Diva: Paixão Perigosa

A wonderful combination of many genres - Action / Drama / Mystery / Romance / Thriller / Music/Art, this tale of two tapes may actually change the way you think about opera.

Wilhelmenia Fernandez as Cynthia Hawkins (Diva) who always refused to be recorded - is a revelation; her voice, a magic mixture of melted pure gold and crystal is a miracle.

There are so much more in this absolutely unique film - just to mention a certain shoplifting technique, or the coolest chase which started in the streets of Paris and ended in the subway's car.

The most fascinating thing for me is that Diva was released about twenty years ago in Moscow, I remember the title - but I never saw it back then. Better later than never.

Highly recommended - 9/10

I saw Diva for the first time as a college student in a film class art theater marathon. I'd just finished the most boring excuse for a movie ever made (no offense to fans of "My Dinner with Andre") and went in to see Diva.

I was floored. The most beautiful example of "disastre deluxe" I've ever seen - everything is so rundown it's gorgeous. The music perfectly matches the whole film. The performances are not "realistic", but they are not meant to be.

This is obviously not a piece of cinema verite and shouldn't be reviewed as such. "Diva" is a 2 hour tour de force of cinema as experience. One of the finest films I've ever seen.

Overambition is always risky. Diva is so plot heavy that it almost cracks, but it is delicious and entertaining. As far as genre is concerned, this movie flirts with several, but I think it is safe to label Diva as essentially a neo noir. It is darkly romantic, full of corruption, and photographed in spectacular fashion. The colours are rich and the camera work is exquisite. The movie is almost great but not quite. In an attempt to bring everything together, it has a little climax trouble.

A tape of evidence with exposes the Chief inspector of Paris as crooked ends up in the moped satchel of a mail boy named Jules, who suddenly finds himself being hunted down by goons with guns. But that's not his only problem. Jules has made a secret recording of his favourite opera singer live in concert. This singer has blatantly refused to do any recordings, and when word gets out that such a recording exists, different people are going after it. It is ever more essential that Jules keep it hidden, considering, that he and his singer friend have become intimate friends.

Even though Diva enjoys piling it up by the pound, it does so in a compelling fashion. It is a good balance of bold and slick. There are a few clichés buried beneath the labyrinth plot that a picky person may be drawn to pick out, but I enjoyed Diva for its sense of non- convention. It puts character before character type, and tension above twist.

Cinematography plays an exceptional role in this motion picture, which captures Paris in a far more exuberant way than I am used to seeing (and I've been there). One item about the city which has never appeal to me is that it is very grey, with not enough green. Grey is the last of the colours on Diva's colour pallet (execpt when necessary). This motion picture prefers something a little more romantic or expressive. like a jazzy blue, or a fiery red.

I can easily give Diva a pass, and I can recommend it on numerous grounds. As a non-Hollywood thriller, Diva is exceptional, but it is not a film for the soft minded. It gets a bit too convoluted, not too messy, but there is a sense that it could use a slight reworking. This is not a light motion picture, but it ain't a dull one either.

Today, most films have a structure so simple, you can abstract it in one mere sentence. Diva is not such a film, it has so much plot that I don't know where to begin. Maybe I'll begin with the two tapes the film is all about. Tape one is the bootleg record of the beautiful aria Ebben ne andro lontana from Alfredo Catalani's opera La Wally, taped during the recital of the famous opera singer Cynthia Hawkins. On tape, two Nadja, a prostitute, discloses who is the man behind a prostitution ring. The man who possesses these two tapes is Jules, a postman; tape one because he's the one who recorded it (for private use only, of course), tape two because Nadja slipped it into his bag just seconds before she's killed. Not really knowing why, Jules finds himself fleeing from the police and from the mob because of the latter tape - and since Cynthia Hawkins always refused to make tape recordings of her voice, two guys from the Taiwanese mafia, who sat just behind Jules when he recorded his bootleg, see their chance to make a fortune with it, try to get it and blackmail the diva.

Meanwhile, Jule becomes friends with Cynthia Hawkins when he brings her back a dress he stole after her recital (but not after having sex with a hooker wearing it) and they spend a day together. He also encounters Alba, a nice, glib girl with a talent for shoplifting (she developed a technique that makes you wish you're the guy behind the counter) and Gorodish, the man she lives with, two people who will help him a lot in the course of the film. All this is handled by director Jean-Jacques Beineix with virtuosity. But I'm only talking about the twisted plot here, whereas Diva is so much more.

It is its pop-art style, it is its unique genre-mix of Thriller and Romance, it is Jules' apartment, which looks like combination of a studio and a garage, it is its two killers who look like they escaped a Jeunet-film (and indeed Dominique Pinon, who plays one of the two killers, went on to star in Delicatessen, La cité des enfants perdus and Amélie), it is that wonderful chase scene where Jules drives down the stairs and takes the Métro with his moped, it is that absurdly funny scene with the blue Beethoven bust, it is Thuy An Luu, playing Alba as a cheerful girl that makes you wish you had a girlfriend like that, it is Wilhelmenia Wiggins Fernandez, a real-life opera singer in her only film role, playing a wonderful Cynthia Hawkins (how I love that look she gives when someone reminds her of her age), it is Gorodish ingeniously solving two problems at once, it is its wonderful ending I will not reveal her with the perfect last words (Shhhh, listen...)... I could go on with this list forever. With its hilarious story, its beautiful images, its weird characters and its joyous direction, Diva could open the door to the cinema of the rest of the world for those whose Top 10 list consist only of films as Pulp Fiction, Taxi Driver, Goodfellas, The Usual Suspects or The Godfather. It is a film I immensely love and could watch over and over again.

Diva was very influential on me as a young college student. Diva represented the archetype of a foreign art film. Sure it was new, strange, and unpredictable as Avante-Garde films tend to be. But it was more than that.

I've seen Diva three times -all in the 1980's. Twenty years later, what I remember most is not the plot and the message, but the rich texture of the film. As a viewer I was submersed in a new and different reality; one that was visually stunning, intriguing, and edgy. The submersion was achieved both visually and with the hauntingly beautiful soundtrack.

The colors man, the colors... Diva included many beautiful shot scenes with intense colors and dramatic lighting. There are several shots the stills of which could be turned into farmable artwork. At the time I was thinking they would make great dorm-room posters.

I think Diva has had a lasting influence on cinematography. You may have noticed that movies, TV shows and especially advertisements have moved to be very color intense. Dramatic lighting showing sharp contrasting hues, are the norm. Diva was the first film I can remember with rich color saturation made intentionally to make this type of artistic impression.

Another movie whose cinematography was likely influenced by Diva is Betty Blue (1986).