AVALIAÇÃO DA IMDb
5,7/10
17 mil
SUA AVALIAÇÃO
Um homem escolhido aleatoriamente no meio de uma multidão torna-se alvo de vigilância e perseguição da CIA.Um homem escolhido aleatoriamente no meio de uma multidão torna-se alvo de vigilância e perseguição da CIA.Um homem escolhido aleatoriamente no meio de uma multidão torna-se alvo de vigilância e perseguição da CIA.
- Direção
- Roteiristas
- Artistas
Edward Herrmann
- Brown
- (as Ed Herrmann)
Julius Carry
- CIA Agent
- (as Julius J. Carry III)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Keep your expectations in check and you won't be disappointed. This film was hilarious! While not the best vehicle for Tom Hanks to show his talents, the movie's pacing, score, visual style, sound effects, and black humor were extremely effective. James Belushi was at his comic best as Hanks' best friend whose facial expressions constantly suggest he doesn't have a clue as to what's going on, but he's still probably the sanest person in the film. Well worth a look, despite what the other over-critical reviewers had to say.
OK, it's not the most brilliant piece of art in the world, but neither is it the turkey that the video guides make it out to be. It's a cute spy-cliché spoof with good performances from Hanks, Durning, Coleman, Belushi, Herrman and particularly Tom Noonan as the deadpan Agent Reese. Super music by Thomas Newman (one of his first scores), an elegant string of sight gags featuring Belushi and a couple of corpses, and a sweet ending scene more than make up for the underlying silliness of the plot and a handful of flatly delivered lines. Good to watch on a Sunday afternoon when you need to occupy your mind, but not TOO much.
A man picked randomly out of a crowd is made the target of CIA surveillance and pursuit.
As Tom Hanks himself acknowledges, the movie is not that good. The plot is okay, but a bit convoluted. The comedy is more often of the absurd kind, and I am not sure it always succeeds. Jim Belushi is rather the strong point of the comedy parts. Also, as 1980s movies end to do, a romance is thrown in for some reason... it seems somewhat forced.
What makes this movie worth watching, despite the "blah" of the overall plot and comedy, is the ensemble cast. Tom Hanks may be the star, but he probably doesn't have 50% of the screen time, because he is sharing it with Dabney Coleman, Jim Belushi, Carrie Fisher (in a small role), Charles Durning, Ed Hermann, Lori Singer, Gerrit Graham and more I'm not recalling at the moment. It is a truly impressive cast.
As Tom Hanks himself acknowledges, the movie is not that good. The plot is okay, but a bit convoluted. The comedy is more often of the absurd kind, and I am not sure it always succeeds. Jim Belushi is rather the strong point of the comedy parts. Also, as 1980s movies end to do, a romance is thrown in for some reason... it seems somewhat forced.
What makes this movie worth watching, despite the "blah" of the overall plot and comedy, is the ensemble cast. Tom Hanks may be the star, but he probably doesn't have 50% of the screen time, because he is sharing it with Dabney Coleman, Jim Belushi, Carrie Fisher (in a small role), Charles Durning, Ed Hermann, Lori Singer, Gerrit Graham and more I'm not recalling at the moment. It is a truly impressive cast.
Remake of the 1972 French comedy "The Tall Blond Man With One Black Shoe" hasn't the flair needed for sophisticated spy comedy, and so instead fizzles a bit despite a colorful cast. Tom Hanks is green and occasionally shrill as a concert violinist who is mistaken for a spy by the CIA and is completely unaware that he is being followed, photographed and shot at; Lori Singer struggles with a real puzzler of a role as a beautiful agent(always back-lit)who has to seduce Hanks--but she seems so fed up with his bumbling that their romance comes as something of a shock. Jim Belushi has some fun as Hanks' musician buddy whose wife is cheating on him, but Dabney Coleman, Charles Durning and Carrie Fisher are all wasted.
In a desperate attempt to keep his job as the director of the CIA "Ross" (Charles Durning) directs his assistant "Brown" (Edward Herrmann) to select a person at random and falsely suggest to his main rival "Cooper" (Dabney Coleman) that this innocent bystander has secret information that might thwart Cooper's political ambitions. To that end, Brown selects an eccentric musician named "Richard" (Tom Hanks) because he is wearing one red shoe due to a practical joke played on him by his best friend "Morris" (James Belushi). As expected, Cooper takes the bait and immediately puts all of his resources into finding out what Richard knows. However, what Cooper doesn't realize is the difficulty his agents encounter when they submerge themselves into Richard's bizarre life. Now rather than reveal any more I will just say that this movie started off a bit slow but got pretty funny towards the end with Morris deservedly having to endure his share of comedic mishaps. Admittedly, this wasn't a great comedy by any means but I still found it entertaining enough and I have rated it accordingly. Slightly above average.
Você sabia?
- CuriosidadesDavid Ogden Stiers plays the conductor of the symphony orchestra where Richard plays violin. Stiers has worked as a guest conductor with real-life symphony orchestras.
- Erros de gravaçãoThe assassins in the film used revolvers with silencers. It is nearly impossible to silence a revolver, due to the gap between the revolving cylinder and the barrel, which allows sound waves to escape.
- Citações
Hulse: Here's where he varied from the program. That has to be the message. We fed the notes into the computer.
Cooper: [reading] "ARDIE BETGO INDYO CEFAR OGGEL." What the hell is this?
Hulse: I don't know.
Carson: Oh, come on, can't you see? He's rubbing our noses in it! Let's just pick him up and put an end to it.
Cooper: [frowning] Is this "cefar oh-gle" or "cefar oggle"?
Hulse: Oh-gle.
Cooper: "Oh-gle"?
Hulse: Could be "oggle."
- Cenas durante ou pós-créditosThe billing for the film's source French film Loiro Alto do Sapato Preto (1972) omits the title, stating only, "Based on the motion picture written by Francis Veber and Yves Robert".
- Versões alternativasThe video version in 1986 was cut by 5 seconds in order to receive a "PG" rating from the BBFC with edits made to shots of workmen sniffing white powder from a cocaine-covered car during the opening sequence. In 2004 all cuts were reinstated and the video was re-rated "15".
- Trilhas sonorasLove Theme
Written by Michael Masser
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Detalhes
Bilheteria
- Orçamento
- US$ 16.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 8.645.411
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.139.015
- 21 de jul. de 1985
- Faturamento bruto mundial
- US$ 8.645.411
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