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IMDbPro

Atração Fatal

Título original: Fatal Attraction
  • 1987
  • 18
  • 1 h 59 min
AVALIAÇÃO DA IMDb
6,9/10
107 mil
SUA AVALIAÇÃO
POPULARIDADE
1.692
22
Michael Douglas and Glenn Close in Atração Fatal (1987)
Official Trailer
Reproduzir trailer1:34
2 vídeos
99+ fotos
DramaSuspenseSuspenses psicológicosThriller erótico

A aventura de uma noite de um homem casado volta para assombrá-lo quando sua amante começa a persegui-lo e à sua família.A aventura de uma noite de um homem casado volta para assombrá-lo quando sua amante começa a persegui-lo e à sua família.A aventura de uma noite de um homem casado volta para assombrá-lo quando sua amante começa a persegui-lo e à sua família.

  • Direção
    • Adrian Lyne
  • Roteirista
    • James Dearden
  • Artistas
    • Michael Douglas
    • Glenn Close
    • Anne Archer
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,9/10
    107 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.692
    22
    • Direção
      • Adrian Lyne
    • Roteirista
      • James Dearden
    • Artistas
      • Michael Douglas
      • Glenn Close
      • Anne Archer
    • 341Avaliações de usuários
    • 121Avaliações da crítica
    • 67Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 6 Oscars
      • 10 vitórias e 24 indicações no total

    Vídeos2

    Fatal Attraction
    Trailer 1:34
    Fatal Attraction
    Athletes Who Chose Acting Over Football
    Video 3:14
    Athletes Who Chose Acting Over Football
    Athletes Who Chose Acting Over Football
    Video 3:14
    Athletes Who Chose Acting Over Football

    Fotos142

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    Elenco principal53

    Editar
    Michael Douglas
    Michael Douglas
    • Dan Gallagher
    Glenn Close
    Glenn Close
    • Alex Forrest
    Anne Archer
    Anne Archer
    • Beth Gallagher
    Ellen Latzen
    Ellen Latzen
    • Ellen Gallagher
    • (as Ellen Hamilton Latzen)
    Stuart Pankin
    Stuart Pankin
    • Jimmy
    Ellen Foley
    Ellen Foley
    • Hildy
    Fred Gwynne
    Fred Gwynne
    • Arthur
    Meg Mundy
    Meg Mundy
    • Joan Rogerson
    Tom Brennan
    • Howard Rogerson
    Lois Smith
    Lois Smith
    • Martha
    Mike Nussbaum
    Mike Nussbaum
    • Bob Drimmer
    J.J. Johnston
    J.J. Johnston
    • O'Rourke
    Michael Arkin
    • Lieutenant
    Sam Coppola
    Sam Coppola
    • Fuselli
    • (as Sam J. Coppola)
    Eunice Prewitt
    • Receptionist
    Jane Krakowski
    Jane Krakowski
    • Babysitter
    Justine Johnston
    • Real Estate Agent
    Mary Joy
    Mary Joy
    • Teacher
    • Direção
      • Adrian Lyne
    • Roteirista
      • James Dearden
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários341

    6,9107.3K
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    10

    Avaliações em destaque

    9AlsExGal

    "It scared the living daylights out of every man in America!"...

    ... so says Tom Hanks in 1993's "Sleepless in Seattle" to his son in reference to this movie and comparing its outcome to a strange woman who has been writing the widower (Hanks) as a result of him appearing on a radio show. But that's another movie.

    The point is, its lesson was still easily recognizable in popular culture six years after it was made. What looks like an easy lay with a beautiful single woman can easily turn into an object lesson on Murphy's law. Dan Gallagher (Michael Douglas) is a successful NYC attorney, and on a weekend when his wife and daughter are away from home at his in-laws' house, he has a work meeting that includes Alex Forrest (Glenn Close), an editor for a publishing company. This leads to a drink at a bar, and that leads to a passionate one night stand that turns into a two night stand when Alex attempts suicide when Dan tries to leave.

    Dan thinks it's over. Alex has seemed to come to her senses. But then she tells him she is pregnant, and no she is having this baby because she is 36 and it may be her last chance. When Dan insists he is not leaving his wife for her, that he does not love her - well, let's just say that the opposite of love is not hate it's indifference, and Alex at first stalks Dan and gradually turns up the heat until his entire family is at risk. The suspense builds until the harrowing end.

    The thing is, Dan always loved his wife, subtly played by Ann Archer. She is beautiful, supportive, and he still has passion for her. They have a little girl and are a very happy family. But he just could not say no to what looked like a one night adventure that nobody need ever know about that turns into a nightmare.

