Conta as desventuras do neurótico humorista Jerry Seinfeld e seus amigos em Nova Iorque.Conta as desventuras do neurótico humorista Jerry Seinfeld e seus amigos em Nova Iorque.Conta as desventuras do neurótico humorista Jerry Seinfeld e seus amigos em Nova Iorque.
- Ganhou 10 Primetime Emmys
- 81 vitórias e 197 indicações no total
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Resumo
Reviewers say 'Seinfeld' is celebrated for its unique humor, quirky characters, and witty dialogue, finding comedy in everyday life. Its innovative narrative and themes of relationships and social commentary stand out. The ensemble cast, led by Jerry Seinfeld, Jason Alexander, Julia Louis-Dreyfus, and Michael Richards, delivered memorable performances. The show introduced many catchphrases and cultural references. Despite criticism for character flaws and moral indifference, its clever writing and fearless humor have made it a comedy classic.
Avaliações em destaque
Best Written Sitcom Ever
I hate saying something is the best ever. Still how could you go wrong with Seinfeld. Just hilarious characters and setups everywhere.
For everyone who has seen this show, what other show or even movie deliver so many open ended endings that still felt like a perfecting closing. That right there is great writing.
The characters are another great example of great writing. To think of people like Jerry, George, Elaine and Kramer. These characters were developed so greatly that the ideas for episodes were endless. Also the guest stars did a great job in their appearances just sliding right in.
The plots of the episodes were not that great from the outlook. If you actually watch the episodes though the most basic daily problem could be made into a very enjoyable episode.
This can only be done with great, superb writing. If you have seen this show watch it.
For everyone who has seen this show, what other show or even movie deliver so many open ended endings that still felt like a perfecting closing. That right there is great writing.
The characters are another great example of great writing. To think of people like Jerry, George, Elaine and Kramer. These characters were developed so greatly that the ideas for episodes were endless. Also the guest stars did a great job in their appearances just sliding right in.
The plots of the episodes were not that great from the outlook. If you actually watch the episodes though the most basic daily problem could be made into a very enjoyable episode.
This can only be done with great, superb writing. If you have seen this show watch it.
The greatest of all sitcoms
This is sort of a small tribute to the show.
It is too bad that this show is no longer being made. NBC should have used the "carrot and stick" approach with the creators and maybe the show would still be on. Instead, NBC gave them so much money that they just cut and ran. Sort of like "we'll give you millions and millions of dollars to do a short run series and then you guys can go". Which is what happened.
I am like some of the others here on this post who said that they did not really watch "Seinfeld". It took several weeks to catch on to the characters to get to like the show. Even in re-runs "Seinfeld" is still very funny.
Those people who say they do not like the show because it's about nothing are lying to themselves. They love it. They just cannot believe that someone could have been so successful with the show's premise.
You could tell after Larry David quit "Seinfeld" the difference in the shows humor and pacing. And I saw some movie Larry David made right after...stinkola. I think it was called "Sour Grapes". Maybe some sort of comment on life after "Seinfeld"?
It is extremely difficult to find anything on TV that even comes close to "Seinfeld". There just isn't any. This website suggests "Friends". Please. I think I just might throw up. "Friends" is just another of the cookie cutter sit-coms. After watching "Seinfeld", I cannot watch any sit-com, because it is just not the same. The others just fall way short of making any noticeable effort to put on some truly original humor.
I think that in a couple of years, one of the Turner cable stations will have the syndication rights to "Seinfeld". I hope that they will honor the show by always putting the show on from its first show to the last without skipping the order because a big part of the successful formula for "Seinfeld" was that the show had a distinct timeline. The way it is being aired now, on one day you'll see a show that aired in 1990 then the next day they have one on that originally aired in 1995. That really stinks.
Oh well. To all of you dyed-in-the-wool "Seinfeld" fans here is a little trivia I came across on the web.
An anagram for "Seinfeld" is "snideelf". One last one for "Jerry Seinfeld" is "friendly jeers".
Cheers to all of the creators, contributors, writers, producers, etc. of the greatest TV comedy ever.
It is too bad that this show is no longer being made. NBC should have used the "carrot and stick" approach with the creators and maybe the show would still be on. Instead, NBC gave them so much money that they just cut and ran. Sort of like "we'll give you millions and millions of dollars to do a short run series and then you guys can go". Which is what happened.
I am like some of the others here on this post who said that they did not really watch "Seinfeld". It took several weeks to catch on to the characters to get to like the show. Even in re-runs "Seinfeld" is still very funny.
Those people who say they do not like the show because it's about nothing are lying to themselves. They love it. They just cannot believe that someone could have been so successful with the show's premise.
You could tell after Larry David quit "Seinfeld" the difference in the shows humor and pacing. And I saw some movie Larry David made right after...stinkola. I think it was called "Sour Grapes". Maybe some sort of comment on life after "Seinfeld"?
It is extremely difficult to find anything on TV that even comes close to "Seinfeld". There just isn't any. This website suggests "Friends". Please. I think I just might throw up. "Friends" is just another of the cookie cutter sit-coms. After watching "Seinfeld", I cannot watch any sit-com, because it is just not the same. The others just fall way short of making any noticeable effort to put on some truly original humor.
I think that in a couple of years, one of the Turner cable stations will have the syndication rights to "Seinfeld". I hope that they will honor the show by always putting the show on from its first show to the last without skipping the order because a big part of the successful formula for "Seinfeld" was that the show had a distinct timeline. The way it is being aired now, on one day you'll see a show that aired in 1990 then the next day they have one on that originally aired in 1995. That really stinks.
Oh well. To all of you dyed-in-the-wool "Seinfeld" fans here is a little trivia I came across on the web.
