigates the killing one his colleagues who appeared dead with a Russian egg Faberge of incalculable price . He undergoes an incredible adventure with spectacular pursuits until a chilling countdown , leading to a possible nuclear holocaust . This time OO7 taking off an elegant villainnamed Kamal Khan (Louis Jourdan) living in India, as Bond tries to stop him but the maniacal nasty wreak all sorts of havoc until Bond steps in and the heinous mastermind schemes to put a nuclear bomb at a circus whose owner is Octopussy (Maud Adams ,the only Bond girl who repeated acting , she previously played ¨The man with the golden gun¨) . Nobody does it better...thirteen times. James Bond's all time action high. Roger Moore. James Bond 007 . Nobody does him better. James Bond's all time high

The film contains excitement, emotion , lots of action , suspense , gorgeous women (a beautiful Kristina Wayborn) and extreme nasties (Jourdan , Steven Berkoff , Kabir Bedi) . The plot tosses in every cliché including the obligatory intervention from MonneyPenny (Lois Maxwell), M (Robert Brown) , and Q (Desmond Llewelyn) . Before essaying the role Bond , Roger Moore honed his suavity in the series as ¨The Saint¨, hence he adds a humorous-tongue-in-cheek dimension to Ian Fleming's famed creation as the connoisseur (women and wine especially) spy hero , starting his role Bond with ¨Live and let die¨. Film displays gimmicks and silly set pieces that usually marred the best Moore outings . In spite of a moving opening sequence and some thrilling scenes along the way the Bond-Moore series is starting to look a little bit tired , just as its main star . John Barry's music is unforgettable ,as always , and including a colorful cinematography by cameraman Alan Hume. An agreeable screenplay and more believable excitement with cliff-hangers situations come to mind ; still, this solid outing isn't a bad Bond and it does star the most sympathetic OO7 . This is one of the more watchable entries based on a short book by Fleming with the same title ¨Octopussy¨ and stars Roger Moore in top form as 007 and adding an assured direction by John Glen .