Um agente de inteligência aposentado que se tornou detetive particular ajuda vários clientes ameaçados a igualar as chances.Um agente de inteligência aposentado que se tornou detetive particular ajuda vários clientes ameaçados a igualar as chances.Um agente de inteligência aposentado que se tornou detetive particular ajuda vários clientes ameaçados a igualar as chances.
- Indicado para 7 Primetime Emmys
- 2 vitórias e 11 indicações no total
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I like this show. Robert McCall was a company man with a guilty conscious who tried to find redemption through doing good works. Robert must have broken many cold war eggs to make many omletes. McCall's skills were now used to help the defenseless. This show like many other great 80 shows had a similar story lines. Where the Equalizer differed is with his method of intelligence. Like an intelligence officer Robert plotted, probed, planned, and visualized. Luck and the ability to out wit the opponent made for an interesting television show. Nice seeing this over the self centered tripe of todays TV. I never seen another show like this on TV. They should make this into a movie. I bet the old BBC show the Naturalizer was an influence for the shows producers. 8 out of 10 baby
"The Equalizer" was a unique and amazing series. I followed each episode with great interest. The ensemble of talent was remarkable - Edward Woodward having started out as a Shakespearean actor.
Hostile comments against this brilliant series derive largely from an inability to understand what McCall represented and who he was. A veteran of the British Army, he served in the Suez conflict and - while in the SAS - in operations in Malaya against Maoist gunmen. On leaving the British service he was recruited by the CIA who had apparently heard of his SAS exploits and talent in intelligence gathering. As his mother was an American, he could qualify as a US citizen - combine that with his last name, and he hardly qualifies as an Englishman. In the CIA he worked in Vietnam, where he met many of his later New York allies.
The character of Robert McCall may be in his early-mid fifties, but has a background of training and experience which would humble any supposedly tough petty-thug. For better organised enemies, McCall has a loyal following of friends to call on, including a selection of law enforcement personnel and ex-Special Forces men.
Therefore, he is not the tea-sipping greying middle-aged gentleman he may appear to be at first.
I adored this show. It requires a certain depth of historical knowledge to fully understand.
Hostile comments against this brilliant series derive largely from an inability to understand what McCall represented and who he was. A veteran of the British Army, he served in the Suez conflict and - while in the SAS - in operations in Malaya against Maoist gunmen. On leaving the British service he was recruited by the CIA who had apparently heard of his SAS exploits and talent in intelligence gathering. As his mother was an American, he could qualify as a US citizen - combine that with his last name, and he hardly qualifies as an Englishman. In the CIA he worked in Vietnam, where he met many of his later New York allies.
The character of Robert McCall may be in his early-mid fifties, but has a background of training and experience which would humble any supposedly tough petty-thug. For better organised enemies, McCall has a loyal following of friends to call on, including a selection of law enforcement personnel and ex-Special Forces men.
Therefore, he is not the tea-sipping greying middle-aged gentleman he may appear to be at first.
I adored this show. It requires a certain depth of historical knowledge to fully understand.
I doubt that I could call this an objectively excellent show, but I loved it. We all have worries and concerns in this world, and when The Equalizer would come on, it was as if someone showed up to take care of it all.
The violence was gratuitous, the hero flawed, the premises and execution over the top. Yet the team, headed by an effective if somewhat hammy Edward Woodward who is in turn flanked by Mickey Kostmayer, and Jimmy and Sterno, and the regulars - Control, Pete O'Phelan, Lt. Smalls, Scott, etc. - grew on us. So many budding actors, now famous, guested on this show.
In a key conversation, McCall tells Control how he wished the rain pouring outside could clear away all the human scum and filth that terrorizes society. McCall took it upon himself to do so.
I often wished that longer-term plot elements would take hold. At one point, McCall says to Saul Rubinek's character, "Jason, you set me up. I don't know why, but believe me, I will find out" - but nothing came of this. Some of today's shows, Alias for example, show the potential for twists and turns in long-term plot elements. So, while there were serial elements (ex. McCall's family tribulations), the episodes were largely stand-alone. The Equalizer had huge potential for groundbreaking storylines, but failed to realize it. Still, it provided me with my weekly dose of valued escapism.
