As lendas do cinema de terror Donald Pleasence e Nancy Allen atuam como apresentadores e narradores de uma compilação de cenas de muitos filmes de ficção científica, drama policial e terror ... Ler tudoAs lendas do cinema de terror Donald Pleasence e Nancy Allen atuam como apresentadores e narradores de uma compilação de cenas de muitos filmes de ficção científica, drama policial e terror das décadas de 1930 a 1980.As lendas do cinema de terror Donald Pleasence e Nancy Allen atuam como apresentadores e narradores de uma compilação de cenas de muitos filmes de ficção científica, drama policial e terror das décadas de 1930 a 1980.
- Chick Young
- (cenas de arquivo)
- (não creditado)
- Elizabeth Driscoll
- (cenas de arquivo)
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- Roat
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- (não creditado)
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- Chrissie Watkins
- (cenas de arquivo)
- (não creditado)
- Terry Fisher
- (cenas de arquivo)
- (não creditado)
- Det. Milton Arbogast
- (cenas de arquivo)
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- Dr. Abraham Sapirstein
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- Roman Castevet
- (cenas de arquivo)
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- Ginger
- (cenas de arquivo)
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- Regan MacNeil
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- Doctor Blair
- (cenas de arquivo)
- (não creditado)
Avaliações em destaque
*** (out of four)
It contains a lot of interesting clips from movies,many of which are often famous terror movies.
The film,however,has two main difficulties.
One,the narration by Donald Pleasence and Nancy Allen rings flat. two,as famous as the different scenes from the movies mentioned often are,THEY ARE NOT SCARY out of the context of the original films that they are from.
Almost anyone who has seen most of or all of the movies that these film clips are from will have a lot of fun recognizing what scenes are from what movies,especially before the names of those movies are mentioned in the closing credits to this film.
Overall,"Terror In The Aisles" is a good movie,but it DOES HAVE ITS LIMITATIONS.
I give this movie a rating of 6/10.
But the way in which various scenes are cut together is entertaining. Sometimes there are extended segments in which two or three films are intercut at length, leading to climaxes in which, for instance, 'Ms. 45' ends up taking out the killer from 'Klute.' You'll get a quick idea of the plots of several films, even enough to get caught up in them a little (it's funny how effective the first twenty-odd minutes of 'When a Stranger Calls' still are, even broken up and spread across an hour and a half). Other parts have no narrative at all, with a dozen different films cut together for a montage of horror-type things happening, but it sure looks neat. Occasionally this remembers it's supposed to be a documentary and we'll see Leatherface, Damien, Bruno Antony and Baby Jane go across the screen as Pleasence notes that great movie villains range in appearance.
What does it add up to? This was made by a company that normally specializes in movie trailers, and they don't seem to have changed their approach at all to make this film: it's a feature-length mashup, all cutting technique and big moments. If you're familiar with most of these movies it will be a snappily edited trip down memory lane; if you're not but wish you were, it'll be a pretty good advertisement (although, maddeningly, it doesn't tell you which clip comes from what). I'm a real horror nut, especially for the 1960s-to-early-1980s period this spends most of its time on, and I enjoyed it.
A major reason why this works is the sheer breadth of the films that are used from the old to the new, the well known to the obscure. There are also films used that aren't strictly horror movies but are still examples of how suspense can be brilliantly generated in a film (Midnight Express, Night Hawks).
This film was also extremely popular in the UK as it contained clips from movies that were either banned by the BBFC (The Texas Chain Saw Massacre) or discreetly removed from video shelves by them (The Exorcist).
Another masterstroke by the movie are the links that involve horror royalty Donald Pleasance and Nancy Allen in a cinema pontificating on horror tropes and what makes them work. These sequences are priceless. Look out for a young Angel Salazar as a 'feature moviegoer'.
Themes such as the villain and the victim/Final Girl are examined with the respective appropriate clips being used to illustrate the filmmakers points. Theres also a lesson in suspense by the master himself, Mr Alfred Hitchcock.
This is a great compilation for either the young horror hound looking for new thrills or the seasoned purveyor of all things cinematically depraved. I never thought this film would see the light of day because of the logistical nightmare associated with a compilation like this and rights issues. I'm very glad to say that I was wrong. A few years back Universal released Halloween 2 (1981) on Blu ray with Terror in the Aisles as one of the bonus features. An essential purchase.
Você sabia?
- CuriosidadesThe producers had to edit the movie in order to avoid an X rating from the MPAA, despite the fact that none of the movies featured had received a rating higher than R when they were initially released.
- Erros de gravaçãoWhen mentioning O Massacre da Serra Elétrica (1974), Donald Pleasence says the movie was inspired by serial killer Ed Gein, pronouncing this Ed Gine, when actually Gein's name is pronounced Geen.
- Citações
Nancy Allen (Host): [her first line] ... It's strange, isn't it? In real life, nobody cares to think about violence and pain, blood, and death. But project these experiences on a screen, and people form lines in the street. That's because a terror film is a lot like a roller-coaster ride... Only you're sitting in a theater, which is *relatively* safe.
Donald Pleasence (Host): ... Deep down, some of us actually have a need to be scared. Why else would we go to these movies? Perhaps we're taking a dare, proving to ourselves that we're not afraid. Besides, there's something delicious about fear; especially somebody else's... Scary movies tap into your childhood fears of the dark, and of being alone.
Nancy Allen (Host): ... Young or old, we go to the movies so we can see our dreams and fantasies come to life. But not all of our fantasies are wholesome or dignified.
Donald Pleasence (Host): In the privacy of our thoughts, we can be as childish as we like. There, all the little scenarios of power and revenge we conjure up can be quite satisfying... Resorting to violence in order to get back at someone might not be your cup of tea. But it's a safe bet you thought about it. We all carry a certain amount of resentment and rage, because we can't let it out - except in the movies.
- Versões alternativasThe television network version has additional movie clips added for network viewing as well as replacing violent clips from other movies. The additional movie clips are from the movies: Convite à Morte (1978), Chamas da Vingança (1984), Frenesi (1972), O Carro, a Máquina do Diabo (1977), O Castelo Sinistro (1940), Pague para Entrar, Reze para Sair (1981), Guerra Entre Planetas (1955), O Monstro da Lagoa Negra (1954), O Incrível Homem que Encolheu (1957), King Kong Contra Godzilla (1963), Tarântula! (1955), Fúria de uma Região Perdida (1957) and Fahrenheit 451 (1966).
- ConexõesFeatured in Trailer Trauma 3: 80s Horrorthon (2017)
Principais escolhas
- How long is Terror in the Aisles?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 10.004.817
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.009.866
- 28 de out. de 1984
- Faturamento bruto mundial
- US$ 10.004.817
- Tempo de duração1 hora 24 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1