Melvin e Howard

Here's a strange tale of a couple and their on-and-off again marriage and the stupid things they do.....and the eventual flak over money billionaire Howard Hughes supposedly left the man.

Paul LaMat plays the husband and supposed beneficiary. He's just fun to watch, a likable, never-loses-his-cool kind of guy. Mary Steenburgen plays his wife and kind of surprised me by how much skin she showed, not the usual scenario with her. Both of them are somewhat low-lifes. Heck, even Hughes (Jason Robards) is pictured to look kind of scummy character in here. Then again, his last years on this earth were a bit strange!

It's a fictional story but those of us who remember, there WAS a lot of flak over the will of Howard Hughes. Despite this being on the grungy side (typical for movies between 1970-1981) this is still an appealing film in a sweet kind of way.

One thing for sure: it's different. Well worth a look.

I saw this film only recently. I was sparked to see it because I was interested in seeing Paul LeMat in what I had heard to be was his most defining film role. From the first scene I was hooked. The scene in which the character of Melvin picks up Jason Robards, playing Howard Hughes, in the desert. The two singing Bye Bye Blackbird to each other and then remarking about the scent of sage and greasewood was both touching and humorous. Robards short performance in the film was underrated and one of the best I have seen him give. Paul Le Mat is wonderful, giving a performance that is oozing with comical sweetness and vulnerability. He is one of the only actors I have seen to truly embody the blue-collar man authentically. Mary Steenburgen in daffy and hilarious. There was not a lacking actor in the film in my opinion. It is a travesty that Paul LeMat never achieved the success that he could have with performances like this and in his many other seldom viewed films. This offbeat treat is one of the best written movies I have seen in a long time. If you get the chance to see it, please do.

Winning combination of scattershot comedy and wry, wistful drama tells the (alleged) true story of a milkman with big dreams and no money who is curiously named a recipient in the will of multi-millionaire Howard Hughes. Melvin Dummar (played by Paul LeMat, in a terrific performance) had been saying all along he once helped out an old guy in the desert near Las Vegas who claimed he was Hughes, but Dummar didn't really believe him (they had a nice chat anyway, and Melvin got Howard to sing one of his self-written novelty songs as well as "Bye Bye Blackbird"). Good-natured film directed by Jonathan Demme rarely loses its way, and features an endearing collection of screwballs who make the loopy craziness of the situations and dialogue immediate and real--their eccentricities are the roots of the story. Mary Steenburgen won a Supporting Oscar as Dummar's first wife, a dreamer like Melvin who is far less satisfied with struggling and who just wants to amount to something (but to Melvin, the struggles are the best part). Jason Robards is perfect as Hughes; the normally bombastic actor takes a small role and lets it bloom subtly and beautifully for us, giving the movie a misty hue and making all of Melvin's hopes sweetly credible. ***1/2 from ****

I set to watch this movie because of Jason Robards, brilliant actor who died in 2000. I was very excited to see how well known director Jonathan Demme would work with Robards and what I get isn't enough. The best parts are Robards parts (he's playing Howard Hughes) and there are only two times we see Robards in a whole movie. At the beginning and at the end. I don't understand that. The character of Melvin is totally stupid to me, there are thousand of men like him and he's just not interesting. What was interesting is character of Howard and I'm talking about Robards. Why is Robards so little in this movie? That answer probably only Demme knows. He is 7 minutes on screen and he deserved an Oscar nomination. What would he deserve for half an hour? That is also my question, but not last. Why did Mary Steenburgen won Oscar? For taking her clothes off? They gave her an Oscar because there weren't any real candidates for it. I must stop before I mention brilliant Kate Winslet who still hasn't got golden statue. Ups, there I did it.

Everyone thinks Raging Bull is the best film of the 1980's, but Melvin and Howard holds up better for me. Paul Le Mat should have been nominated for an Oscar, and this film should have made him a star. It's such a waste that Le Mat isn't used in more films.

At least Mary Steenburgen's excellent performance didn't go unnoticed -- she won the Best Supporting Actress Oscar. Bo Goldman's cleverly constructed, highly nuanced script won another Oscar.

Director Jonathan Demme went on to greater success and acclaim with Silence of the Lambs, but he achieved something special with Melvin and Howard. Most directors would play Melvin Dummar's story for easy laughs, and while Demme finds humor in the material, he also explores with depth and sensitivity how the American Dream has failed some of its most ardent aspirants.