Flores de Aço

Every time I see this movie, I want to eat a plateful of jambalaya and smell the sweet aroma of a magnolia. No other movie I've seen quite captures the essense of southern living like Steel Magnolias. This movie has everything, hysterical comedy and satisfying drama. Everyone was great: Sally Field as M'Lynn, a mother who still worries about her very grown up daughter; Julia Roberts as Shelby, a special young woman who feels that having a baby is worth risking everything; Dolly Parton as Truvy, a lonely beautician who brightens like a light bulb when her little shop is full of "hens" : ) ; Olympia Dukkakis as Clairee, the town bigwig who loves to gossip; Daryl Hannah as Annelle, a very religious young woman who drives her friends crazy with her sudden fits of prayer; and of course who can forget Shirley McLaine as Ouiser, the grouchy old wretch who tows her pathetic dog around and mercilessly cusses out the equally obnoxious Drum (Tom Skerrit)??? A very satisfying movie for comedy and drama lovers alike. A totally feel good, yet very real movie.

This film is worth watching for two reasons. First, it is based on a tragic, real life event. As such, an enhanced credibility sustains the film's underlying premise, and thus renders a much greater potential for viewer impact and depth of meaning, as opposed to a work of fiction. Second, quite aside from its autobiographical roots, the film has entertainment value, expressed mostly as snappy, funny dialogue, delivered competently by an ensemble cast of likable actresses. Attention to detail in costumes and production design, and adroit film editing, further amplify the film's overall technical quality.

"Steel Magnolias" is a story about the close knit relationships between six ordinary Southern women, living in a small town in Louisiana. The film has a homespun, unpretentious feel to it, rather like "Fried Green Tomatoes".

The plot alternates between humorous, small, everyday events and good-natured quips, on the one hand ... and on the other hand, the seriousness and heartache attendant to life's unexpected crises. Through the laughs and tears, the six women learn to endure hard times, and thus emerge from their struggles with grace and dignity.

Finding something to criticize here is not easy. I can think of several changes that I would have made, to satisfy my own personal preferences. But the film is solid and substantial, as is. I suppose one could zero in on the acting. A couple of the cast members overact their parts, at some point or another in the film.

Overall, "Steel Magnolias" is technically well made. And the content engages our interest, as a result of its true-to-life theme, its all star cast, and some very clever dialogue.

As much as I enjoyed watching this film and reading the reviews; I'd like to comment on one aspect of the film that I haven't seen touched upon. The character of Shelby is meant to be portrayed as an optimistic, strong willed individual, determined to buck the odds to have the baby she longs to have. However, I can't help but see the character as incredibly selfish. Even though she knows that going through a pregnancy will put undo strain on her weakened system and potentially threaten and shorten her life, she resolves to get pregnant anyway; just so she can have a baby. Apparently she hasn't given a thought to either the child or her husband for that matter. She intentionally puts her husband in the position of probably losing his wife and raising a child as a single parent and whatever child she has, of losing its mother. Not exactly the behavior of someone who has a child's best interest in mind. All the character illustrated was that her husband was just a means to an end.

"Steel Magnolias" is a movie I believe I've known about my entire life. It was released about the time I became cognizant of such things, at age four or five. I think I can remember my mum talking about it, along with "Fried Green Tomatoes", which I'm also about to watch.

The title, indeed, is unforgettable. And intriguing. The movie makes no reference to it, nor explanation. I have seen online that some people have argued it means the characters in the movie are "as delicate as magnolias, but as tough as steel". If that's true it's a fitting title.

What's more indelible, though, and what I'll know I'll remember, is Shirley MacLaine's performance as "Ouiser" - and who could forget that name. She's like the engine that powers the whole movie. The other actresses all play off her.

The movie has a bunch of other great actresses in it, though, and there's not really a weak link. Even the smaller male roles are played by great performers like Sam Shepard, Tom Skerrit, Dylan McDermott, Kevin J. O'Connor.

I wasn't sure if I was going to keep on with this movie at first. It seemed like it might be one of those flicks where the acting is great, but it's like the movie keeps you at a distance. It shows a totally believable world with some colourful characters but you're not sure where you fit in as a viewer.

I'm glad I didn't quit on it. I found the throughline eventually, which is Julia Roberts' character. I kind of knew where the movie was headed (no spoilers) because I read the movie's tagline, and it was pretty predictable. Perhaps, for that, the twist didn't have the emotional impact it should have had.

You know what? I'm going to revisit this movie later. I think it might be the kind of thing that improves on second viewing.

Now that I've recently watched "Beaches" I feel like I need to watch this again, to compare which chick-flick I like more. Those two, plus "Fried Green Tomatoes" tend to be mentioned together as ultimate weepy chick-flicks, and I've seen them all, but I don't remember liking this one quite as much as "Beaches". I'll have to watch again to see...

UPDATE: I watched it again, and I have to say there was far more laughter than tears here, which I appreciate. "Beaches" (1988) actually made me cry more than this one, which surprised me, given the reputation of "Steel Magnolias" (1989) as being one of the ultimate tearjerkers. But, this movie shows that it's not the amount of tears, but the quality of them that makes for a great tearjerker!

The subject of losing a loved one was handled with rage, comic relief, and ultimately grace. It made me cry, without bringing me totally down, which is a kind of miracle, really.

This is a tearjerker, but not a bitter one, like "Miss You Already" is- instead, it was one wherein, as I traveled through life with these women, I felt less resentment, and had fewer regrets, despite the bitter-sweetness of it all. This movie managed to take what could be very depressing subject-matter, and inject dignity and an uplifting quality into it. By the end, I didn't feel like cursing the Almighty for allowing such suffering (as I sort of did with "Miss You Already" and to a lesser degree, "Beaches"), instead, by the end, I just had a line said by Dolly Parton's character lingering in my heart- i.e. "God works in mysterious ways." And somehow, that made it alright and gave me such comfort!

Yes, this is a tearjerker, but like it's tagline says, "It's the funniest film that'll ever make you cry!" As I said, it's far more laughter than tears here, and I mean laugh out loud moments! So, be prepared to laugh til you cry with this one! It is indeed a classic! Do I like it more than "Beaches" (1988) though? No, I don't think so, cause I have a soft spot for Bette Midler and her Easy Listening music and her comedic ways. That said, this one is right up there with it, and definitely one of the best of its kind!