AVALIAÇÃO DA IMDb
7,0/10
7,4 mil
SUA AVALIAÇÃO
Na década de 1930, uma menina foge de seu responsável para se juntar ao seu pai solteiro, que está a 3.000 quilômetros de distância, onde ele encontrou trabalho.Na década de 1930, uma menina foge de seu responsável para se juntar ao seu pai solteiro, que está a 3.000 quilômetros de distância, onde ele encontrou trabalho.Na década de 1930, uma menina foge de seu responsável para se juntar ao seu pai solteiro, que está a 3.000 quilômetros de distância, onde ele encontrou trabalho.
- Direção
- Roteirista
- Artistas
- Indicado a 1 Oscar
- 1 vitória e 3 indicações no total
Garry Chalk
- Chicago Worker
- (as Gary Chalk)
Avaliações em destaque
If you haven't seen this yet, go rent it. A heartwarming account of a young girl making her way across the country to get back to her father during the depression. One of the earlier reviews was talking about how all of the bad things that happen to Natty are inappropriate for a disney movie, but I think that those are the things that make this film so great. It is a gritty, realistic, non sugar coated story. The things that are shown to happen to Natty happen every day and have been for many many years. They bring drama and "heart" to the film, and make it what it is. Combine the latter with unbelievable cinematography of America, very good performances, and you are left with a very memorable, timeless film. I only wish that Disney would release it on DVD in widescreen. With such great widescreen nature cinematography, having to repeatedly watch the "chopped up" pan and scan version on vhs is killing me!! If you release it we will buy it!!!
I saw it in theatres when I was a kid, I bought the VHS when 1st available; I was overjoyed to the point of near misty-eyed-ness when I recieved the DVD from my wife. TjoNG is one of the reasons I fell in love with wolves & learned to overcome my American cultural ignorance of them. The movie is the reason I listened more closely to my grandparents tales of the depression; why I stopped thinking depression meant an emotional state & recognized it as an economic problem. You & your kids can *LEARN* something from this movie, you can enjoy watching it, again & again; there's a marvelous emotional hurrah! throughout the entire story, Disney at it's finest without the clubbed-over-the-head forced-spoon-fed social & morality message & commentary. The scenery is breathtaking, you kinda think I wish I could go back to then & live in that incredible world. The music is perfect, nudging & reinforcing without interrupting or annoying. This is also one of Scatman Caruthers' last roles, doing what he does best; adding a touch of autheniticty that makes our suspension of disbelief effortless. The DVD is a horiffic slap in the face to the theatrical release, the cast, crew & it's *SO* bad it makes the movie look shoddy. I won't reiterate what the other people so ably & eloquently illustrated of the flaws, I'll just say BUY THE VHS! if you can't, well, this DVD is better than nothing. Barely. The only reason there're 3 stars is because I was in the theatre on a magical night near to 2 decades ago & I *KNOW* what should have been on this disc. Let's not even mention the despair of finding no extra features.
A truly wonderful, moving film... The Journey of Natty Gunn fits that description like a glove. Set during the depression, this is like Homeward Bound but with people. The result is a beautiful, harrowing, poignant and lovely film that is criminally underrated, for it is by far one of the better Disney live action films. The attention to detail is staggering, I mean the sets were superb and the costumes were lovely. The music is haunting and pleasant and the script is well above average. There is also enough action to satisfy kids and adults, and the film is effective especially in conveying the harsh realities of children living in the depression. The performances were also astounding. Meredith Salenger was absolutely fantastic in the title role, completely believable and even heart-rending, I am lost for words at how she hasn't gone on to be a major star, for her performance showed that she really could act, which could more than be said for some of the actresses working today. John Cusack is also impressive as the drifter who tries to convince Natty that the open road is no place for a young girl. The wolf featured here is very cute too, and Ray Wise is great. In conclusion, this is a pretty darn good film. 10/10 Bethany Cox
In what may be the most remarkable live action film to come out of the Disney studios during the 80's or even the 70's for that matter, I find the treatment it has received from it's own studio appalling. The best thing I can compare it to is having a ruby but discarding it because you only prefer diamonds. Considering all the costume jewelry Disney released in the aforementioned decades, you would think they would have more respect for this gem.
I'm sure parents who took their children to see Natty Gann when it was released were surprised and shocked to discover that it was not a film for younger children. It is a very dark realistic film which takes place during the Great Depression. This is not only the story of a young girl traveling across country to find her father, it is the story of people searching for hope and trying to survive in an age when just having food on the table was a constant struggle.
