Cowboy do Asfalto

This film is a classic compared to the Latham/Bridges/Travolta misfire called PERFECT which came out in 1985.

This film showcases the Houston lifestyle of the oil boom in the early 1980s. We get an insider's view of their jobs, hangouts, and relationships as Travolta and the gang live out their daily lives.

There are some excellent supporting performances here, but make no mistake: THIS IS TRAVOLTA'S SHOW! Who would have thought at the time he'd make such a credible Texan? You almost have to remind yourself this guy was one of the Sweathogs from Welcome Back Kotter. We get to see him dance, fight, ride a mechanical bull, and score with a number of hot women. What more could you ask for? I think this is his best performance to date.

The soundtrack is one of the best I've heard. You won't hear any of this crappy pop-country that is en vogue today. It's just good old fashioned music you can dance or make love to.

This film displays the downfalls of couples who get married too quickly in a very realistic manner. Bud and Sissy resemble a lot of young couples without big bank accounts who have trouble getting along.

Scott Glenn makes a terrific villain, too.

Do yourself a favor and see this one. Or see it again if it's been a while. Travolta could use a hit movie like this one right about now in his career.

9 of 10 stars

So sayeth the Hound.

For Urban Cowboy John Travolta plays one of the stronger alpha males ever portrayed on the big screen. He's a decent enough young kid who leaves his parent's homestead and strikes out for the big city of Dallas where his uncle Barry Corbin has promised to find him work in the petrochemical industry. In 1980 that was beginning to boom and Texas was definitely a growing place in the USA.

Travolta does a good job in making we the audience care about his character who when you come right down to it is a sexist pig. He meets and marries Debra Winger who's from the same background, but she's got some ideas that women should not be shadows of their men. And when she beats him at Gilley's mechanical bull, a man's game, that's it for him.

Scott Glenn who's an ex-convict is working at Gilley's and this film was his breakout role. He's a real snake in Urban Cowboy, he gets Travolta's goat with a mere look and he moves in on Winger. Travolta in turn takes up with rich girl, Madolyn Smith Osborne who's slumming at Gilley's.

Despite the characters, Urban Cowboy was really one gigantic commercial for the self-styled biggest honky tonk in the world. Gilley's is no longer there in the suburban Texas community of Pasadena, but the memories do live on. And the best thing about Urban Cowboy is the wonderful score of country/western songs that were featured in the film. I'm not sure if some of the songs were not written specifically for Urban Cowboy, but it's the only reason I can think of why the Motion Picture Academy ignored the musical aspects of this film. I especially liked Johnny Lee's Looking For Love, if it was specifically written for this film, it's a disgrace that it wasn't nominated for Best Song.

I liked Debra Winger's character best in this film. She doesn't lose a trace of femininity, but she stands up to Travolta and does it in style. And this review is dedicated to that yet as unknown woman who will one day be the first woman bull-rider in the Professional Bull Riders.

This is a highly underrated movie. It has a decent plot, exceptional acting by John Travolta, Debra Winger, Scott Glenn, and supporting cast, and toe tapping pop country music throughout. Although the emphasis on mechanical bull riding is a little silly, the main characters are plausible in their motivations, their jealosies, and in the end, their abiding love for each other. The popularity of the movie to a wide section of America is proof that it is more than just a movie appealing "country" or "redneck" types. There's something about Debra Winger - her change of moods, her expressiveness, her vulnerability - where you just can't take your eyes off her when she is on camera. And the movie is downright fun with the Charlie Daniels Band, Travolta's Texas 2 step dancing scenes, and mechanical bull riding contests. There's no deep message to this movie, but it has a certain simple honesty about it, and it'll entertain you for its 2-hour duration.

Okay, so I have come a long way from Houston by now, but whenever I see this movie, I am taken back to a little cowgirl's dream to one day ride the bull at Gilley's. (It burned down before I was of drinking age.)

If you grew up in in East Texas, then you know this movie is an accurate depiction of contemporary life at that time. If you didn't then trust me and watch the movie. Either you will join the many who love it (and at the same time strangely repulsed), or at the very least, you can make fun of the red-necks. (There is plenty material for poking fun.) This movie doesn't try to be P.C. (what was that in the 80's) or hide the white trash element and it is honest to the time and place.

Gotta be a 10 for me!

Bud Davis (John Travolta) is a simple small town kid who moves to Houston and lives with his Uncle Bob (Barry Corbin)'s family. He gets a low level job at the refinery with Bob's help. He starts hanging out at Gilley's Club where he meets Sissy (Debra Winger). They have a fiery combative date and quickly get married. They move into a trailer park. Bud is traditional but Sissy is independent. Bud likes to ride the mechanical bull at Gilley's. Released convict and rodeo bullrider Wes Hightower (Scott Glenn) impresses Sissy with his skills. He teaches her after Bud forbids her to ride.

It's hard to like Bud especially at the beginning. It takes awhile for him to build some vulnerability. I never really get to a point where I'm rooting for this couple to stay together. It's the first leading role for Debra Winger and she shows her great feistiness as well as vulnerability. Gilley's is very well represented. That cowboy way is nicely done. It would be great for this movie to be shorter and for Bud to not be so much of a jerk. It would allow for better rooting interest. I don't particularly care who wins or who gets together by the end. Although I definitely want Sissy to get out of her troubled life.