Nascido em 4 de Julho

You've heard the express "can't see the forest for the trees", right? It refers to someone who gets so caught up in details, they miss the big picture. Reading other comments on IMDb regarding "Born on the Fourth of July", I think people have the opposite problem with this film. So many people seem to get caught up in talking about Vietnam, war, Nixon, America, Communism, and hippies, that they totally overlook Ron Kovic.

Ron Kovic is the center of this film. In "Platoon", war was the center, and the central character (Charlie Sheen's Chris Taylor) was merely a POV character through whose eyes we could see war. Not so in "Born on the Fourth of July". Vietnam is the setting, the context, and the backdrop. But Ron Kovic is the story.

Oliver Stone really understands a character arc. Look at Kovic's life, where it starts, where it ends. The film is the journey, how he got from A to B. It is a dramatization of a life, as opposed to an actual life, but it still rings true. It feels true. It reaches an artistic level of truth, even if some literal truths are overlooked, distorted, or rearranged. That's what Stone is trying to do. People who quibble about the facts miss the point. (This is a theme I will take up again when I review some of Stone's other films, as Stone is constantly being bashed for historical inaccuracies.) The connections from one point to the next work admirably, and the progression is completely believable, which is quite a feat for such a dramatic change of attitude (compare to "American History X", where the main character goes through a similar about face with scant motivation).

Anyway, what impresses me about this film is the honesty and respect with which Stone presents the opposing views of the film. Say what you want about Stone's political beliefs, but the argument in this film is presented in a very neutral light. It's a story about Kovic's choices, Kovic's politics, Kovic's judgments. And the anti-Vietnam beliefs he finally supports in the final act are a very natural and believable outcome of the story. This film isn't anywhere near as didactic as some people like to imagine.

The tragedy of Oliver Stone is that, because he has been so edgy, so controversial, so deliberately provocative, no one can really just sit down and, with a neutral eye, watch his films. They have become so burdened by this giant, irrelevant, political squabble. The films have been subsumed by the very issues they sought to raise. And it's a shame, with this film especially, because it is excellent.

Tom Cruise gives possibly the greatest performance of his career (I can't think of anything that tops it, though his performance in "Eyes Wide Shut", for very different reasons, is just as remarkable). The script is fantastic, taking time where it needs to take time, but not overly deliberate in its approach. It's very economical with time. It knows what each scene needs to say, and says it without any excess baggage, wasted space, or dead time. The direction is excellent, as is the editing and cinematography. The supporting cast is excellent.

But this movie would be nothing without the remarkable, heart-rending, true story of Ron Kovic. So, while we admire the technical achievement of the film, while we debate the points raised, while we enshrine or excoriate the director (as the case may be), let's not forget the story. Let's not get so fired up about Vietnam that we forget Ron Kovic. He is the heart and soul of this film.

One final note: I bristle when people call this an anti-war film. That really diminishes it, I think. It's so much more than that. It's not just saying that war is brutal, nasty, and horrific. It's saying something far more specific about a specific war, and about the effect of that war on a specific man.

"Born on the Fourth of July" is a film based on the real-life experiences of Vietnam veteran Ron Kovic (Tom Cruise in an Oscar-nominated role). As a young man he feels that Vietnam is just another battleground for the United States. Even after he returns home paralyzed from the waist down, he still feels that Vietnam is important and that if you do not support the fighting then you should leave America. However, he has a change of heart and becomes an anti-war activist who realizes that one gets nothing out of combat but heartache and sorrow. Oliver Stone's screenplay is pretty strong, but it is his unrelenting direction that makes the material work throughout. Tom Cruise established himself as a high-class actor and the film stays above water because of that fact. The lack of character support does impede the progress of the film though. Willem Dafoe, Tom Berenger, and Kyra Sedgwick make somewhat token appearances and the impact of their screen-time is all minimal. Cruise's character dominates the film. This is both the film's strong point and weak point. All in all a strong film, but could have been so much more. 4 out of 5 stars.

