O príncipe Dom Pedro de Aragão volta vitorioso de uma batalha. Com outros jovens, é recebido com regozijo por Leonato, que vive com a filha e a sobrinha numa casa da Sicília. Ali, amores e d... Ler tudoO príncipe Dom Pedro de Aragão volta vitorioso de uma batalha. Com outros jovens, é recebido com regozijo por Leonato, que vive com a filha e a sobrinha numa casa da Sicília. Ali, amores e desamores são tecidos numa teia de intrigas.O príncipe Dom Pedro de Aragão volta vitorioso de uma batalha. Com outros jovens, é recebido com regozijo por Leonato, que vive com a filha e a sobrinha numa casa da Sicília. Ali, amores e desamores são tecidos numa teia de intrigas.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 prêmio BAFTA
- 5 vitórias e 11 indicações no total
- Direção
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- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I saw this one or two years ago, and I loved it utterly. Not only has it a great cast including shakesperian actors Kenneth Brannagh and Emma Thompson, it also has a lovely, warm feel to it; set in the sunny countryside of Italy; perfect to watch on a summer's evening. Although I am a dedicated admirer of Laurence Olivier, the legend who's reputation Brannagh is often set up against; I must admit that nobody would ever suit the role of Benedick as Brannagh does He was perfect; fun, natural and wittily amusing to watch. As for Emma Thompson; she gave a fantastically fiery performance as Beatrice of the untamed tongue; watching she and Brannagh go for each other in their satirical arguments was fantastic.
Then there was Kate Beckindsale; one who I really would not have expected in a film such as this, but she did an exemplary and satisfying job as the fair Hero; although put completely in the shade by Emma Thompson. Keanu Reeves, the film star who I reckon NOBODY would have expected in a film such as this was surprisingly very good as the schemingly dark Don Jon, he suited the hiss-hiss villain's role deliciously. One who I thought could have been cast better was Robert Sean Leonard, as Claudio; who, although fine in scenes of wit and amusement; became forced in scenes of anger and sadness. Despite this, I thought he too suited the part well. I highly recommend this film to all who enjoy shakespeare, great English actors, or just good fun.
Then there was Kate Beckindsale; one who I really would not have expected in a film such as this, but she did an exemplary and satisfying job as the fair Hero; although put completely in the shade by Emma Thompson. Keanu Reeves, the film star who I reckon NOBODY would have expected in a film such as this was surprisingly very good as the schemingly dark Don Jon, he suited the hiss-hiss villain's role deliciously. One who I thought could have been cast better was Robert Sean Leonard, as Claudio; who, although fine in scenes of wit and amusement; became forced in scenes of anger and sadness. Despite this, I thought he too suited the part well. I highly recommend this film to all who enjoy shakespeare, great English actors, or just good fun.
Personally I loved the movie, from the opening credits to the last brilliant tracking shot. What I do not understand is the dissing of Keanu Reeves' performance. I can just imagine Ken sitting around his kitchen table with his casting director saying "okay we have this brilliant ensemble cast, the movie is going to be great, what can we do to completely screw it up? I know let's cast Keanu Reeves as Don John and completely snarl up the whole thing" Personally I think Keanu made a great villain, and I trust Ken's ability in casting to choose the perfect actor for the part. I do not think that in reality that Ken would cast someone so hopelessly inept as others have posted in a part that is so essential to the plot. (and don't give me the star power excuse cause they already had Denzel Washington)..., I have always said that Shakespere done right is brilliant.. (done poorly it is pathetic) and this is Shakespere done right in the purest sense of the term. To listen to Ken and Em deliver Shakespere's lines is to listen to them as they would have been spoken and acted when they were written. It is a revelation and pure joy.