When Natty's father Sol(Ray Wise) is offered a job in a logging camp in Washington, he is only given a few hours to come to a decision, either take the job and leave Natty behind, or stay in Chicago with Natty and hopefully find work elsewhere. At first, rejecting the job offer, he steps out into the Chicago streets. In a truly remarkable scene, we see as Sol does, the faces of all those who have lost hope and been beaten down in despair. It is after this brief but telling moment that he realizes, as we do, there is no decision to be made and Sol accepts the work in Seattle. Sol is forced to leave Natty in the care of a boarding house owner Connie(Lainie Kazan). After Natty overhears Connie reporting her as an abandoned child, she decides not to wait for her father to send for her, and begins an arduous journey across country to find him.
If ever there was a film that is a picture of contrasts it's this one. Early in the film we are given the harsh reality of depression era Chicago. Director Jeremy Kagan does not spare us from the details. We watch as men stand hopelessly and helplessly praying and hoping for work. There is a scene where a destitute family are evicted from their home. Later, as Sol is heading to Washington in the bus, we see another family on the road with their meager belongings strapped to their car as they head west, their car no longer operable. As Natty walks through the market place vendors sell what meager belongings they have just to get buy. When Natty runs away we see her fishing for food out of a trash can for a morsel to consume. Later, as Natty travels westward, there is beautifully photographed scenery of forests and mountains, but Director Kagan astutely reminds us of the bleakness of the depression with many scenes of the struggle in rural America, ranging from a scene of a farmer and his much pregnant wife plowing a field, to scenes of orphaned and abandoned children left to be wards of the state. This is not your Daddy's Disney, kids. Dick Bush's cinematography of the wilderness is breathtaking, yet in the scenes set in Chicago and in the farm towns of America, he mutes his colors to enhance the contrast between beauty and desperation.
When Natty jumps her first train, she is help and befriended by Harry(John Cusack), who is also riding the rails. Cusack in his first major dramatic role after being extremely good in The Sure Thing, shows for the first time that he is not just a comedic actor, but has dramatic prowess as well. Harry may be young, but Cusack gives him the edge of a man aged beyond his years. It is an uncanny performance.
Salenger, as Natty, is more than just a teenage actress. Her characterization draws us into the story from the first moments of this film to the last. It is the key that holds this film together and if it had been put into less capable hands the film would surely not have succeeded as well. Although her film career since Natty Gann has not been noteworthy, you will always remember her for her unflinching portrayal of Natty Gann. This is a journey for the ages, and one you will not soon forget. Unfortunately.......
I don't make it a habit to comment on the DVD release of films, but in this case I'll make an exception. The transfer of this wonderful film is appalling. It's bad enough when a film that shouts "wide screen" is only released in a very horrid poorly done pan and scan, but the full screen transfer is one of the worst if not the worst I have ever seen. It gives new meaning to the word grainy. At times the picture jitters so that you may begin reaching for your VCR remote to adjust the tracking until you remember this is a DVD. There are signs of the film's age running rampant throughout and no visible effort to clean it up digitally or otherwise. I'm not one to believe every film should come with a boatload of extras, and have no problem if a studio wants to give us just the film, but there is absolutely no excuse for the poor picture quality of this DVD. This movie is a gem, and for the Disney studios to tarnish it and treat it in this unconscionable manner, saddens me terribly. What is more frustrating is the fact that Disney can do quality video releases, so just a decent film to DVD wide screen transfer would not have been a lot to ask for. They should be ashamed of what they have done to this fine fine film.
My Grade: Journey of Natty Gann-A
DVD transfer - F
I'm sure parents who took their children to see Natty Gann when it was released were surprised and shocked to discover that it was not a film for younger children. It is a very dark realistic film which takes place during the Great Depression. This is not only the story of a young girl traveling across country to find her father, it is the story of people searching for hope and trying to survive in an age when just having food on the table was a constant struggle.
When Natty's father Sol(Ray Wise) is offered a job in a logging camp in Washington, he is only given a few hours to come to a decision, either take the job and leave Natty behind, or stay in Chicago with Natty and hopefully find work elsewhere. At first, rejecting the job offer, he steps out into the Chicago streets. In a truly remarkable scene, we see as Sol does, the faces of all those who have lost hope and been beaten down in despair. It is after this brief but telling moment that he realizes, as we do, there is no decision to be made and Sol accepts the work in Seattle. Sol is forced to leave Natty in the care of a boarding house owner Connie(Lainie Kazan). After Natty overhears Connie reporting her as an abandoned child, she decides not to wait for her father to send for her, and begins an arduous journey across country to find him.
