Um homem deve lutar para viajar para casa no Dia de Ação de Graças, com um odioso vendedor de cortinas como seu único companheiro.Um homem deve lutar para viajar para casa no Dia de Ação de Graças, com um odioso vendedor de cortinas como seu único companheiro.Um homem deve lutar para viajar para casa no Dia de Ação de Graças, com um odioso vendedor de cortinas como seu único companheiro.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 indicação no total
- Waitress
- (as Susan Kellerman)
- Martin
- (as George O. Petrie)
Avaliações em destaque
Planes.... is a film about one man trying to get home for the American Thanksgiving. He is Neil Page and he is played with perfect smugness by Steve Martin. He is a work-a-holic and his lifestyle is that of many John Hughes family men that live in suburbia Chicago. He lives in a huge house, much like the one in Home Alone and Weird Science, and his family is a beautiful one that consists of a lovely wife and three kids. But he is never home and for all of his success professionally, it is the kind of family that although is together now, it may not survive the fast approaching 90's if Neil Page continues his ways.
John Candy plays Dell Griffith. He is a jolly man, much like Santa Clause but without the beard and the old age. This is a man that carries a giant trunk around with him and is a constant chatter box. He is the kind of man that you know is good at sales, but on a lower level. He is too much of a slob to really be a corporate sales guy. Of course this Laurel and Hardy pair cross paths and from here on out Neil's simple task of getting home to his family for Thanksgiving is going to be a journey from hell.
First of all he loses his cab in New York rush hour to Candy who unwittingly steals it from him, then he is bumped from first class and ends up sitting next to Candy on the plane. Then they are delayed because of weather problems and what do you know, they end up spending the night together in not only the same hotel, not only the same room but the same bed. This presents all sorts of comic possibilities and Hughes doesn't miss one of them. His comic timing and development of the two characters is brilliant. Some of the best scenes are when the two are bantering and Candy is verbally assaulted by Martin. Martin goes off and says that he is annoying to listen to and then he says this: " You know I could sit through an insurance seminar and still look happy and the others would say how do you do it? And I would say, because I can take anything, I've been with Dell Griffith, and they'd say, " I know what you mean. Whooooo, shower curtain guy! " And as funny as that scene is, Hughes goes for more than the quick payoff of laughter. He then reminds you that this isn't just a comedy but a film with many layers and substance to it. Because the next scene has Candy delivering a monologue that almost makes you embarrassed for laughing at what Martin said.
But truth be told, first and foremost, this is a funny, funny film. And if anyone has scene it, they will tell you about the airport scene where Page has lost his rental car and he comes back and does what we have all dreamed of doing ourselves, he goes ballistic on the person behind the desk, who subsequently is Grace, from Ferris Bueller's Day Off. She must have been fired by Ed Rooney and now rents cars at airports for a living. She plays a desk clerk that has decided to take the Thanksgiving holiday a little sooner that she is supposed to. Martin comes in and she starts by saying, "Can I help you?" Martin replies, "You can start by wiping that f***ing dumbass smile off your rosy f@**ing cheeks. " From there he goes into an F-Word filled tirade about how her company left him in the middle of f***ing nowhere with f****ing keys to a f***ing car that isn't f***ing there. It is one of the funniest moments that I have seen in any film because you don't expect it from a Hughes film.
Planes... is a heart warming film about family, friendship and good will towards men. It is also a wickedly funny movie and it will stand the test of time and I think in 30 or 40 years from now, it may be looked upon as Hughes best film. Candy and Martin are wonderful in here and it is really a treat to watch them work together.
10 out of 10
Martin and Candy are stuck without plane rides home and wind up trying all modes of transportation to reach their destination. Both run into unbelievable obstacles, most of them the fault of Candy, who drives Martin almost insane. Candy was the funnier of the two in this story but both comedians were at the top of their game here. Too bad there was so much profanity for a film that could have been enjoyed by everyone but some it is almost appropriate, especially with Martin's character. Candy's role would have made anyone swear. Martin's profane tirade with the rental car woman at the airport is hilarious.
In addition to the wacky story, I enjoyed the soundtrack. Critics didn't like it, but I found the sudden bursts of rock 'n roll interesting and it added to the enjoyment of watching this almost-modern day classic.
