AVALIAÇÃO DA IMDb
6,8/10
12 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAt the onset of WW2, a Polish actor's family and the Polish Resistance help the troupe of a theatre escape Poland and the invading Nazis.At the onset of WW2, a Polish actor's family and the Polish Resistance help the troupe of a theatre escape Poland and the invading Nazis.At the onset of WW2, a Polish actor's family and the Polish Resistance help the troupe of a theatre escape Poland and the invading Nazis.
- Indicado a 1 Oscar
- 6 indicações no total
James 'Gypsy' Haake
- Sasha
- (as James Haake)
José Ferrer
- Prof. Siletski
- (as Jose Ferrer)
Enredo
Você sabia?
- CuriosidadesMel Brooks has said this is his favorite of his Brooksfilms movies.
- Erros de gravaçãoIn the Naughty Nazis song, "A Little Piece...", they mention Pakistan as one of the countries. Pakistan was not created until 1947.
- Citações
Frederick Bronski: Let's face it, sweetheart: without jews, fags and gypsies there is no theatre.
- Cenas durante ou pós-créditosThe opening and closing credits show a picture of Bancroft and Brooks drawn side by side in overlapping profile, this is clearly an homage to the similar drawing of Benny and Lombard in the opening and closing credits of the 1942 version.
- ConexõesFeatured in An Audience with Mel Brooks (1983)
Avaliação em destaque
TO BE OR NOT TO BE
Aspect ratio: 1.85:1
Sound format: Dolby Stereo
1939: As the Nazi's invade their homeland, a humble Warsaw theatre troupe stages a daring escape after stumbling on a Gestapo plot to kill members of the Polish resistance.
Whilst the fondly-remembered Ernst Lubitsch original was actually filmed during wartime (1942), at a point when the outcome of the conflict was still uncertain, this updated vehicle for Mel Brooks has no such edge, but Alan Johnson's fast-paced remake at least preserves the elements of comedy and drama which made the earlier film so potent. There aren't many belly laughs to be had from the low-key screenplay (co-written by Thomas Meehan and Ronnie Graham), and the Nazi caricatures are fun without being especially funny (Charles Durning was Oscar-nominated for his role as bumbling Gestapo officer 'Concentration Camp' Erhardt), but the film offers an upbeat mixture of thrills and frivolity, and a superb cast of experienced players take turns stealing the limelight from leading player Brooks (Anne Bancroft has a ball as Brooks' duplicitous wife, easing her marriage blues by encouraging a half-innocent liaison with handsome airman Tim Matheson, who's been assigned by British Intelligence to foil a dastardly plot initiated by double agent Jose Ferrer). As in the original, the movie portrays the Nazi threat in a comic manner whilst constantly reminding viewers of the deadly reality which underpins the narrative, and while the scenario is fast-paced, funny and exciting in equal measure, it's also surprisingly respectful of history. Johnson's unfussy direction keeps things moving along nicely, and production values are efficient throughout.
Aspect ratio: 1.85:1
Sound format: Dolby Stereo
1939: As the Nazi's invade their homeland, a humble Warsaw theatre troupe stages a daring escape after stumbling on a Gestapo plot to kill members of the Polish resistance.
Whilst the fondly-remembered Ernst Lubitsch original was actually filmed during wartime (1942), at a point when the outcome of the conflict was still uncertain, this updated vehicle for Mel Brooks has no such edge, but Alan Johnson's fast-paced remake at least preserves the elements of comedy and drama which made the earlier film so potent. There aren't many belly laughs to be had from the low-key screenplay (co-written by Thomas Meehan and Ronnie Graham), and the Nazi caricatures are fun without being especially funny (Charles Durning was Oscar-nominated for his role as bumbling Gestapo officer 'Concentration Camp' Erhardt), but the film offers an upbeat mixture of thrills and frivolity, and a superb cast of experienced players take turns stealing the limelight from leading player Brooks (Anne Bancroft has a ball as Brooks' duplicitous wife, easing her marriage blues by encouraging a half-innocent liaison with handsome airman Tim Matheson, who's been assigned by British Intelligence to foil a dastardly plot initiated by double agent Jose Ferrer). As in the original, the movie portrays the Nazi threat in a comic manner whilst constantly reminding viewers of the deadly reality which underpins the narrative, and while the scenario is fast-paced, funny and exciting in equal measure, it's also surprisingly respectful of history. Johnson's unfussy direction keeps things moving along nicely, and production values are efficient throughout.
- Libretio
- 19 de jan. de 2005
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- To Be or Not to Be
- Locações de filme
- Mayfield Senior School - 500 Bellefontaine Street, Pasadena, Califórnia, EUA(Hotel Europa; Polish Officers Club)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 9.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 13.030.214
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.020.958
- 18 de dez. de 1983
- Faturamento bruto mundial
- US$ 13.030.214
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By what name was Sou ou Não Sou (1983) officially released in India in English?
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