When you see a war veteran campaigning against the very war in which he was willing to die once, you begin to have second thoughts about the intent behind the war. Many Americans went deep into this deliberation when veterans like Ron Kovic went on record questioning the wisdom behind US's offensive against Vietnam. Regardless of historical outcome of the war, the question will haunt USA forever -was the Vietnam War a noble and just cause. Your answer could be anything depending upon your political and ideological preferences, but the reality of thousands who lost their lives and limbs continues to hurt.

Oliver Stone's Born on Fourth of July - based on the true story of Ron Kovic - takes the audience through the triumph and trauma of a crusader who went from one side of the war debate to the other. Ron wanted to fight for his country and stop the evil force of communism dead in its tracks. He went to Vietnam to defend his nation but came back soon, injured and doomed to suffer further. In the inadequately equipped hospital, his dreamer instincts crashed against the harsh realities of political ambivalence, not for the first time though.

Over next eight years that are depicted in this masterpiece, the character of Ron Kovic (played by Tom Cruise with unprecedented brilliance) goes through the trauma of knowing that no one will "love him now", that even his own sibling is not on the same side of ideology, that the government had more pressing issues than taking good care of war veterans, that his countrymen did not necessarily endorse of his view point. The reality that he killed a soldier from his own army, the reality that he was the unfortunate one to butcher children and women in Vietnam, the reality that he would not be able to father a child, the reality of his realization that his government had made a wrong case for the war - it all kept gnawing at his conscience. It kept gnawing him until he opened up to speak about what was wrong about this war. Thus 'ended' the patriotic fervor of a driven person, but he continued his passion as an antiwar activist.

Born on Fourth of July may have been the story of one Ron Kovic, but there are many others whose sentiments would echo with this veteran's. At the end, there is no easy way out of this debate. War always comes with its baggage of pain, trauma and hurt. Whether Vietnam was a mistake or not - the arguments would go on forever. So would the history of people who aspired to be motivated by JFK's historical urge - Ask not what your country can do for you, See what you can do for your country - only to realize that in every war there is only one casualty - the human spirit. And this reality hurts.

I remember when i first watched this film I became totally absorbed in it. I had to search out songs that I heard in the move.....I had to see other Vietnam movies again.....I had to watch other Stone movies. Its a superb film. Cruise gives the best peformance he ever will in a film as Kovic.....the golden boy who comes home paralysed and confused at the way his country is reacting to Vietnam. Some of the scenes in the film are very disturbing but the ones that affected me the deepest were not any battle scenes. When Ron comes home and looks at himself as a young boy in his wrestling kit was almost unbearable to watch. Also, the scene when he is drunk in the bar and comes out of his wheelchair had me turning away from the screen. This is a true epic film and the support cast and soundtrack are also superb. 5/5 easily.

Let's start with the good news. "Born on the Fourth of July" is an absorbing piece of work, based on a true story, about Ron Kovic (Tom Cruise), a gung-ho Marine-turned-war-protester. We first meet Kovic as an all-American boy as strong in his faith as he is in his will to succeed. After high school he proudly joins the Marines, hoping he'll be shipped to Vietnam to stop the spread of communism. But the barbarities of war, including civilian casualties, friendly fire and a paralyzing bullet through the chest, gradually turn him against the conflict. Director Oliver Stone's method of telling Kovic's story over a period of several years is highly effective and convincing. Cruise is at his best as Kovic, portraying a wide range of emotions and developing apathy with the viewer. The audience feels what he feels, from confusion on the battlefield to the terror of being paralyzed from the waist down.

Now for the bad news. The picture is overly political, with Stone once again (and unnecessarily) casting Republicans as the bad guys and Democrats as the good guys (seemingly ignoring that the Dems initially sent the troops to 'Nam). The film also takes a while to build up steam, and the all-American life of the pre-Marine Kovic seems a little too perfect to be believable. Obviously a story such as this requires adequate screen time, but the 145 minutes is slightly drawn out, particularly toward the end. And although one of its central themes is the opposition to the war that greeted returning vets, the genesis and rationale of that opposition are not adequately explored.

As a whole, however, "Born of the Fourth of July" is recommended. Kovic's biography and Stone's masterful storytelling are a perfect match. It's not your typical war movie. In fact, it's not your typical movie, period.