Canibal Ferox

I love this flick, so am I perverted or even totally weird?!? None of both, because "Cannibal Ferox" is a great guilty pleasure and an excellent stare-if-you-dare-movie! It is banned in 31 countries and there are truly good reasons for that: nearly no film delivers such an immense load of explicit gore, blood and guts, castration and sadism as this one features! But even though you like to hear it or not, Lenzi´s film is pretty suspense-packed, full of dramatic and entertaining from beginning till the end! Once more the a whole zoo of animals was slaughtered and the most disgusting take is when in a nearly heart-braking scene a little tethered and despaired screaming anteater gets strangulated by a huge Anaconda! However this shot has an almost symbolic character in view of the plot... The cast includes such exploitation-greats like Robert Kerman ("Eaten Alive"), John Morghen ("Cannibal Apocalypse"), Perry Pirkanen ("Cannibal Holocaust") and in the first line the wonderful Zora Kerova ("The New York Ripper"), who makes some really bad experiences with meathooks at the unhappy end..! Faint-hearted persons will surely turn away in deeply disgust, however all those who threw their political correctness over board may surely enjoy this sick symphony of sheer cruelty!

There are so many versions of this movie floating around that I have absolutely no idea what was cut from the version I saw, and what wasn't. All I know is that it was the recent Grindhouse Releasing version.

I expected absolutely nothing from this movie, other than completely amateurish nonsense in the vein of an updated Hershell Gordon Lewis. I was shocked to find that Cannibal Ferox really isn't a bad movie at all. The storyline, acting and production values were as solid as you could expect from such a multi-lingual low budget exploitation flick, especially considering the amount of outdoor location shooting, and Grindhouse have done a really good job with the remastering. Lorraine De Selle is great, trying to take the whole thing seriously while Giovanni Lombardo Radice chews the scenery around her with leering, bog-eyed abandon. Zora Kerova looks like she wandered in from the set of Friday 13th Part II, all blond curls and pert tits, and suffers the consequences. The whole New York subplot stinks of running-time-filler and could be totally done away with.

The gore is minimal but effective – a blink and you'll miss it latex castration and a rather more shocking breast-on-hook impalement. The much criticized animal cruelty really isn't as bad as everyone tries to make out – usually consisting of little more than Discovery Channel style documentary footage of animals chasing and killing each other. On the few occasions in which people actively kill animals, they do so quickly and efficiently, and there's no sense that the animals are suffering, or no more than they would in the average abattoir. It's interesting that when animals are butchered for your viewing pleasure in Italian exploitation movies it's banned in a dozen countries, but when Coppola does it (far less humanely) in Apocalypse Now, it's art.

This was my first journey into the Cannibal genre, and if I can get my hands on Cannibal Holocaust, it won't be my last. Ferox is a fun, trashy, low budget, exploitation fest that is far more enjoyable than some of the big-budget mainstream dross that I've had to endure (Constantine anyone?).

I just finished watching this movie, and it actually wasn't bad. The acting was a little cheesy and the plot was at first corny but it eventually picked up and became what it was supposed to be, a gory hard to watch cannibal movie. I didn't enjoy or was not happy with the animal deaths, but the movie was supposed to be shocking and hard to watch, and that is definitely what those scenes were. It had very good gore effects for 1981. The brain eating, the stomach eating, the hooked girl, and the other scenes of cannibalism were gross and pretty hard to watch. I guess I'm a gorehound, but most movies never really deliver on gore in my opinion. This one did, and that was all ready enough for it to be good. I also like the idea that the cannibals are not the real bad guys, and that we are. If you are a fan of horror movies, especially low budget exploitation horror, then this movie is for you. If you have a weak stomach then do not see this. Still haven't seen cannibal holocaust or any other Italian cannibal film sadly, so I don't have anything to compare this to.

"Cannibal Ferox" is the story of a junior anthropologist, whom brings her brother and a friend into the amazonian jungle in an effort to disprove cannibalism. Along the way they meet Mike and Joe, two dealers on the run from the mob, whom have also angered the natives of the jungle. In classic cannibal sub genre style, the home team takes bloody revenge on the entire lot.

Given the other reviews, I was expecting a warmed over copy of "Cannibal Holocaust". Though there are obvious parallels between the two (the theme of the so called "civilized" being the bringers of barbariety, the direction style used in the jungle scenes, gratuitous animal cruelty and small roles for both Richard Bolla and Perry Pirkanen), there's a vast difference in tone between the two films.

While "Cannibal Holocaust" was relentlessly sadistic, "Cannibal Ferox" plays a variation on the theme with it's underlying bits of horror camp.

The main characters' descent into jungle murder and madness is marked by classic horror bad decision making (How does not finding cannibals in one isolated village somehow disprove the entire phenomenon's existence? Why stay and camp in a village that has a decaying corpse hanging in town square? What's sexy about a mud covered coke fiend? The world may never know.), and their gruesome fates are sealed fairly early on, for sheer bold stupidity if nothing else.

Giovanni Radice rips through his role with almost gleeful bug eyed abandon, Zora Kerova is the obligatory slutty blonde whom meets a nasty end, with Lorraine DeSalle playing straight woman to the other leads hamming it up.

"Ferox" has buckets of blood for the gorehounds, but other than the animal scenes, it's not nearly as real looking as "Holocaust". This is not a detraction to the film, but fits into the low rent quirky tone very nicely, further complimented by the incogruous 70's wah wah music used throughout.

Overall, a fine example of grindhouse horror, worth repeated viewing and seven stars. 1 star detracted by the obvious filler New York sub plot (only bright spot is another delightfully trashy performance by Mr. Bolla), 1 star for being a bit slowly paced, 1 star for a bit too much of the heart of "Cannibal Holocaust" being cannibalized by this otherwise enjoyable film for fans of the more extreme horror romps.

i'm not a naive person. i realize that animals in nature are killed and sometimes slowly. i just don't understand what it had to do with the film. why did they have to have 5 minutes of an innocent animal screaming before the huge snake finally coiled tight enough to cut off it's air. i love cannibal, zombie, and monster movies. i enjoy movies of humans getting killed. you wanna know why? because i know at the end of the day they took home a paycheck no matter how small it was. they got to get up, take a shower and go home. they didn't end up in a digestive system for real for somebody's (mainly mine) entertainment. that part of the movie in no way, shape, or form had anything to do with any part of the movie. it wasn't like blondy could send the little sucker to get help or anything. i'm also just wondering if maybe one of the sickos that made this movie just didn't add in some extra audio of the little guy screaming just for his own "i killed the neighbors cat last night mom" ya yas. this might seem stupid but i'm just saying the people signed up to be killed, the little animal didn't. just some food for thought.