AVALIAÇÃO DA IMDb
5,6/10
2,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaHistorical fiction set against the backdrop of Hong Kong in its early years of British rule.Historical fiction set against the backdrop of Hong Kong in its early years of British rule.Historical fiction set against the backdrop of Hong Kong in its early years of British rule.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I found this movie to follow the novel pretty closely, considering of course that the novel is about 900 pages and the movie is only two hours! While not of the same outstanding caliber of adaptation as the Shogun miniseries, it nevertheless manages to generate some excitement and give a flavor for the happenings of that period, during which the colony of Hong Kong was founded.
Joan Chen was especially good as Mai-Mai, and all the other parts were at least adequately cast. The locations, sets and production values were of uniformly good quality. The only thing lacking was enough time to tell a story this long and complex--in such a short production one only has time to hit the high points of the plot. But it was enjoyable nevertheless.
Joan Chen was especially good as Mai-Mai, and all the other parts were at least adequately cast. The locations, sets and production values were of uniformly good quality. The only thing lacking was enough time to tell a story this long and complex--in such a short production one only has time to hit the high points of the plot. But it was enjoyable nevertheless.
TAI-PAN
Aspect ratio: 2.39:1 (J-D-C Scope)
Sound format: Dolby Stereo
1840's China: Thrown off the mainland because of his opium dealings, a western merchant (Bryan Brown) sets up home on the island of Hong Kong where he faces conflict from friend and foe alike in the lead-up to colonization.
Hugely derided at the time of its release, this handsome production - based on the novel by James Clavell, and directed by TV specialist Daryl Duke (THE THORN BIRDS) - plays to the gallery at every turn, embracing the book's labyrinthine plot and outrageous melodrama with unashamed fervour, an approach which appears to have sealed its fate at the box-office. The movie opens a little too abruptly, indicating a troubled post-production, but John Briley's busy screenplay (co-written with Stanley Mann) unfolds against a colorful historical backdrop and includes just enough nudity and violence to keep boredom at bay. Brown's performance is compromised by an unconvincing Scottish accent, and he's upstaged by Joan Chen (THE LAST EMPEROR) as the Chinese girl who loves him regardless of his failings, while handsome Tim Guinee (HOW TO MAKE AN American QUILT) is achingly sincere as Brown's naive young son, led astray by villainous merchants plotting his family's downfall. Also starring John Stanton, Russell Wong, Norman Rodway, Kyra Sedgwick and Bert Remsen in supporting roles. Production values strive to capture an epic feel and are largely successful, though no one's ever going to mistake this for "Lawrence of Hong Kong"! Italian makeup maestro Giannetto de Rossi (a regular contributor to the films of Lucio Fulci) provides some occasional flashes of gore, including a brief - but realistic - decapitation near the beginning of the picture.
Aspect ratio: 2.39:1 (J-D-C Scope)
Sound format: Dolby Stereo
1840's China: Thrown off the mainland because of his opium dealings, a western merchant (Bryan Brown) sets up home on the island of Hong Kong where he faces conflict from friend and foe alike in the lead-up to colonization.
Hugely derided at the time of its release, this handsome production - based on the novel by James Clavell, and directed by TV specialist Daryl Duke (THE THORN BIRDS) - plays to the gallery at every turn, embracing the book's labyrinthine plot and outrageous melodrama with unashamed fervour, an approach which appears to have sealed its fate at the box-office. The movie opens a little too abruptly, indicating a troubled post-production, but John Briley's busy screenplay (co-written with Stanley Mann) unfolds against a colorful historical backdrop and includes just enough nudity and violence to keep boredom at bay. Brown's performance is compromised by an unconvincing Scottish accent, and he's upstaged by Joan Chen (THE LAST EMPEROR) as the Chinese girl who loves him regardless of his failings, while handsome Tim Guinee (HOW TO MAKE AN American QUILT) is achingly sincere as Brown's naive young son, led astray by villainous merchants plotting his family's downfall. Also starring John Stanton, Russell Wong, Norman Rodway, Kyra Sedgwick and Bert Remsen in supporting roles. Production values strive to capture an epic feel and are largely successful, though no one's ever going to mistake this for "Lawrence of Hong Kong"! Italian makeup maestro Giannetto de Rossi (a regular contributor to the films of Lucio Fulci) provides some occasional flashes of gore, including a brief - but realistic - decapitation near the beginning of the picture.
first, inject countless clichés and stereotypes, populate the cast with some well-knowns, and add some 'tit'illation.
and wait for the box office receipts to pour in!!!
I am very very disappointed in this film which I purchased on VHS. its one of those I *know* I wont be watching a 2nd time.
it meanders, gap toothed, and those stereotypes just weigh it down till it sinks in Hong Kong harbor. and of course, top it all off with a quickie pan of modern day Hong Kong.
some good acting but not enough to overcome the numerous shortcomings.
I didn't read the book but Im sure it far outclasses this quickie 2 + hour 'featurette'. is there a Hollywood ombudsman you can call up to you know, get your money back or something?
Im glad IMDb exists so that duds like this can be outed and red-flagged.
and wait for the box office receipts to pour in!!!
I am very very disappointed in this film which I purchased on VHS. its one of those I *know* I wont be watching a 2nd time.
it meanders, gap toothed, and those stereotypes just weigh it down till it sinks in Hong Kong harbor. and of course, top it all off with a quickie pan of modern day Hong Kong.
some good acting but not enough to overcome the numerous shortcomings.
I didn't read the book but Im sure it far outclasses this quickie 2 + hour 'featurette'. is there a Hollywood ombudsman you can call up to you know, get your money back or something?
Im glad IMDb exists so that duds like this can be outed and red-flagged.
Tai-Pan was probably too ambitious an undertaking for a film as short as just over 2 hours. Maybe a mini-series would have been the answer, but Tai-Pan certainly had the potential to be an oriental Gone With The Wind.
Unrealized potential though it is. The screenplay made many references to previous events in the novel that are not shown here. We do know there's one nasty rivalry going on between Bryan Brown and John Stanton who both rose to wealth in the China trade like the protagonists in an Edna Ferber novel.
Bryan Brown is the Far East version of Rhett Butler. He's built the family fortune on legal trade and illegal trade in opium. Not that opium was unknown before the British and other European powers got there, but they did turn it into a thriving business. When the Chinese government objected, the European powers took nibbles out of a prostrate and weakened state.
One of those nibbles the British took was Hong Kong, spoils from the Opium War of 1841. Brown like Margaret Mitchell's Rhett Butler or the hero of many Edna Ferber books is the guy who builds what became one of the busiest trading centers on the globe.
Unlike his rival Stanton, Brown's wife left him and took their small son back to the United Kingdom. Brown didn't mourn he took up with some Chinese women, they were pawns in various business negotiations. He got a son, Russell Wong, from one of them.
Things get interesting when his other son arrives from Great Britain played by Tim Guinee. He's a rather uptight Victorian youth who is not pleased with the debauchery he finds and his father's part in it.
Tai-Pan is exquisitely photographed with the climatic typhoon scene very well done indeed. A better screenplay would have been needed to tell this epic story.
Unrealized potential though it is. The screenplay made many references to previous events in the novel that are not shown here. We do know there's one nasty rivalry going on between Bryan Brown and John Stanton who both rose to wealth in the China trade like the protagonists in an Edna Ferber novel.
Bryan Brown is the Far East version of Rhett Butler. He's built the family fortune on legal trade and illegal trade in opium. Not that opium was unknown before the British and other European powers got there, but they did turn it into a thriving business. When the Chinese government objected, the European powers took nibbles out of a prostrate and weakened state.
One of those nibbles the British took was Hong Kong, spoils from the Opium War of 1841. Brown like Margaret Mitchell's Rhett Butler or the hero of many Edna Ferber books is the guy who builds what became one of the busiest trading centers on the globe.
Unlike his rival Stanton, Brown's wife left him and took their small son back to the United Kingdom. Brown didn't mourn he took up with some Chinese women, they were pawns in various business negotiations. He got a son, Russell Wong, from one of them.
Things get interesting when his other son arrives from Great Britain played by Tim Guinee. He's a rather uptight Victorian youth who is not pleased with the debauchery he finds and his father's part in it.
Tai-Pan is exquisitely photographed with the climatic typhoon scene very well done indeed. A better screenplay would have been needed to tell this epic story.
Mediocre rendition about James Clavell's novel, deemed to be first American production shot in China
Very average epic about the birth of the Hong Kong colony , being and overerblown and lousily paced retelling . A disjointed mess set in 19th Century when a powerful lord has to escape from Canton due to "Opium War" and to go a coastal location to be founded the city of Hong Kong . The chief trader , Tai Pan: Bryan Brown , dreams of establishing a colony of commerce to be callled Hong Kong and , eventually , he gets it .
This in an inferior, pretentious epic , whose basis for the film is the James Clavell's novel of the same name, regarding some very free historic events about the origin of the Hong Kong colony, including some really ludricous characters . As a Scottish trader : Bryan Brown and his beautiful mistress : Joan Chen are the main roles in this confusing attempt to dramatize the story of Hong Kong's foundation and development into an important trading port . Along the way the principal plot is mingled with loving conflicts , personal vengeances and ambition for possession of Hong Kong port . It packs love stories , violent confrontation , fights , brief nudism and anything else . The film goes wrong due to too many subplots and roles are badly introduced in a short time to do justice to the much better novel ; Tai Pan . This mixed bag plays like a TV miniseries chopped from seven hours to two . Along with main starring : Bryan Brown, Joan Chen , appearing familiar faces as newcomers : Tim Guinee, Janine Turner , Kyra Sedgwick and veteran support cast as Bert Remsen and John Stanton .
Here stands out the moving and spectacular musical score by the great John Barry, as well as colorful cinematography by prestigious cameraman Jack Cardiff . Shot on location in Hong Kong and considred to be the first American production completely filmed in China . The motion picture was regularly directed by Daryl Duke and it failed totally in the world box office , in spite of the big budget financed by Raffaela de Laurentiis , Dino's daughter. Daryl Duke was a craftsman who usually directed episodes of notorious TV series and occassionally made some movies as "I heard the Owl call my name" , " Payday" , "President's plane is missing" , "Silent Partner" and " The Thornbirds", among others . Rating 4.5/10 , a middlingly made movie .
This in an inferior, pretentious epic , whose basis for the film is the James Clavell's novel of the same name, regarding some very free historic events about the origin of the Hong Kong colony, including some really ludricous characters . As a Scottish trader : Bryan Brown and his beautiful mistress : Joan Chen are the main roles in this confusing attempt to dramatize the story of Hong Kong's foundation and development into an important trading port . Along the way the principal plot is mingled with loving conflicts , personal vengeances and ambition for possession of Hong Kong port . It packs love stories , violent confrontation , fights , brief nudism and anything else . The film goes wrong due to too many subplots and roles are badly introduced in a short time to do justice to the much better novel ; Tai Pan . This mixed bag plays like a TV miniseries chopped from seven hours to two . Along with main starring : Bryan Brown, Joan Chen , appearing familiar faces as newcomers : Tim Guinee, Janine Turner , Kyra Sedgwick and veteran support cast as Bert Remsen and John Stanton .
Here stands out the moving and spectacular musical score by the great John Barry, as well as colorful cinematography by prestigious cameraman Jack Cardiff . Shot on location in Hong Kong and considred to be the first American production completely filmed in China . The motion picture was regularly directed by Daryl Duke and it failed totally in the world box office , in spite of the big budget financed by Raffaela de Laurentiis , Dino's daughter. Daryl Duke was a craftsman who usually directed episodes of notorious TV series and occassionally made some movies as "I heard the Owl call my name" , " Payday" , "President's plane is missing" , "Silent Partner" and " The Thornbirds", among others . Rating 4.5/10 , a middlingly made movie .
Você sabia?
- CuriosidadesProducer Martin Ransohoff and the Metro-Goldwyn-Mayer studio in 1966 acquired the rights to James Clavell's source "Tai-Pan" novel for US $500,000. The movie was then announced by MGM in 1967-68 to star Patrick McGoohan to play Dirk Struan, to be directed by Michael Anderson, with source novelist Clavell writing the screenplay. The picture was originally budgeted to cost US $26 million which was then reduced to US $20 million. The project sat around stagnant for a time in development hell. However, after severe operating losses, the epic was one of a number of expensive projects the new management at the MGM studio dropped as being too costly. The project and the development of the movie at MGM was in the end canceled by executive James T. Aubrey.
- Erros de gravaçãoIn a scene, set in 1841, several of the ladies were wearing bright mauve outfits. That would have been most unlikely for the wives of middle class traders at that time as the color purple was prohibitively expensive before the invention of analine dyes in London - in 1856. By 1870 these gaudy colors had become so cheap and commonplace that it became a status symbol to mimic the subtler, paler colors of the pre analine dye days.
- Citações
Dirk Struan: No emperor has seen the guns of a British man-of-war.
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- How long is Tai-Pan?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- A Conquista de um Império
- Locações de filme
- Chen Family Temple - Guangzhou, China(Commissioner Lin's court)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.007.250
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.863.469
- 9 de nov. de 1986
- Faturamento bruto mundial
- US$ 4.007.250
- Tempo de duração2 horas 7 minutos
- Mixagem de som
- Proporção
- 2.35 : 1
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