I love this movie! Great story, wonderful cast, good photography. Kenneth Branaugh is the funniest as a witty, likable guy. His facial expressions and vocal streachs are the best! I think he is one of the best Shakespearian actors of today. Emma Thompson is great. Denzel Washington very cool, I felt so sorry for him when Beatrice refused him, though he is a little too good for her. I love his character though, how he likes to fix everybody up and make them happy. Robert Sean Lenord was a little sappy, but it was pretty fitting for who he was. He needs more roles like this and Dead Poets Society. Micheal Keaton and his little side-kick (poor guy!) stole the show! Hilarious! Hero didn't do anything for me though. She was pretty, but didn't have much to say, it seemed like she was watching the others most of the time. The best part of this movie is when Benidick and Beatrice hear about the other's love and realise they love each other. The photography is best when Beatrice is swinging and Benedick is splashing in the fountain! I'm hooked on Shakespheare now, I'm planning to watch the version of "A Midsummer Night's Dream" coming out with Michelle Pfeiffer, not to mention any Shakespeare movies I see with Kenneth Branaugh in them!
Brilliant! Kenneth Branagh's version of the timeless William Shakespeare classic is a great rendition of the film, making it accessible to everyone, even those who do not like Shakespeare.
Let me first say that I am a great fan of Shakespeare's works. In college I was an English literature major, with a minor in theater, and so Shakespeare is found in both. Theater people state that Shakespeare was never literature at all, which in the purpose of the plays is true, however because of the prose that he wrote in is a poetic form, he is literature as well. Whatever you do, never get in between two people arguing this point, your head might blow up!
Reading the comments on this page, the basic attack on this movie is that Branagh cuts lines and shaved parts. Yes, of course he did. Nothing is sacred, not even the works of Shakespeare, people. I myself was in a Shakespeare play, and over half the script was cut from it. With a Shakespeare play, the question is what to cut. If this play had been presented in it's entirety, it would have been close to five hours long. And today's movie audience just does not have that kind of patience. "Titanic" was stretching it a little, in terms of time. Shakespeare's original audience would have had no problem, because they made a day of it.
So when Branagh did this play, he had to shave off a great deal of the script, and he had to decide what to focus on. He had to focus on the main characters, being Beatrice and Benedict and their romance, and of course the drama concerning Hero and Claudio, but also keep other characters incorporated as well. For those attacking the "whittling down" of the script, why didn't anyone bring up the point that Benedict is supposed to have shaved his beard while in attempt to woo Beatrice. Why? Because it really isn't a major plot point that is needed at all. So Branagh made great choices in his direction of the film, and in the end he made sure that everything tied together logically, and that there were no loose ends.
The performances by the actors were great as well. There was nothing wrong with casting Denzel Washington as the prince, though people seem to have a beef with it. He pulled it off very well. And Keanu Reeves did a great job as well. It was a treat to see him as a villain. I happen to be a fan of Reeves, and I do see him as great casting, though why people also have a problem with him I'll never know. Branagh was going for acting ability, not just names. Reeves has the goods, and he can speak Shakespeare very well, it's his character that's supposed to be moody. And Keaton was a wonderful choice for the Constable, making me laugh whenever he was on the screen. And the other actors all did very well in their roles.
If you're a lover of Shakespeare or not, this film is a great treat, and it appeals to all audiences who love the classic masterpiece.
Let me first say that I am a great fan of Shakespeare's works. In college I was an English literature major, with a minor in theater, and so Shakespeare is found in both. Theater people state that Shakespeare was never literature at all, which in the purpose of the plays is true, however because of the prose that he wrote in is a poetic form, he is literature as well. Whatever you do, never get in between two people arguing this point, your head might blow up!
Reading the comments on this page, the basic attack on this movie is that Branagh cuts lines and shaved parts. Yes, of course he did. Nothing is sacred, not even the works of Shakespeare, people. I myself was in a Shakespeare play, and over half the script was cut from it. With a Shakespeare play, the question is what to cut. If this play had been presented in it's entirety, it would have been close to five hours long. And today's movie audience just does not have that kind of patience. "Titanic" was stretching it a little, in terms of time. Shakespeare's original audience would have had no problem, because they made a day of it.
So when Branagh did this play, he had to shave off a great deal of the script, and he had to decide what to focus on. He had to focus on the main characters, being Beatrice and Benedict and their romance, and of course the drama concerning Hero and Claudio, but also keep other characters incorporated as well. For those attacking the "whittling down" of the script, why didn't anyone bring up the point that Benedict is supposed to have shaved his beard while in attempt to woo Beatrice. Why? Because it really isn't a major plot point that is needed at all. So Branagh made great choices in his direction of the film, and in the end he made sure that everything tied together logically, and that there were no loose ends.