After all the aggravation, there was a nice sentimental touch at the end which somehow made the whole disastrous trip worthwhile for the two leading characters.
While comedies have moved on to become more grosser and outrageous in order to tickle our dulled funny bone, PT&A manages it with what now seems like restraint but is really a good example of `wacky' comedy, mixed with a good vein of sentiment and character. The plot is pretty good although some of it pushes the boat out to the unreal in order to get laughs but this isn't a problem because it DOES get laughs, if it hadn't then it might have been an issue. Most of it is hilarious although some drags early on.
The deeper beauty of the film is how well controlled Hughes is in painting his emotions. Usually his stuff can be sickly sweet but here he mixes it well with the comedy. The relationship between Neal and Del is good and they both have things to learn (more so Neal), the hurt they inflict on one another is well done and not to the point that the comedy is stopped. Thankfully the two actors are good enough to carry it off. Martin is close to his manic best and Candy plays a loveable goof. The best scene to see them working is when Martin is laying into Del in the hotel room the expressions on their faces (Candy esp) during this makes it hard not to feel anything. The support cast do good work whether it be now-famous cameos or just support cast but each character has their own little thing!
Overall I worry that modern audiences may have become so used to everything being so OTT and gross that this film may seem subtle (even though it isn't). However aside from that this is a very funny film that does have a good heart. Not a perfect film in any way but it does exactly what it says on the tin - it made me laugh hard but also had a believable emotional core.
Você sabia?
- CuriosidadesOn instruction from John Hughes, Edie McClurg's role as the St. Louis rental car agent was partially improvised. Hughes told her to simply riff a fake phone conversation with someone about Thanksgiving plans while Steve Martin remains waiting in line staring at her to finish up. McClurg came up with the idea to speak with her sister about who was going to make what adding "You know I can't cook!" Hughes asked her how she came up with those lines so quickly and she replied that, like his scripts, she just drew it from her own life. McClurg claims to this day that random people ask her to tell them they're fucked.
- Erros de gravaçãoTwo comments address the fact that the state trooper who stops Del and Neal is wearing a Wisconsin badge. According to the Director's cut of the movie, this was a scene that was filmed to indicate that they had gone too far, but, due to cuts, that dialogue was removed from the scene. Also, the motel they stayed in the night before was actually north of Chicago, another nod to the same idea (that the two of them had already traveled too far.)
- Citações
Car Rental Agent: [cheerfully] Welcome to Marathon, may I help you?
Neal: Yes.
Car Rental Agent: How may I help you?
Neal: You can start by wiping that fucking dumb-ass smile off your rosy fucking cheeks! Then you can give me a fucking automobile! A fucking Datsun, a fucking Toyota, a fucking Mustang, a fucking Buick! Four fucking wheels and a seat!
Car Rental Agent: I really don't care for the way you're speaking to me.
Neal: And I really don't care for the way your company left me in the middle of fucking nowhere with fucking keys to a fucking car that isn't fucking there. And I really didn't care to fucking walk down a fucking highway and across a fucking runway to get back here to have you smile in my fucking face. I want a fucking car... right... fucking... now.
[pause]
Car Rental Agent: May I see your rental agreement?
Neal: I threw it away.
Car Rental Agent: Oh, boy.
Neal: Oh, boy, what?
Car Rental Agent: [narrows her eyes] You're fucked.
- Cenas durante ou pós-créditosAfter all the end credits, there's a shot of advertising executive William Windom in the office as in the scene in the beginning of the movie, still examining the pictures Neal Page was waiting for him to finish perusing at the staff meeting.
- Versões alternativasThe theatrical and VHS releases have the closing Paramount logo after the post-credits scene. On further releases including the DVD, the logo is edited out, and the movie ends immediately.
- Trilhas sonorasBa-Na-Na-Bam-Boo
Written by Elizabeth Westwood, Nick Burton & Robert Andrews
Performed by Westworld
Produced by Mark Ferda
Westworld performs courtesy of BMG Records (UK) Ltd.
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Mejor solo que mal acompañado
- Locações de filme
- Batavia, Nova Iorque, EUA(thruway Scenes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 49.530.280
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.009.482
- 29 de nov. de 1987
- Faturamento bruto mundial
- US$ 49.530.280
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1