Edward Mãos de Tesoura

I would have to say that Edward Scissorhands is by far one of the best films done by Tim Burton. It is a very beautiful story. They couldn't have chosen a better cast for this movie. Johnny Depp is phenomenal as Edward. He brings the characters in his movies to life so well that it is hard to believe that he is acting. It seems as if when he learns about the movie and goes over the scripts that he transforms in the character. This film is definitely one of them. This movie is nothing short of enchanting. This movie was the reason that I fell in love with Tim Burton and Johnny Depp. If you like movies that leave you bug eyed, make you think, and leave you wanting more then this is the film for you. I highly recommend this movie to anyone who loves a good fairy tale.

I really cannot add too much more to the wealth of praise directed toward this film...much of it very deserved. Tim Burton really shows us his ability to transcend mere comedic situations(Pee Wee and Beetlejuice) and tell a story of humour love, pity, conformity, and so on in an eerie and entertaining way. The way this film is constructed is amazing...the sets are wonderful as they depict something so real and yet so far away. Burton takes us into a kind of fairy land of Suburbia...with a haunting, empty castle at the end of the block that just happens to house a man with scissors for hands. The music in this film helps create a great deal of atmosphere and really lends to character development; I particularly enjoyed his use of the music of Tom Jones. The acting in the film is superb on all accounts. Burton got a subtle and effective performance from Johhny Depp, whose talents cease to amaze me. A nice Burton touch was the use of Vincent Price in one of his final roles. Although only in three scenes, seeing Vincent again was a real joy.

This film shows us Edward, a humanoid created by a scientist who died before he could finish his creation. Because of this, Edward has big scissors instead of fingers and a strange looking, almost industrial. But he ends up being found amid the ruins of the mansion where he was born and taken to a suburban neighborhood, where life is always the same, made of perfection appearances. Directed by Tim Burton, has a screenplay by Caroline Thompson and counts on the participation of Johnny Depp and Winona Ryder.

This film is a modern Christmas tale and, for a decade, was very broadcast on televisions around this time of year. The story is very beautiful and touching, and makes us think about issues such as the right to be different from others, the difference between being and seeming, the exaggerated importance we give to appearances and the little importance we give to what is genuine, and how our society corrupts what is naturally good (Rousseau revisited?). Despite it usually have a parental rating accessible to children, this film seems to have been designed for public since the age of ten. The cast is reasonable but not surprising, except for Johnny Depp and Winona Ryder, actors who had, in this movie, the first major opportunity to shine, and where Depp inaugurated a long and fruitful partnership with Burton, which lasts until today. The photography and the visual effects are very good. The sets and costumes are interesting, helping to get the message proposed in the film, and the soundtrack is marked by the main theme, composed by Danny Elfman. This piece remained in the memory of the audience for its beauty and magic, becoming one of the most beautiful musical pieces made for film.

Edward Scissorhands, directed by Tim Burton, is a charming and utterly original fable showcasing Burton's mastery in creating a visually unique world. The story revolves around a haunted mansion atop a nearby mountain, once home to an eccentric inventor (Vincent Price) who built Edward, a human with scissors for hands, before passing away and leaving him alone. The plot unfolds when Avon sales representative Peg Boggs (Dianne Wiest) discovers Edward in the sinister castle and brings him to live with her family.

Edward, portrayed by Johnny Depp, is both delightful, curious, and likable. Depp delivers a moving and memorable performance, conveying emotion and humanity through a character who physically cannot touch others. Despite his peculiar appearance, the townsfolk do not see him as a brute; instead, they adapt his abnormalities for various roles like gardener or pet and human hairdresser.

The love story develops with Kim Boggs (Winona Ryder), Peg's teenage daughter, who initially finds Edward monstrous but eventually develops special feelings for him. However, Edward also faces seduction from the neighbor Joyce (Kathy Baker). The film explores Edward's relationship with middle-class suburban society, where he is the innocent and understanding one, while society reveals its potentially malevolent nature.

A plot twist occurs when Jim, Kim's brutish boyfriend, manipulates Edward into participating in a burglary, leading to Edward being ostracized by the community. Only the Boggs family, particularly Peg and her husband Bill, stand by him. The film concludes with Kim returning Edward to his castle for his safety, marking a melancholic ending that critiques human nature and conformity.

Edward Scissorhands tackles profound themes of acceptance, love, difference, and the cruelty of social norms, using Edward as a metaphor for those who are different. Visually appealing and easy to appreciate, the movie does not delve deeply into its storyline but its style and message make it memorable.

A man created by an inventor is taken from the solitude of his home to live with a suburban family.

The plot uses elements of Frankenstein and Beauty and the Beast to great effect in a story that very much about the human condition. Tim Burton may not have intended to satirise suburban types as much as he did, but ridiculed they feel with the gossipy, trouble making housewives and bored gardening, golf playing husbands. Cars all leave for work at the same time, great pride is taken in gardens and most (save a few) ultimately see Edward as either a 'freak' or a 'cripple'. We see the real freak show does not lie in the decaying old Gothic mansion on the hill, but in the normal residential neighbourhood below.

Edward Scissorhands has a style that shows Burton at his quirky, gothic best. The colour of everything in the suburbia is some variant of pastel, and is contrasts brilliantly with Edward's black suit and ghostly white face. This fits perfectly with the themes of acceptance, isolation and fitting into social structures when you are quite different.

The protagonist family are all sympathetic, played likably by Dianne Wiest, Alan Arkin, Robert Oliveri and in particular Winona Ryder. Edward's interaction with them is both hilariously funny and beautifully moving in a number of scenes.

There are also some strong supporting characters. Joyce, the lustful neighbour who talks in perpetual innuendo. Her scene of orgasmic joy on receipt of a new haircut is wonderfully funny. Jim the spoilt jock boyfriend sneers and lashes out every line with utter contempt. Vincent Price in a heart breaking cameo as the inventor is an excellent touch.

As the title character, Johnny Depp's performance is modern take on Charlie Chaplin and Buster Keaton. He says very little, but his eyes and facial expressions tell us everything we need to know. When he does speak it is the voice of a frightened and confused child. I feel so much sympathy that it pains me to watch.

It has a haunting soundtrack that stays with you after the final credits. Every time I think of falling snow, particularly when melancholy I think of that music.

What prompted me to give this one a higher rating than I had originally planned was watching it with my three and a half year old daughter. It held her from start to finish, which is a rare thing for a non-animated feature length movie.

For me it's an 8.5/10, but I round upwards.