Io speriamo che me la cavo

I actually watched it 15 times from 2019 to nowdays and everytime I see it I remember an old teacher that teached catholic religion in middle school. He always looked strict but teached me and my classmates with his heart; he often defended me and let me build in me courage and strength just like Marco Tullio Sperelli... I always remember him as my teacher T^T.

Many of Lina Wertmuller's movies (such as "Seven Beauties" and "Swept Away") have dealt with the North-South divide in Italy. "Io speriamo che me la cavo" (called "Ciao, Professore!" in English) has Northern Italian professor Marco Sperelli (Paolo Villaggio) getting sent to a destitute town near Naples and having to get used to being a teacher there, especially with the presence of a young hoodlum in the school. Maybe it's not Wertmuller's greatest movie, but it is something that I would recommend - although I should warn you, there's some stuff here that might be a little shocking to find in a movie dealing with children. Buon viaggio!

A perfect film, probably the best description of a difficult teacher-student interaction in a destitute neighborhood. Intense, sincere, shocking, never a dull moment. Paolo Villaggio is inimitable as the Professor who comes from Northern Italy to a village of Southern Italy with all the ideals of a dedicated teacher, as he finds himself immersed in the poverty and crime stricken city of Corzano. And the kids! these little rascals are just amazing. In my opinion, this is the best movie ever made by Lina Wertmuller, far from her past naive left-wing production. It would be nice that IMDb show its alternate title 'Ciao, Professore' as an option: it took me a while to figure out that the movie I had watched was the same as "Io speriamo che me la cavo".

Sometimes you almost forget you saw a movie, and then it comes back in a flood and there's some pleasant memories or not so much. Ciao Professore is that moment when I look this movie up on IMDb and realize that I sat and watched the thing from start to finish and have a memory of even enjoying it... and the reason it's in a haze is because it was shown to me in Italian class in high school. Was it good because it was something distracting me from the pain of high school, or because it was genuinely good and funny and insightful? Somewhere in the middle, and I think that having to watch it and note the Italian words was a part of my ambivalence in liking it more. Maybe I'd feel different about it today. For now I'd say if you ever come across this movie about an unconventional Italian teacher getting the town's wayward third grade students into something better than before with comic results - sort of like the wacky version of a Lean on Me, if that can possibly make sense - watch it, it's fun. If you go in expecting the Wertmuller of Seven Beauties, it's not that. It's her making a "kids" movie... which has its own edge, to be fair.

You will never see a better movie with child actors than this one. And Paolo Villaggio is very touching, he doesn't fool around like in the movies that followed the first Fantozzi. There are many scenes so emotional that they almost make you cry. A powerful film that will change the hearts of those who will see it. All the children in the film are truly extraordinary and, especially, Maria Esposito in the role of Rosinella.