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Eu, Christiane F., 13 Anos, Drogada e Prostituída

Título original: Christiane F. - Wir Kinder vom Bahnhof Zoo
  • 1981
  • 18
  • 2 h 18 min
AVALIAÇÃO DA IMDb
7,5/10
33 mil
SUA AVALIAÇÃO
POPULARIDADE
3.885
383
David Bowie and Natja Brunckhorst in Eu, Christiane F., 13 Anos, Drogada e Prostituída (1981)
BiografiaDramaDrama psicológico

Uma adolescente nos anos 70 em Berlim torna-se viciada em heroína. Tudo em sua vida começa a distorcer e lentamente desaparece à medida que ela se torna amiga de um pequeno grupo de viciados... Ler tudoUma adolescente nos anos 70 em Berlim torna-se viciada em heroína. Tudo em sua vida começa a distorcer e lentamente desaparece à medida que ela se torna amiga de um pequeno grupo de viciados e se apaixona por um viciado em drogas.Uma adolescente nos anos 70 em Berlim torna-se viciada em heroína. Tudo em sua vida começa a distorcer e lentamente desaparece à medida que ela se torna amiga de um pequeno grupo de viciados e se apaixona por um viciado em drogas.

  • Direção
    • Uli Edel
  • Roteiristas
    • Herman Weigel
    • Kai Hermann
    • Horst Rieck
  • Artistas
    • Natja Brunckhorst
    • Eberhard Auriga
    • Peggy Bussieck
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    33 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.885
    383
    • Direção
      • Uli Edel
    • Roteiristas
      • Herman Weigel
      • Kai Hermann
      • Horst Rieck
    • Artistas
      • Natja Brunckhorst
      • Eberhard Auriga
      • Peggy Bussieck
    • 110Avaliações de usuários
    • 62Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 2 indicações no total

    Vídeos1

    Trailer [OV]
    Trailer 1:24
    Trailer [OV]

    Fotos136

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    Elenco principal24

    Editar
    Natja Brunckhorst
    Natja Brunckhorst
    • Christiane
    Eberhard Auriga
    • Alter Fixer
    Peggy Bussieck
    • Puppi
    Lothar Chamski
    • Rolf
    Uwe Diderich
    • Klaus
    Jan Georg Effler
    • Bernd
    Ellen Esser
    • Kessis Mutter
    Andreas Fuhrmann
    • Atze
    Thomas Haustein
    • Detlef
    Lutz Hemmerling
    • Bienenstich
    Daniela Jaeger
    • Kessi
    Bernhard Janson
    • Milan
    Jens Kuphal
    • Axel
    Christiane Lechle
    • Christianes Mutter
    Kerstin Malessa
    • Tina
    Christiane Reichelt
    • Babsi
    Kerstin Richter
    • Stella
    Cathrine Schabeck
    • Linda
    • Direção
      • Uli Edel
    • Roteiristas
      • Herman Weigel
      • Kai Hermann
      • Horst Rieck
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários110

    7,532.9K
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    Avaliações em destaque

    8leereddy

    Childhood? What childhood?

    Christiane F - We The Children Of Bahnhof Zoo is a 1981 film directed by Ulrich Edel based on the torrid accounts of a young girl living in West Berlin during the 1970's and her addiction to heroin and subsequent descent into prostitution.

    Based on the accounts of her non-fiction book of the same name the film details the period in which she began experimenting with drugs, such as cannabis and L.S.D, to her initial foray into heroin use and ending with her complete abasement.

    Shot with a low budget and employing a large number of first time actors, many of whom chose never to further a career in film, as well as a large number of extras sourced by the production team who were in fact real life junkies and down and outs. These factors alone contribute to the films startling sense of realism and authenticity.

    Also, many of the films locations such as the club where Christiane hung out and the nefarious "Zoo" station where young addicts would prostitute themselves are the original locations in which the characters experiences are based, adding further to the films genuine portrayal of the seedy drug scene of West Berlin in the 70's.

    The cinematography is bleak and unforgiving and brilliantly captures the barbarous nature of the scene and subject matter. Edels sparse and careful approach gives the piece an almost documentary style and no doubt this unflinching depiction, along with the graphic, perfunctory portrayal of teenage drug abuse contributed to its controversy.