    There is more to the film than the cautionary "Don't cheat on your wife" message. I think it's because Glenn Close does such a fantastic job playing Alex. There's something about her portrayal that, to me, paints Alex as ultimately powerful, not just outright insane. Until the end she mostly dominates what happens to Michael Douglas' character's life. I think this one has aged well and would still recommend it.
    6dierregi

    Beware of the lover

    The plot of Fatal Attraction is well known and supposedly, when the movie was released, it terrified married men to the extent that it reduced adultery rates, or so the story goes. I find that mildly amusing and hard to verify.

    What is more interesting is the character of Alex, portrayed skillfully by Glenn Close. The fact that Close didn't have the typical physique to play a "femme fatale" makes her role even more compelling, demonstrating the unpredictability of attraction. Her Alex is only mildly attractive but exudes a wild, deranged sexuality. Her frizzy hair, lack of eyebrows, and pale mouth didn't enhance her appearance, but Alex compensated with aggressive outfits and a matching attitude.

    Some have tried to frame her as a feminist icon, but Alex is just a deranged, damaged criminal. At the start of the movie, it's clear that she's leading Dan where she wants him. During their dinner, Dan says, "This will end the way you want it," indicating that the idea was a no-strings-attached one-night stand between consenting adults, especially since Alex knew Dan was married.

    They spend another day together because Alex insists, but Dan never gives the impression that he is in love with her or anything more than temporarily interested.

    What is bizarre is Alex's change of behavior when Dan shows no further interest. From an independent professional, Alex transforms into a clingy, begging mess of a woman, which is explained vaguely, if at all.

    While Dan's infidelity is not justified, I think he receives a punishment far harsher than he deserves. It's not true that he "used" Alex, who was more than willing to be used (as seen in the elevator scene). Moreover, falling out of love-or in this case, out of lust-is not a crime.

    Alex turns into a violently aggressive psycho, and if the genders were reversed, everyone would side with the married person. Imagine a man harassing a former female lover with nonstop phone calls, destroying her car, and kidnapping her child. Everyone would scream "Stalker!" So why is Alex seen as a "feminist" and not a criminal?

    All the lead actors were excellent, including Douglas, Archer, and Latzen, who played one of the few genuinely cute kids I've seen on screen. It's a pity about the over-the-top ending.
    9PredragReviews

    "Use the bed, not the sink you dirty sod!"

    A white-knuckled "don't-let-this-happen-to-you" thriller that vividly demonstrates what can happen to a guy when he lets other parts of his anatomy do his thinking for him. Manhattan lawyer Dan Callagher (Mike Douglas) has it all: successful career, attractive wife, nice dog, an d a loving daughter. So why not have an extramarital fling with a woman he met at a party while the family is out of town? Sure. Just a one-night stand. No harm, no harm done. But there's something very nasty about Dan's partner in crime, because blonde Alex Forrest (Glenn Close) may have all the right moves in the sack, but she also has an elevator that doesn't go all the way to the top. So when Dan wants to shake hands and part company, Alex will have none of it, and the table is set for a one-way ticket to Looney Land...

    The moral is very simple: human beings are fragile. Leading on a single female as Dan Gallagher does in this movie can result in drastic consequences. Human beings are controlled by emotions: laughter, sadness, etc... Therefore, someone in Dan Gallagher's position must realize that inviting a single young lady to a tête-à-tête in a restaurant harbors relief to her solitude and brings her into a fantasy-life. On the other hand, Alex Forrest is attractive, relatively young, cultured, and intelligent. She definitely will find someone, but I still understand her reluctance to let Dan go. Overall, this is an fantastic suspenseful edge of your seat thriller type of movie, which can also be seen as a pioneer of films of this sort. No film hit the subject of cheating quite like this.

    Overall rating: 9 out of 10.
    9ccthemovieman-1

    One Of The Most Memorable Movies Of The '80s

    You don't hear much about this film anymore, but in its day, this was the most-talked about movie of the year. It was a 'favorite topic of conversation about the office water cooler' for a number of weeks. At the time, it was a shocker. Nowaways.....who knows? As we become more and more desensitized to violence, sex and profanity, it takes a lot more to shock us.

    Still, this movie had memorable moments that have stayed with us who first saw it at the theater 20 years ago. Most of those memorable scenes, if not all of them, involve Glenn Close's character, "Alex Forrest." Man, this is a woman who would not be denied what she wanted: in this case, married man Michael Douglas.

