O solteiro e preguiçoso Buck cuida da filha adolescente de seu irmão e também de seus dois irmãos mais novos.O solteiro e preguiçoso Buck cuida da filha adolescente de seu irmão e também de seus dois irmãos mais novos.O solteiro e preguiçoso Buck cuida da filha adolescente de seu irmão e também de seus dois irmãos mais novos.
- Maizy Russell
- (as Gaby Hoffman)
- Mr. Hatfield
- (narração)
Enredo
Você sabia?
- CuriosidadesDespite their characters not getting along for the majority of the film, off-camera Jean Louisa Kelly got along very well with John Candy and said she was honored to work with someone she considered a legend.
- Erros de gravaçãoWhen Uncle Buck is in the bowling alley with Tia, Miles, and Maisey - "Pal" has already come to sit next to Tia - but in the long shot of Uncle Buck helping Maisey bowl, Tia is clearly sitting alone on the bench behind the lane.
- Citações
Buck Russell: I don't think I want to know a six-year-old who isn't a dreamer, or a sillyheart. And I sure don't want to know one who takes their student career seriously. I don't have a college degree. I don't even have a job. But I know a good kid when I see one. Because they're ALL good kids, until dried-out, brain-dead skags like you drag them down and convince them they're no good. You so much as scowl at my niece, or any other kid in this school, and I hear about it, and I'm coming looking for you!
[of Anita's mole]
Buck Russell: Take this quarter, go downtown, and have a rat gnaw that thing off your face! Good day to you, madam.
- Cenas durante ou pós-créditosWhen the movie finishes, John Candy's voice yells "Wake up!", followed by the sound of an air horn and John laughing.
- Versões alternativasIn January 2021, Hats Off Entertainment presented a previously unseen deleted scene on its Youtube channel. The ten-minute scene shows Buck playing various games in the Russell household with his gambling buddies and a pizza delivery man. After playing charades, they play a game of musical chairs for money. Buck loses the game, but refuses to pay out to the other players and is chased.
- Trilhas sonorasRhythm of Life
Written and Performed by Hugh Harris
Under license from CEMA Special Markets, Capitol Records, Inc.
Bob and Cindy Russell recently moved from Indianapolis to Chicago with their three offspring, Miles and Maizy, who are both under ten years old, and Tia, who is now a teenager. Cindy is informed that her father has just had a heart attack, so she and her husband plan to go to Indianapolis to visit the ailing man, but first, they will have to find a sitter for their kids. After several failed attempts, it seems they have no choice but to call over Bob's unmarried brother, Buck Russell to take the job, even though he is a lazy, irresponsible slob, which means this could lead to disaster! Nonetheless, Buck agrees to come over and stay with Miles, Maizy, and Tia while his brother and sister-in-law are in Indianapolis. Inevitably, his presence in this household does lead to some trouble, especially with Tia. She does not appreciate her uncle's presence and is currently going through a phase of teen angst and rebelliousness.
At the beginning of this movie, it's not all that great. When Tia (played by Jean Louisa Kelly) first appears, it doesn't take long for one to realize that she is a very unlikable, snotty character, though there are some fairly funny lines in that very early scene with the Russell siblings. I also didn't think Macaulay Culkin (in the role of Miles Russell) talking about a certain dog being a "ball-sniffer" that funny. However, as I had hoped, John Candy does a great job playing the title role. He plays the same kind of character here as he did in "Planes, Trains & Automobiles", a lovable slob. I think his talent really helps carry this film, and his character's antics are probably the main reason why so much of it is funny, with the slapstick and comical dialogue. Around the time when the character leaves his apartment and goes to the family's house, I was laughing very hard, with scenes such as his phone conversation before he leaves and Buck knocking on the wrong door when he arrives. If it stayed this way for the rest of the film, I would be giving it at least an 8/10, but it doesn't. Tia continues to be snotty, and for much of the film, I laughed a lot but not as hard as before, but Candy's antics still make much of this film entertaining, sometimes hilarious, with the lead character annoying Tia, scaring her boyfriend, the explosion sound his car engine makes, his conversation with the elementary assistant principal, etc. It helps that there are also some good dramatic moments in the movie, especially towards the end.
Basically, what makes this flick inferior to "Planes, Trains & Automobiles" is that it's not as consistent as its predecessor, and the 1987 John Hughes/John Candy collaboration certainly doesn't have any characters that are as off-putting as the Tia character is here. In between those two films, Hughes wrote but didn't direct a comedy entitled "The Great Outdoors", which also features Candy in the cast, but I haven't seen that one, so I don't know how it compares, but "Planes, Trains & Automobiles" and "Uncle Buck" are both funny comedies which can also be serious in some scenes, with good sentiment, and Candy really stands out in both of them. The two movies can also easily leave viewers with a good feeling at the end. I can understand why "Uncle Buck" doesn't have the appeal of its hilarious predecessor, but there is a lot to make it watchable, and it can remind us of the talent Hughes and Candy had.
- Beta_Gallinger
- 15 de abr. de 2010
- Link permanente
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Solos con nuestro tío
- Locações de filme
- 2602 Lincoln Street, Evanston, Illinois, EUA(the Russell house)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 66.758.538
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.794.501
- 20 de ago. de 1989
- Faturamento bruto mundial
- US$ 79.258.538
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1