    Natja Brunckhorst provides the role of Chritiane and turns an astonishing debut as the heart breaking girl whose life debases to unimaginable depths within such a short space of time. Showing many audiences across Europe that the looming Heroin epidemic was not just confined to older people but also its ruthless and savage affects and how immediate its ravages take place.

    This film pulls no punches. Its gritty, no nonsense representation of heroin, and its consequences, are shocking and tragic. The director also manages to take these dissolute children and allow us to view them free of judgement and witness first hand the terrible conditions in which some youths find themselves living within the confines of a so called civilised society. Many a question will arise when watching this film; how, why etc. But its principal aim is to simply allow us a front row seat to a window into a world most of us are hitherto unaccustomed - the nefarious, cruel and grievous life of a teenage addict who ambulates the inevitable path toward prostitution and ultimately burnout.

    A great film with fantastic performances and above else, a great soundtrack provided by David Bowie. If you thought Trainspotting back in the late 90's was a shocking film about heroin abuse then this piece will hit you hard because despite its cult status this film is as real and as heart breaking as it gets.
    9andrabem

    We, the children from Bahnhof Zoo

    For a long time I had misgivings about this film. I thought that it would be like so many others, where a teenager enters in the world of drugs, lives through hell and, in the end, returns safely to the womb of family and society - in-between we are treated with edifying speeches delivered by mothers and/or fathers, with rights to tears and lots of sentimentality.

    This is not the case of "Christiane F. - Wir Kinder vom Bahnhof Zoo". The film is direct and honest and shows the events as viewed by the children from Bahnhof Zoo. The film tries to show things as they are and be objective. No moralist speeches are given. That's why the film has such power. The first film scenes show Berlin in the night. The main attraction for Christiane and friends is the discotheque Sound. It all begins there.

    There are many night scenes in the film. The days look dark and gloomy. In the beginning their meeting place is Sound, but as the road becomes narrower, there remains only one place for them: The Bahnhof Zoo. Days and nights seem to merge more and more. And the day resembles more and more the night. A long night, a short step can lead to eternal night.

    This stuff almost begs to be treated in a sensationalistic way. But "Christiane F. - Wir Kinder vom Bahnhof Zoo" is a serious film. It deserves to be seen.
    Mother_of_all_Opossums

    One of the most thought-provoking, interesting and disturbing films I have ever seen

    I really wasn't prepared for this film, or was I? I had been recommended it, and told it was disturbing, but it certainly had a massive effect on me.

    Christiane F is the true story of a girl who gets seduced by the German nightlife and David Bowie, and slowly drifts onto heroin.

    There are several disturbing parts of this movie. The heroin/prostitution scenes are disturbing, but I didn't get disturbed by these as much as I did the story. The media would have us believe that heroin users and dealers are monsters and don't have a right to live. The people in this movie are real, and easy to identify with.

    I definitely recommend this movie, and compared to Trainspotting (a film I also enjoyed) is much more realistic.
    goblingoddess

    The Image of Generation

    I've seen many films portraying drug addiction but none with such terrifying authenitcity as this film. It's funny. I haven't really thought about this film in years and what made me suddenly think of it now was I was thinking about movies on my DVD wish list. CHRISTIANE F was on that list. So for s***s and giggles I ran a routine search in the Internet Movie Database (this site is GOD!!!) and low and behold, it was out!!! Naturally, I placed my order for it. As much as I wished it was the subtitled version (which is only available in PAL), I have the German version as well as the dubbed so that's not that bad. To those who have seen REQUIEM FOR A DREAM and thought that it was the most disturbing film they've seen about drug addiction, I have news for ya: you haven't seen anything yet! CHRISTIANE F., makes REQUIEM look like a Disney film in comparison. Although the English dubbing is really cheesy and bad, still it doesn't detract from Ulrich Edel's images of the dark, seedy, and depressing world of heroin addicts.