If ever there was a film that is a picture of contrasts it's this one. Early in the film we are given the harsh reality of depression era Chicago. Director Jeremy Kagan does not spare us from the details. We watch as men stand hopelessly and helplessly praying and hoping for work. There is a scene where a destitute family are evicted from their home. Later, as Sol is heading to Washington in the bus, we see another family on the road with their meager belongings strapped to their car as they head west, their car no longer operable. As Natty walks through the market place vendors sell what meager belongings they have just to get buy. When Natty runs away we see her fishing for food out of a trash can for a morsel to consume. Later, as Natty travels westward, there is beautifully photographed scenery of forests and mountains, but Director Kagan astutely reminds us of the bleakness of the depression with many scenes of the struggle in rural America, ranging from a scene of a farmer and his much pregnant wife plowing a field, to scenes of orphaned and abandoned children left to be wards of the state. This is not your Daddy's Disney, kids. Dick Bush's cinematography of the wilderness is breathtaking, yet in the scenes set in Chicago and in the farm towns of America, he mutes his colors to enhance the contrast between beauty and desperation.
When Natty jumps her first train, she is help and befriended by Harry(John Cusack), who is also riding the rails. Cusack in his first major dramatic role after being extremely good in The Sure Thing, shows for the first time that he is not just a comedic actor, but has dramatic prowess as well. Harry may be young, but Cusack gives him the edge of a man aged beyond his years. It is an uncanny performance.
Salenger, as Natty, is more than just a teenage actress. Her characterization draws us into the story from the first moments of this film to the last. It is the key that holds this film together and if it had been put into less capable hands the film would surely not have succeeded as well. Although her film career since Natty Gann has not been noteworthy, you will always remember her for her unflinching portrayal of Natty Gann. This is a journey for the ages, and one you will not soon forget. Unfortunately.......
I don't make it a habit to comment on the DVD release of films, but in this case I'll make an exception. The transfer of this wonderful film is appalling. It's bad enough when a film that shouts "wide screen" is only released in a very horrid poorly done pan and scan, but the full screen transfer is one of the worst if not the worst I have ever seen. It gives new meaning to the word grainy. At times the picture jitters so that you may begin reaching for your VCR remote to adjust the tracking until you remember this is a DVD. There are signs of the film's age running rampant throughout and no visible effort to clean it up digitally or otherwise. I'm not one to believe every film should come with a boatload of extras, and have no problem if a studio wants to give us just the film, but there is absolutely no excuse for the poor picture quality of this DVD. This movie is a gem, and for the Disney studios to tarnish it and treat it in this unconscionable manner, saddens me terribly. What is more frustrating is the fact that Disney can do quality video releases, so just a decent film to DVD wide screen transfer would not have been a lot to ask for. They should be ashamed of what they have done to this fine fine film.
My Grade: Journey of Natty Gann-A
DVD transfer - F
So, Disney finally did something right, and it's a nifty little tough grrrrl movie. It's touching and fun, with sometimes stunning cinematography and great location work.
The plot works despite a little Disney cheese... the direction and visuals are great... and John Cusack gives an early hint of what he can do.
Overall, it's delightful.
The plot works despite a little Disney cheese... the direction and visuals are great... and John Cusack gives an early hint of what he can do.
Overall, it's delightful.
Você sabia?
- CuriosidadesNatty Gann's wolfdog Jed also appeared in O Enigma de Outro Mundo (1982) and Caninos Brancos (1991). He would appear in cinematic productions filmed in Alaska or western Canada, especially British Columbia.
- Erros de gravaçãoWhen Wolf disappears into the woods and Natty has no choice but to run after the speeding train (where Harry is already on board), a camera operator's lower body can be seen sitting on a board that seems to be attached to the side of the train.
- Citações
Natty Gann: I'm cold.
Harry: Buck up, kid, will ya?
Natty Gann: I'm bucking!
[turns to Wolf]
Natty Gann: I'm bucking, right?
- ConexõesEdited into Disneylândia: The Journey of Natty Gann: Part 1 (1987)
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- How long is The Journey of Natty Gann?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Natty Gann
- Locações de filme
- Crowsnest Pass, Alberta, Canadá(frontier town)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 8.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 9.708.373
- Fim de semana de estreia nos EUA e Canadá
- US$ 490.318
- 29 de set. de 1985
- Faturamento bruto mundial
- US$ 9.708.373
- Tempo de duração1 hora 41 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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