The performances by the actors were great as well. There was nothing wrong with casting Denzel Washington as the prince, though people seem to have a beef with it. He pulled it off very well. And Keanu Reeves did a great job as well. It was a treat to see him as a villain. I happen to be a fan of Reeves, and I do see him as great casting, though why people also have a problem with him I'll never know. Branagh was going for acting ability, not just names. Reeves has the goods, and he can speak Shakespeare very well, it's his character that's supposed to be moody. And Keaton was a wonderful choice for the Constable, making me laugh whenever he was on the screen. And the other actors all did very well in their roles.
If you're a lover of Shakespeare or not, this film is a great treat, and it appeals to all audiences who love the classic masterpiece.
10Spleen
Be honest: does the idea of a Shakespearean joke make your heart sink a little? Do you think of obscure, lowbrow Elizabethan humour that MAYBE someone was kind enough to explain in a footnote?
Certainly the comedies are harder to stage, but when they're well done ... One of the most exhilarating things about Shakespeare is the certain knowledge that no character will ever express himself poorly. Well, characters like Dogberry do, in a sort of a way, but that's deliberately done for comic effect and doesn't count. No character is ever thwarted by a lack of expressive power. Whenever Benedick must plead his case, you know that he will summon up all the eloquence he needs; and whenever Beatrice insults anyone, you know that she will summon up all the venom and wit SHE needs. In some ways it's easier to appreciate this in a comedy when the plot is, reduced to its essence, much ado about nothing.
No film director working today can approach Branagh when it comes to presenting Shakespeare cleanly and clearly, in a way that lets us participate in this verbal delight. This particular film is actually funny, as well as verbally delightful. It's also visually delightful - it has an attractive cast (Kate Beckinsale plays one of Shakespeare's ciphers but makes us understand why people fell in love with her), a sunny Tuscan landscape and a long tracking shot at the end that has to be seen to be believed. Performances are all good (other comments here have convinced me that even Keanu Reeves fits into his role). Comedy or not, this is the best Shakespeare film in years and is a candidate for being the best of all time.
Certainly the comedies are harder to stage, but when they're well done ... One of the most exhilarating things about Shakespeare is the certain knowledge that no character will ever express himself poorly. Well, characters like Dogberry do, in a sort of a way, but that's deliberately done for comic effect and doesn't count. No character is ever thwarted by a lack of expressive power. Whenever Benedick must plead his case, you know that he will summon up all the eloquence he needs; and whenever Beatrice insults anyone, you know that she will summon up all the venom and wit SHE needs. In some ways it's easier to appreciate this in a comedy when the plot is, reduced to its essence, much ado about nothing.
No film director working today can approach Branagh when it comes to presenting Shakespeare cleanly and clearly, in a way that lets us participate in this verbal delight. This particular film is actually funny, as well as verbally delightful. It's also visually delightful - it has an attractive cast (Kate Beckinsale plays one of Shakespeare's ciphers but makes us understand why people fell in love with her), a sunny Tuscan landscape and a long tracking shot at the end that has to be seen to be believed. Performances are all good (other comments here have convinced me that even Keanu Reeves fits into his role). Comedy or not, this is the best Shakespeare film in years and is a candidate for being the best of all time.
Você sabia?
- CuriosidadesTheatrical movie debut of Kate Beckinsale (Hero), who shot this movie during her summer break from studying Russian and French at New College, Oxford, England. It also contains her first screen kiss.
- Erros de gravaçãoWhen the ladies of the household are hurriedly bathing (the opening credits are still running), one lady's bottom has a distinctly modern bikini tan.
- Cenas durante ou pós-créditosRarely for a Kenneth Branagh-directed film, the credits do not run until after the first scene.
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Tanto para nada
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 11.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 22.549.338
- Fim de semana de estreia nos EUA e Canadá
- US$ 108.617
- 9 de mai. de 1993
- Faturamento bruto mundial
- US$ 22.549.338
- Tempo de duração
- 1 h 51 min(111 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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