Um Mundo à Parte

I saw this film years ago, and some of it's scenes still haunts me. The story is set in South Africa and it's about a family which will be eventually destroyed by the problems there. The then very young Jothi May it quiet impressive in her debut and Barbara Hershey is equally good.

This is a very good film with outstanding performances, particularly from Jodhi May and Barbara Hershey. The story of the Slovo-First family is very compelling and deserving of this fine treatment. As someone who has spent time in South Africa, both during and after Apartheid, I can attest to its authenticity.

The film works best, however, as a portrait of a troubled family. It carefully and truthfully depicts the agony of an adolescent girl who knows that her parents are trying to change her world for the better but at the expense of a normal life for her and her siblings. As Gillian Slovo so accurately stated, 'Here we were going off to Girl Guides while our parents were advocating the violent overthrow of our country's government.'

This film makes a powerful and moving, yet personal statement.

The first dramatic feature directed by Oscar-winning cinematographer Chris Menges tackles the injustices of Apartheid, without trivializing the issues or compromising the dramatic integrity of its script. Instead of adopting a gratuitous high moral tone, Menges concentrates first on telling a good story, following the growth to maturity of an adolescent (white) girl, already racially color blind, who feels neglected by her journalist/activist mother. The film might be criticized for once again using white protagonists to educate audiences about the black experience in South Africa, but it's a hollow complaint: writer Shawn Slovo based her script on personal experience, and the depth of its detail reflects her crystal-clear memories of growing up in Johannesburg during the early 1960s.

That the film succeeds more on a personal level in no way diminishes its political message, which unlike other anti-Apartheid dramas is never force-fed in condescending spoonfuls ("I know that already; stop treating me like a baby!" cries the frustrated young heroine after yet another lecture from mom). No easy solutions are offered, and the film ends in just another riot, suggesting with cautious optimism the hope for ultimate victory after what promises to be a long and difficult struggle.

If this is indicative of things to come, Jodhi May will be one strong actress to reckon with. Barbara Hershey has never been better, but Jodhi May steals the show as her neglected daughter struggling with terms of identity and growth in South Africa pre-Apartheid. This one is truly a gem. I highly recommend seeing it at any opportunity. I have a copy of it I taped off the television years and years ago. I'm hoping one day it is released on DVD.

Jodhi May doesn't pay attention to what's going on about her in South Africa. That is, until her father, Jeroen Krabbe, flees the country, labeled a communist traitor, her mother, Barbara Hershey, is thrown into prison, and the girls at her private school start tormenting her.

It's one of several movies about the impact of South African apartheid in the late 1980s, but this one is a bit different. Instead of being centered more on the struggle itself, Miss May, the viewpoint character, is more an unwilling witness to the fact that while it's nice to be well-to-do, not everyone can blithely accept that, especially the disenfranchised and those with a sense of justice. The performances are excellent, but even though Miss May's journey from an easy childhood to a committed adulthood is a difficult one, it hardly raises my sympathy, as it clearly is meant to.