An anagram for "Seinfeld" is "snideelf". One last one for "Jerry Seinfeld" is "friendly jeers".
Cheers to all of the creators, contributors, writers, producers, etc. of the greatest TV comedy ever.
Seinfeld, a cultural landmark?
I caught a few episodes of Seinfeld over it's final two seasons run on public channel, and made it a point to catch a lot more of Jerry and friends during it's reruns. I found it very amusing on first viewings, but as time wore on, I began to like it more and more, and to eagerly borrow taped episodes from friends, and to hunt for re-runs on syndicated channels.
Of the two comedy TV series in the history of television, I would choose both Seinfeld and Monty Python as the cultural landmarks of the medium. In Seinfeld, there is not a trace of sentimentality and glib moralizing that plagues the American sitcom genre. Characters do not hug each other on Christmas, fall in love, wax on and on about family and friends, there is no faux-cathartic season ender so favoured by the writers of, say, "Friends".
Instead, we have the narcissistic Jerry, constantly mining the minutiae of everyday detail for every bit of situational comedy; we have the hyper-aggressive Elaine, whose strings of breakups with boyfriends are as impressive as her petty neuroses leading up to the breakups themselves; the ultimate schlub-loser George, who lies to every single woman he dates, sells faulty equipment to the handicapped and muscles off women and children when fleeing an apartment fire; and the impossibly inventive physical comedy of the entrepreneur cum schmooze Kramer.
Over and over again, week in and week out, the quartet discuss trivialities with unbridled zeal, as the non-descript narrative pings from one mundane setting to another. Seldom has such wit been generated by such gargantually pointless human endeavours. That is where the brilliance of Seinfeld lies, in the ability to go to the most bizarre ends to fulfill the potential of a less than hopeful comedic premise; and the endless, pointlessly smug and nihilistic banter that almost invariably escalates into some of TV's classic lines, such as when George shouts triumphantly after winning an argument that "there is no bigger loser than me!".
Surely, we won't find something like this again, for many more years to come.
Of the two comedy TV series in the history of television, I would choose both Seinfeld and Monty Python as the cultural landmarks of the medium. In Seinfeld, there is not a trace of sentimentality and glib moralizing that plagues the American sitcom genre. Characters do not hug each other on Christmas, fall in love, wax on and on about family and friends, there is no faux-cathartic season ender so favoured by the writers of, say, "Friends".
Instead, we have the narcissistic Jerry, constantly mining the minutiae of everyday detail for every bit of situational comedy; we have the hyper-aggressive Elaine, whose strings of breakups with boyfriends are as impressive as her petty neuroses leading up to the breakups themselves; the ultimate schlub-loser George, who lies to every single woman he dates, sells faulty equipment to the handicapped and muscles off women and children when fleeing an apartment fire; and the impossibly inventive physical comedy of the entrepreneur cum schmooze Kramer.
Over and over again, week in and week out, the quartet discuss trivialities with unbridled zeal, as the non-descript narrative pings from one mundane setting to another. Seldom has such wit been generated by such gargantually pointless human endeavours. That is where the brilliance of Seinfeld lies, in the ability to go to the most bizarre ends to fulfill the potential of a less than hopeful comedic premise; and the endless, pointlessly smug and nihilistic banter that almost invariably escalates into some of TV's classic lines, such as when George shouts triumphantly after winning an argument that "there is no bigger loser than me!".
Surely, we won't find something like this again, for many more years to come.
Still just as funny today
Seinfeld is absolutely, without a doubt, one of the best comedies in the history of television. It's just as hilarious today as when it was on in the 90's. There aren't many shows that hold up over decades and get just as many laughs today as back then but Seinfeld is definitely one of those shows. Larry David is just a flat out genius. Between this and Curb Your Enthusiasm, he's created 2 of the best sitcoms of all-time. This show is so good that you can find it running on some channel almost anytime of the day so it's obviously still doing well otherwise it wouldn't be on so much. I've seen each episode countless times and still laugh each time. I'll continue to watch this the rest of life and never get sick of it.
The best show ever
It has ended 6 years ago and we still talk about it, i think that this shows us how fantastic this series was. There are some new programmes that are good, but any of them is half as interesting as Seinfeld was. Many of its episodes are really comedy masterpieces. After watching one of them you become an addict. The characters are fantastic, the actors performed so well that you can't think of them like anything but the character they played, maybe this is the reason because they couldn't success in other shows. The writers who could do 8 seasons of a "show about nothing" doing each episode funnier than the last one deserves our respect and admiration. To sum up, Seinfeld rules
Você sabia?
- CuriosidadesLarry David famously instituted a policy of "no hugging, no learning," meaning that the show must avoid sentimentality and moral lessons, and the characters must never learn or grow from their wrongdoings.
- Erros de gravaçãoJerry and Kramer's apartment building address is said several times to be 129 West 81st Street, but the awning outside of the building has the address 757.
- Citações
Telemarketer: Hi, would you be interested in switching over to TMI long distance service?
Jerry: Oh, gee, I can't talk right now. Why don't you give me your home number and I'll call you later?
Telemarketer: Uh, well I'm sorry, we're not allowed to do that.
Jerry: Oh, I guess you don't want people calling you at home.
Telemarketer: No.
Jerry: Well, now you know how I feel.
[Jerry hangs up phone]
- Versões alternativasGeorge's father was initially played by John Randolph in the episode The Handicap Spot (2005). In syndication, his guest appearance has been replaced by new footage featuring Jerry Stiller who played George's father in the later episodes. The DVD release of this episode featured in the Season 4 box set allows the option to watch either version.
- ConexõesEdited into Where's Larry?: Seinfeld's Secret Guest Star (2006)
- Trilhas sonorasSeinfeld Theme Song
Written by Jonathan Wolff
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