    Subtitled, "Image of a Generation", CHRISTIANE F is the true story of a lonely, bored teenager in the '70's who gets into the drug scene at 12, hooked on heroin at 13 and becomes a prostitute at 14 to support her habit. There are a couple of things about this that struck me. First, was that Edel used all unknowns for the main parts, especially the kids. They acted so naturally, that even Edel makes the comment that "it's a wonder they haven't been actors or junkies their whole lives." Also the kids who played the main characters, were as close to the age as the real people they were portraying. Nadja Brunckhorst, who plays Christiane, was fourteen at the time and does a remarkable job. In fact, this movie pretty much made her a star in Germany and to this day has had a prolific acting career, mainly on German TV as well as some film work. The second was the use of David Bowie's music in the soundtrack. Now, I'm biased. I'm a huge fan of Bowie but even if I wasn't, his music was used to staggering effect. Truly memorable was the scene toward the end of the film as Bowie's song 'Sense of Doubt' is played in the background as Edel's camera pans across the sad, ghostly faces of people at the subway platform. The music captures the despair of the scene very well, almost too well for comfort. The music serves, as any great film music should, as another character in the film, helping to portray the despair, loneliness, bravado, confusion of adolescence. I feel I can identify with Christiane and her life when I was her age. I was lonely, alienated, and sad. Where as she escaped her pain with drugs, I escaped mine through my writing. I can sympathize completely. You want to fit in with a group so badly that you'll do things that you know you shouldn't just to "be cool". Well, I really wish more teenagers would be shown this film. Would it change a life? Maybe. I do know one thing for me: after reading her book, from which this film is based, I've found a kindred soul. From what I know, she is clean and has been since the film's original release. I hope she continues to have the strength to remain so. Because once a junkie, always a junkie. "We can be heroes, just for one day."-David Bowie, 'Heroes' This song becomes a very understated theme for this film, a song about hope in a film where there's very little hope to be found.
    JLongo-1

    Twenty years later

    This powerful and shocking movie is an adaption from the bestselling book based on the true story of Christiane F. Having lived in Berlin until the mid 80's and being the same age as Christiane F. I can only stress the authencity of both book and movie. Berlin was a dark and depressing city at the time, yet a true metropolis with all its problems. You didn't have to be part of the "drug scene" to notice it everywhere in the downtown and surrounding area. Strung out junkies hitting you up for money in subway stations, streetwalkers, prostitutes at the Bahnhof Zoo ... the magazine article, followed by the book and movie just kind of brought it out in the open and documented the problem. The movie is still relevant 20 years later, one just have to put it a bit in perspective.

    The soundtrack with David Bowie's music (newly rereleased on CD) is powerful and fits the overall mood perfect. Note: Christiane F. continued to struggle with her drug addiction until 1996 when she had her son. She lives in Berlin.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Many extras and background artists appearing in the Sound Club and Railway Station scenes were real life youth, drug addicts, and prostitutes who were found by the production for the sequences involving crowds.
    • Erros de gravação
      Christiane F. plays the David Bowie album, "ChangesOneBowie," in her room. But the song that is heard - the German version of "Heroes" ("Helden") - is not on that particular record.
    • Citações

      Christiane: I felt so much, that I started to feel nothing.

    • Cenas durante ou pós-créditos
      Dedicated to: Andreas W. "Atze" (1960 - 77), Axel W. (1960 - 77), Babette D. "Babsi" (1963 - 77) and all others who didn't have the luck and strength to survive.
    • Versões alternativas
      For its UK theatrical release the film was cut by 12 secs by the BBFC, though video versions were much heavier cut by over 5 minutes with all of the edits made to scenes showing the preparation and injection of heroin. The cuts were fully waived in 2000 for all video and DVD releases.
    • Conexões
      Featured in Sneak Previews: Conan the Barbarian/Christiane F./Partners/The Sword and The Sorcerer (1982)
    • Trilhas sonoras
      V2 Schneider
      Written by David Bowie

      Performed by David Bowie

      RCA Records

      Courtesy Rolf-Budde-Verlag, Berlin

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    Perguntas frequentes16

    • How long is Christiane F.?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 18 de abril de 1983 (Brasil)
    • País de origem
      • Alemanha Ocidental
    • Idioma
      • Alemão
    • Também conhecido como
      • Yo, Cristina F
    • Locações de filme
      • Europa-Center, Charlottenburg, Berlim, Alemanha(highrise rooftop)
    • Empresas de produção
      • Solaris Film
      • Maran Film
      • Popular Filmproduktion
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • DEM 4.000.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 18 min(138 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.66 : 1

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