Madman

Madman is nowhere near as good as some would have you believe, but it does have a slow, creepy atmosphere. The one bit that I will always remember is when you see Madman's silhouette in the trees. That one shot of him alone saves this from being just a regular boring slasher film. It creeps you out enough so that the rest of the film seems ever more creepier as he stalks around the woods killing everyone off. There are plenty of dull moments including a love scene used for padding, and a lot of the time you will be waiting for something to happen. There is a hilarious scene where one of the girls hides herself inside a refrigerator. The ending somewhat spoils the creepiness that had been built up throughout, as we get to see Madman in full light and he just looks like a regular person in a rubber mask. It just goes to show how it's better to leave such things to the imagination.

This is an essential film for any slasher fan, but beware, it's only for those able to tolerate a slower paced slasher.

I remember seeing the commerical on t.v. when I was young, and it scared me. It's a shame movies today can't do the same. Well, I saw it on video, and it was scary, and the madman was scary, but!!! the acting is lousy, Overlook that and we have a scary little forgotten chiller from 1981. The year in which a lot of horror came out.......

I think that a complete guide of the slasher subgenre it's almost impossible to write: because of its very simple&cheap formula, a lot of movie have been produced since the beginning of the 80s.

Among these, one of the earliest and most appreciable is MADMAN by Giannone, which is a very honest low-budget flick with some variations from the original (Cunningham's) model and a more fairy-tale oriented atmosphere (the nominal villain really looks like an ogre). Of course, as many other similar features, it has its flaws - acting, for example - but that's not what you seek from such kind of movies. The special effects are pretty well done and they're obtained with very simple solutions. Giannone's style is good, especially in the use of deep focus and the cinematography is genuinely inventive (the green painted leaves!). Eventually, it's better than many others.

"Madman" is essentially an early '80s retread of the summer camp slasher (done exponentially better by "Friday the 13th" and "The Burning" before it, and "Sleepaway Camp" after it). In the beginning of the film, a group of camp counselors and preteens are around a campfire— it's the week before Thanksgiving (who goes to camp in November?), and since the camp is shutting down, the counselors decide to tell the story of a local farmer named Madman Marz who hacked his family to death with an axe. One of the counselors decides it would be a good idea to call out his name to the surrounding woods, and lo and behold, when they come a'calling, he comes a'killin'.

Hailed as a cult film by many fans, I'm halfway baffled as to why so many consider "Madman" to be as extraordinary as they do. It's not that the film suffers from being routine — that's expected from an '80s slasher epic— but there are a lot of other issues with it that leave something to be desired. The script, for one, is beyond hokey, and the villain himself is about the least scariest maniac I can recall on film— an ogreish redneck in overalls with a clearly prosthetic face? It just ain't scary, folks. Lackluster performances and truly indistinguishable characters don't help much either.

The film does feature some really great photography at times, especially during the nighttime sequences in the woods, which make up the bulk of the film, but incredibly dodgy editing and an abrasive synth score detract from the moodiness of the proceedings. Even the darkness of the upstate New York forest and the musty cabins of the camp fail to establish a solid sense of atmosphere here, and the film suffers for it. There are a couple of gruesome killings, but by and large even the murder sequences are anticlimactic. Perhaps the film's most indubitable sin, however, is that it flashes the murder sequences of each character across the screen in the opening campfire scene. I mean, obviously we know that most of them are going to die anyway, but why strip any potential surprise from a virtually incredulous film?

It's not that I have a bias to the summer camp/backwoods slasher either, nor did I want to dislike this film. There are dozens of films that follow this thread which I am a fan of: "The Burning," "Friday the 13th," "Just Before Dawn," "The Final Terror"— the difference with those films though is that, despite their formalities, they excel in other areas and are able to distinguish themselves because of it. "Madman" doesn't do that; the most it has to offer is some neat nighttime cinematography, a ridiculous hot tub sex scene, and perhaps the most absurd theme song in film history. Highlights: the eerie silhouette of Madman in the tree (as depicted on the 2003 Anchor Bay cover art), and the downbeat ending. 4/10.

This hasn't any originality, but its decently constructed mood of fear and larger-than-life villain makes it one of the best of the many FRIDAY THE 13TH ripoffs of the '80s. A story whispered round a campfire tells of old "Madman Marz", a local farmer who, for no reason at all, went nuts and killed his own family one day. He was caught and done in by a lynch mob but his body disappeared and the locals believe he's still out there somewhere haunting the woods. It is said that if anyone goes near his old empty farmhouse and says his name aloud, the old coot will come out and murder anybody he can get his clawed, wrinkled old hands on. Of course some idiot goes to the property, calls out his name and dares Madman Marz to come kill his fellow campers. Naturally the ornery old reprobate obliges, stomping out of the dark forest growling in rage and armed with various sharp objects to bump off the cast. Madman Marz, a disfigured, overweight old ghoul with a long beard and most of his nose missing, is a frightening creation and the merciless cruelty with which he dispatches innocent bystanders is appropriately shocking. Gaylen Ross of DAWN OF THE DEAD and CREEPSHOW is the main star, billed as Alexis Dubin. Again, there's not much imagination here, but good lighting and professional camerawork keep things watchable and it must be admitted that, in the end, the nice, simple, spooky summertime slasher movie does succeed in being creepy and suspenseful often enough to make it of at least marginal interest. It ain't high art, but it is pretty scary.... and that's what horror movies are supposed to be, right?