AVALIAÇÃO DA IMDb
7,0/10
2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA Japanese businessman travels to Iceland and has a series of misadventures while venturing to a remote area to perform a traditional burial ritual where his parents died several years back.A Japanese businessman travels to Iceland and has a series of misadventures while venturing to a remote area to perform a traditional burial ritual where his parents died several years back.A Japanese businessman travels to Iceland and has a series of misadventures while venturing to a remote area to perform a traditional burial ritual where his parents died several years back.
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Avaliações em destaque
Ten years later this very compact film still works its magic. