Coração Satânico

This is a very sordid film. I usually don't go for that sort of thing, but there are a lot of other good things about this movie that made me add this to my collection.

There is very good cinematography and camera-work in here, made even better by the special edition DVD transfer. I liked the old film-noir type atmosphere in the story, which is an interesting one overall.

There are no really good-guy characters in this film. Mickey Rourke plays the star of the movie: private eye "Harry Angel." He's somewhat of a low-life but so is everyone else. Lisa Bonet looks spectacular and has a steamy sex scene in here. Robert De Niro gets big billing but he doesn't have that many lines in this film.

The ending of this movie has a very unique twist to it, but it's certainly not a satisfying ending. It is one I should go back over after the next viewing and check for credibility. That's all I can say without using spoilers.

Overall, a sleazy but very intriguing story, with great atmosphere, that I enjoy watching every five years or so. Some would call this movie a modern-day "film noir."

I'm not in the least surprised that other reviewers either love this or hate it to bits - I also bet that it's the younger users to whom the nature of the visual narrative of the film - the way it's all told to us, the viewer - may seem a bit dated. And to a point, they're right - "Angel Heart" is totally an eighties film, a film of the decade in which the movie world was discovering a new visual language in video and playfully indulged in experimenting with its new toy. It was literally speaking to a generation straight out of MTV classrooms and workshops and is in that sense very similar to stuff like "Betty Blue". And true enough, there is a lot to remark on what can today be seen as a slightly poseur-ish "one too many revolving fans, angularly lit staircases and heartbeat sounds in the soundtrack" kind of thing. However, "Angel Heart" does carry a tremendous amount of energy thanks to its imagery, which will stick to the viewer's mind in exactly the same way a sweaty shirt sticks to the body in sticky weather. Besides, the impeccably drawn cast led by Rourke does a truly remarkable job - that's beyond question - the sets are great, production design and cinematography are very evocative, the soundtrack is memorable and the story is one of the crucial ones. I personally love it.

Give it a go by all means.

And I can't believe I never threw my two cents in about this one. When I first saw Angel Heart, I thought it was going to be your regular old mystery. Like a Mamet or Spillane yarn about a down on his luck private investigator drawn into a web of lies and deceit… Oh yeah, it IS like that… and then some. I was completely drawn into this movie. I found it perfectly paced. And just like other movies of this type, could not see the end coming at all. However from the beginning it felt like something was kind of different about THIS yarn. I couldn't quite put my finger on it. Kind of like the feeling you get as your walking out of the house and you just know you forgot something but you can't remember what. It was like that, a ‘nagging at the back of your brain' feeling. And then, oh boy! When all is revealed you wish you would have just left without what ever it was you were missing, ‘cause what you find is oh-so frightening. What a terribly wonderful story and what great direction. I can't think of anybody better that De Niro for the roll he played. If you own it: watch in again. If you haven't seen it, you must.

P.I Harry Angel has a new case, to find a man called Johnny Favourite, only it isn't a straight forward missing person's case. Prefect, grounded, Alan's Parker's voodoo-laden, hard-boiled film is the ultimate mystery film.

This is without a doubt Mickey Rourke's finest role. The supporting cast deliver some of the most interesting and story driven performances which include Robert De Niro, Lisa Bonet and Charlotte Rampling to name a few.

You can feel 1955's New Orleans warm rain, hear the jazz, taste the grit of 1950's Brooklyn, Michael Seresin's cinematography is amazing. The films realism captures the time wholly, Trevor Jones mystery music builds up the tension as murders increase and Harry Angel is drawn into eventful dangerous meetings. The dialogue is flawless and the ending has a mind-blowing twist that has been imitated but never surpassed. The Johnny Favourite theme tune will linger with you long after the end credits.

A timeless, eerie and realistic atmospheric classic. Perfect.

"Angel Heart" is a true standout film among director Alan Parkers' filmography: a seedy, depressing, disturbing, provocative, and mesmerizing mystery with all the creepy imagery one could hope for. It begins on a very ominous note and remains gripping all the way through its serpentine story. Mickey Rourke, in one of his very best performances, stars as Harry Angel, low rent NYC private eye hired by mysterious Louis Cyphre (Robert De Niro, who's fantastic) to locate a vanished crooner named Johnny Favourite. His search leads him from NYC to New Orleans, and with the story (based on the novel "Falling Angel" by William Hjortsberg) taking place in the mid-1950s, that merely adds to the overpowering atmosphere. Along the way, the dead bodies start piling up, and Harry finds things just getting more and more gloomy as his search moves inexorably towards its devastating conclusion. I think that a key to this films' success is that it *can* work even for the viewer who knows the major revelations beforehand, or guesses at them early on. It's the gravitas that Parker and his fine cast brings to the proceedings that make it so compulsively watchable. Also appearing are Charlotte Rampling, beautiful as ever, in the role of black magic practitioner Margaret, and the stunning Lisa Bonet, who's memorable in the role of young mother Epiphany. Familiar faces in smaller roles include Pruitt Taylor Vince, as a detective (he acted again for Parker in "Mississippi Burning"), Kathleen Wilhoite, as a nurse, Michael Higgins as a drug-addicted doctor, musician Brownie McGhee as Toots Sweet, and Dann Florek ('Law & Order: SVU') as an attorney. As this story plays out, one just knows that whatever Harry finds out, it won't be pleasant, and the dark tone extends to the memorable sex scene, which is erotic and creepy in equal measure. The music score by Trevor Jones is suitably eerie and there's a serving of blues music that is irresistible, adding to the overall experience. In the end there's a strong message about the nature of living a lie, and the final confrontation between two characters is brilliantly subtle, depending on acting rather than spectacle or much in the way of cheese. This represents a solid effort from all concerned. Eight out of 10.