Teerã 43

One of the best Russian films of the 80-ies, a perfect wartimes spy thriller with ideology left aside. It has been nice to see how wonderfully russian and western actors interact in this 30 years-long saga, expecially Natalia Belochvostikova who makes a perfect match for Alain Delon. One of the best things is the soundtrack containing one of my favourite songs of Charles Aznavour.

Good actors, good directing, good plot. It would be only a good film, but two moments made this film great: that part with the song and their last date. Listening to "Eternal Love" you looking at all that woes, struggles, pains, sacrifices, deaths and you have some strange feeling, that somewhere in all this or somewhere behind all this, there really IS eternal Love. And their love story had a great truth about life in it. You met, then immediately lost each other, 30 years of parting, then you have one short date and… all good in your life is only short-lived dream and you will inevitably lose everything you love, you just have not any chance to save anything but memory. It is so sad, but again, you have the same filling (especially during the church scene), that there is eternal Love in this tragedy.

Directors Alov and Naumov gather great film actors from different nationalities(Russian,French,German) in the excellent "Tegeran-43".The film combines different genres and it has a very interesting scenario.Therefore,the audience keeps interest in it in spite of the big duration.The characters are really intriguing and the actors are marvellous.The music is also great:the popular French singer Charles Aznavour performs a very nice song.There is no political propaganda in the film at all.But there is lots of tension and even a love story.Moreover,the film offers you the rare chance to see Soviet actors in partnership with European once.And their partnership is really worth seeing.

This is not an uninteresting film, a political thriller inspired from actual facts, that no other film has even talked about, told in the American way, after the seventies political thrillers in the line of ALL THE PRESIDENTS MEN or PARALLAX VIEW. Plus, this is an international production, proposing an international cast. But, as any political thriller, the plot is rather complex, hard to follow, but still riveting, tense, without any lead character; on the contrary, you have plenty of them. It needs to be seen several times, I guess. That's the second time I see it since thirty years. I still enjoy, but nt destined to wide, large audiences.

I regonized the faboulous acting between the russian and the western actors like the italian recensent. The Match between Belokhvostikova (Maries daughter Nathalie) and Alain Delon (Foche, who dies too early)in the Taxi and on the street or the suspensefull relation between Dzhigarkhanian (the old killer) and Claude Jade(Francoise), when Max trusts Francoise again and again - till he's killed and now she's full of scrupel during the Interrogatory by Curt Jurgens. Excellent also the score "Une vie d'amour".