Adicionar um enredo no seu idiomaAntonio Barozzi, an aspiring actor, goes to Rome to seek both fame and fortune.Antonio Barozzi, an aspiring actor, goes to Rome to seek both fame and fortune.Antonio Barozzi, an aspiring actor, goes to Rome to seek both fame and fortune.
Bruno Alias
- Comparsa on the First Set
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesItalian censorship visa # 74900 delivered on 21-3-1980.
Avaliação em destaque
Antonio Barozzi (Renato Pozzetto) moves from Lago Maggiore to Rome to become an actor. He does not realize his agent (Aldo Maccione) and acting coach (Julien Guiomar) are only manipulating him to further their own careers. A great deal of European stars have small parts or cameo's, some parodying themselves. Edwige Fenech is the most prominent of these, playing a starlet willing to sleep with anyone to get where and what she wants.
While stuck in an elevator for what seems like forever, a famous movie producer (Michel Galabru) offers Antonio a part in a Hollywood production. It is ironic that the footage shot in L.A. looks like it was all filmed on one day of driving around town. Hollywood turns out to be the final crippling blow for Antonio when he is forced to become a stuntman.
This cynical look at the movie business is just a collection of unrelated comic scenes. In the end, both Antonio and the film have still achieved nothing. His moronic character does not exactly conjure up a lot of sympathy either. At least Edwige Fenech is always worth a look, earning the film another point (though she only appears sporadically).
5 out of 10
While stuck in an elevator for what seems like forever, a famous movie producer (Michel Galabru) offers Antonio a part in a Hollywood production. It is ironic that the footage shot in L.A. looks like it was all filmed on one day of driving around town. Hollywood turns out to be the final crippling blow for Antonio when he is forced to become a stuntman.
This cynical look at the movie business is just a collection of unrelated comic scenes. In the end, both Antonio and the film have still achieved nothing. His moronic character does not exactly conjure up a lot of sympathy either. At least Edwige Fenech is always worth a look, earning the film another point (though she only appears sporadically).
5 out of 10
- Chip_douglas
- 14 de nov. de 2003
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By what name was Sono fotogenico (1980) officially released in Canada in English?
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