    No sense going into all the details. Everyone knows them by now, anyway. Looking back, I think the film was a good lesson for men (or women) thinking about cheating on their spouses and assuming nothing bad will happen as a result. Men may commit more crimes, but that old adage about a "woman scorned" certainly is demonstrated here in spades! Douglas' character, "Dan Gallagher," certainly can attest to that, but he is anything but a sympathetic character. Both actors do a superb job in here, but kudos also to the rest of the Gallagher family, played by Anne Archer (wife "Beth") and Ellen Hamilton Latzen (daughter "Ellen.")

    Also, the cinematography shouldn't be overlooked. The widescreen DVD certainly brought out how nicely this film was shot and directed. This two-hour film keeps your attention all the way. The only thing I would change is the language, toning it down a bit. Otherwise, it's a classic thriller and one of the most famous films in the '80s.
    8MarcoLara

    Pretty decent movie with hilarious negative reviews

    Let me start by saying that this was a very decent movie. Michael Douglas at his best doing the roles he does best. And not only him but the rest of the crew as well.

    To me, the best part of this movie is actually the very believable plot. This is a situation that could happen to anyone, and to a different extent has happened to people I know. Furthermore, both the script and all the actors make the movie all the more believable. It is true that the movie deflates itself towards the end, but overall it is a great movie, and even a warning movie for the ones attempting to do what is done there.

    The movie gets 8 points on my list because of the less-believable ending, and also because Glenn Close, while doing a perfect part in the acting, should take the part of the wife, and the wife (Anne Archer) should take the part of Glenn Close. This said, even as it is the movie should not be unbelievable. I have seen worse, and you will know what I mean when you actually watch the movie yourself.

    One thing that cracked me up were the negative comments on this website. It seems that they were mostly written by women with chip in their shoulders. They do not criticize the movie, but the "fatal attraction". They criticize the fact that men would do this or that, or that a man would prefer X over Y...basically making quite clear that something touched them at a personal level and they did not like it. I guess truth hurts.

    If you haven't watch this movie, do it. It is well written, incredibly well acted, and as much as you will have to forgive the last 5 minutes, it is overall a great movie.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Glenn Close still has the knife she used in the movie hanging in her kitchen, stating: "It's beautiful, made of wood and paper. It's a work of art! And it's nice for our guests to see it. It lets them know they can't stay forever."
    • Erros de gravação
      Alex rips Dan's shirt open. We hear buttons pop and cloth rip. When he buttons it the second time, the shirt is not ripped anywhere and all the buttons are present.
    • Citações

      Telephone Operator: Operator. May I help you?

      Alex Forrest: Operator, I've been trying to get 555-812-9212? The recording says its been disconnected.

      Telephone Operator: Just a moment please.

      [pause]

      Telephone Operator: I'm sorry, the number's been changed to an unlisted number.

      Alex Forrest: Operator, this is a real emergency .You need to give me that number.

      Telephone Operator: I'm sorry. We're not allowed to give out that information.

      Alex Forrest: Well, fuck you!

      Telephone Operator: My place or yours?

      [Alex slams phone]

    • Cenas durante ou pós-créditos
      Barbara Harris is sometimes credited under the name Barbara Iley. In the final credits here, under 'Party Guests,' she is credited under both names.
    • Versões alternativas
      In the network version shown on TNT in the scene where Alex phones Dan at 2:13 a.m., there is additional dialogue between Dan and Beth after Dan hangs up the phone that is not in the theatrical/DVD version. Beth asks, "Who in the hell was that?" Dan says that it was a client calling and that this happens when you're a lawyer (being called at odd hours). Beth says that it's the middle of the night, still wondering why someone would call at 2:15 a.m. Dan justifies this by saying it's only 11:00 or so in L.A.
    • Conexões
      Featured in Siskel & Ebert & the Movies: Fatal Attraction/The Principal/Orphans/Amazon Women on the Moon/In the Mood (1987)
    • Trilhas sonoras
      Selections from Puccini's Madama Butterfly
      Music by Giacomo Puccini (as Puccini)

      Performed by Mirella Freni, Luciano Pavarotti, and Christa Ludwig

      Conducted by Herbert von Karajan (as Herbert Von Karajan)

      Courtesy of London Records, a division of Polygram Classics, Inc.

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    Perguntas frequentes

    • How long is Fatal Attraction?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 14 de janeiro de 1988 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Atracción fatal
    • Locações de filme
      • 135 Mianus River Road, Bedford, Nova Iorque, EUA(exteriors: Gallagher country-house)
    • Empresa de produção
      • Paramount Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 14.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 156.645.693
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 7.602.740
      • 20 de set. de 1987
    • Faturamento bruto mundial
      • US$ 320.145.693
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 59 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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