The violence was gratuitous, the hero flawed, the premises and execution over the top. Yet the team, headed by an effective if somewhat hammy Edward Woodward who is in turn flanked by Mickey Kostmayer, and Jimmy and Sterno, and the regulars - Control, Pete O'Phelan, Lt. Smalls, Scott, etc. - grew on us. So many budding actors, now famous, guested on this show.
In a key conversation, McCall tells Control how he wished the rain pouring outside could clear away all the human scum and filth that terrorizes society. McCall took it upon himself to do so.
I often wished that longer-term plot elements would take hold. At one point, McCall says to Saul Rubinek's character, "Jason, you set me up. I don't know why, but believe me, I will find out" - but nothing came of this. Some of today's shows, Alias for example, show the potential for twists and turns in long-term plot elements. So, while there were serial elements (ex. McCall's family tribulations), the episodes were largely stand-alone. The Equalizer had huge potential for groundbreaking storylines, but failed to realize it. Still, it provided me with my weekly dose of valued escapism.
Discovered The Equalizer on A&E. It had heart and I thoroughly enjoyed the interplay of the characters. I especially enjoyed the character of Jimmy played by Mark Margolis. You got glimpses into his life and wanted to know more. I wish someone would pick up the series again now that A&E has dropped it.
"The Equalizer" was an action-adventure TV series unlike any that I had ever seen before. It effectively mixed espionage, crime drama, and the private eye genres into a wonderful film noir package. Robert McCall (played to perfection by Edward Woodward) was no Mike Hammer, nor was he meant to be. He relied more on brains than brawn and his plans worked like a game of chess. Whether he attended an embassy affair or was running down a lead on a guns dealer in the South Bronx, McCall seemed right at home.
Disenchanted with his cloak-and-dagger life in the CIA, and perhaps seeking some redemption for some of his darker exploits in the name of God and Country, he broke away from "the Company," and offered his services to people in trouble.
McCall's strength was his abilities as a strategist and tactician. Although he was quite able in shootouts and fisticuffs, he tended to leave the rough stuff to other operatives who sometimes took time off from their day jobs (usually in the CIA) to work for McCall. One of his most trusted colleagues was his comrade-in-arms Mickey Kostmeyer (played by Keith Szarabajka), a Company man who seemed willing to dive into any dangerous situation for the thrill.
Although McCall resigned from the CIA, he continued to maintain contact with his friend and former boss, a man known only as Control (played by Robert Lansing). There is a history of camraderie between Control and McCall, but Control's job tends to get in the way of that friendship. When one of Control's operations involved lying to McCall, and McCall confronted him, Control's only response was, "It's what I do for a living, Robert."
All in all, a wonderful show with high production values. I'm only sorry it lasted four seasons.
Disenchanted with his cloak-and-dagger life in the CIA, and perhaps seeking some redemption for some of his darker exploits in the name of God and Country, he broke away from "the Company," and offered his services to people in trouble.
McCall's strength was his abilities as a strategist and tactician. Although he was quite able in shootouts and fisticuffs, he tended to leave the rough stuff to other operatives who sometimes took time off from their day jobs (usually in the CIA) to work for McCall. One of his most trusted colleagues was his comrade-in-arms Mickey Kostmeyer (played by Keith Szarabajka), a Company man who seemed willing to dive into any dangerous situation for the thrill.
Although McCall resigned from the CIA, he continued to maintain contact with his friend and former boss, a man known only as Control (played by Robert Lansing). There is a history of camraderie between Control and McCall, but Control's job tends to get in the way of that friendship. When one of Control's operations involved lying to McCall, and McCall confronted him, Control's only response was, "It's what I do for a living, Robert."
All in all, a wonderful show with high production values. I'm only sorry it lasted four seasons.
Você sabia?
- CuriosidadesDuring the height of the show's popularity, Edward Woodward was often approached on the street by people in need, with situations similar to those depicted in the show. He began carrying flyers with the phone numbers of social services organizations and legal clinics for them to contact.
- Citações
Mickey Kostmayer: What do we need a diversion for? Just kick in the door and hose the room.
Robert McCall: Mickey, there is a five year old boy in there.
Mickey Kostmayer: Oh yeah, we're gonna need a diversion.
- Versões alternativasThe Region 1 DVD releases have fifty percent of the show's original music replaced for copyright reasons. However, international DVD releases retain the original music.
- ConexõesFeatured in The 38th Annual Primetime Emmy Awards (1986)
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