A Vingança do Tigre Branco

Unusually good kung-fu of the old school. This is characterized by middle shots that emphasize the acrobatic ability of the performers instead of cutting around their short comings with extreme close ups of the actions that, let's say, show a single punch or kick.

As others have mentioned the lion dance scenes alone make this movie worth watching. If you have ever had the opportunity to see a lion dance, this one is in a whole different class at least compared to the ones I've seen in Chinatown parades in the USA.

Tak-Hing Kwan, steals the movie with his portrayal of Wong Fei-Hong. At the time Kwan would have been 76 years old. He was born in the last years of the reign of Empress Dowager Cixi Tai Hou, that is, before the last Emperor Pu-Yi came to power. Truly a link between the Kung-fu of yesterday and today.

All this said, the film is flawed by mixing Hong Kong movie genres. At times it is a kung-fu revenge film, comedy, supernatural horror, master and disciple, as well as a truncated unsatisfying love interest.

Still a must see, by any standard.

Dreadnaught features Yuen Woo Ping's extreme talent for choreography and action direction. Fan's of any of his other work will no doubt be very pleased to sit through this oddly titled film. Also, fans of Yuen Biao (that's me), will also be very happy to pick this one up, (although, like "Circus Kids" his role in the film could be argued as criminally underused).

Again, set in Ming Dynasty China, this film sees the plight of Mousy (Biao), who happens to be a very shy, in-confident, and even cowardly laundry worker. His nature is revealed when we witness him trying to collect laundry debts from various townspeople - they push him around and give him nothing.

All the while, an evil and eccentric killer "White Tiger" takes pleasure in terrorising anyone who happens to be around, and, unfortunately for Mousy, he seems to be high on Tiger's list. But, again, like most Kung Fu films, it's not so much what is done, but rather how they do it. Thankfully, Dreadnaught does well in it's direction and choreography, but it does not excel.

Credits list Biao as the star, but I believe Leung Ka-Yan (who is Mousy's older brother in the film) deserves equal billing - they certainly have equal screen-time. "Foon", played by Ka-Yan, is a more well-rounded martial artist, and a student of the legendary Wong Fei Hung (played brilliantly and hilariously by Kwan Tak-Hing a la "Magnificent Butcher). The scene involving a rather violent tailor is worth the sitting alone.

Dreadnaught seems more of an unfocused film as compared to Woo Ping's other work(s). "Drunken Master" for example had a clear, snappy and balanced screenplay. We knew where we were supposed to be at in terms of all the plot elements. Dreadnaught fails on these grounds, and it's action sequences do not mesh pleasurably with the dialog as they do in Drunken Master.

I was expecting a "Snake in the Eagle's Shadow" for Yuen Biao, but rather, I see this film as three main action sequences starring various cast, tied together with the broad characterisation of Mr. White Tiger. It is by far one of the better Kung Fu films out there, but I'm afraid Yuen Woo Ping's other works do the same thing but better.

If I'm being honest, this movie peaks right near the start and fails to completely live up to the insanity of that first action scene. It opens with such a simple, brutal, thrilling, and kind of darkly funny brawl, and I was prepared for something genuinely masterful if it maintained that energy.

The rest of the action is good, but never as great as at the start. The whole movie gets more ridiculous, surreal, and even fantastical as it goes along, and I thought most of the ride was decent. It made things pretty unpredictable, and that snappy Yuen Woo-Ping directed action is always fun to watch.

If you're looking for a slightly less cartoonish and slightly more brutal Kung Fu Hustle kind of film that also has a premise you might find in a slasher movie, I could recommend Dreadnaught.

"Dreadnaught" is a consistently entertaining flick about Mousy (Yuen Biao), a hapless and clumsy coward who stumbles his way into plenty of trouble. While trying to collect a debt, he inadvertently runs afoul of a homicidal lunatic called White Tiger, and spends the rest of the movie being stalked by this freak. The flick is a very early attempt at a kung-fu/horror hybrid, with White Tiger sporting spooky Chinese opera-style make-up and frighteningly leaping into frame time and again. Of course, once he sneaks up on folks he karate chops them rather than stabs them. Still, the guy who plays White Tiger is genuinely creepy, and you really feel this guy's menacing presence. Yuen Biao is great as the goofy Mousy, tripping and falling his way in and out of danger. The fight scenes are excellent, played about half for laughs and half seriously. Add in Kwan Tak-Hing in his classic role as Wong Fei-Hung, and a couple of gross scenes involving ripping heads off chickens and cockroaches, and you've got the makings of a very intriguing kung-fu flick. If you're a fan of the slap-happy style of fighting perfected by Biao, Sammo Hung and Jackie Chan, and you like old school kung-fu stories, this one should be right up your alley.

This film begins so similarly to Young Master that I almost felt I was rewatching it. However, to my surprise, it matched and surpassed the classic Jackie Chan movie by miles. The Dragon/Lion fight scene is worth the admission price alone, and it only gets better after that. The comedy is almost Martin/Lewis, and the fighting is amazingly choreographed. Anything less would be your standard Kung Fu fare.

Highly recommended.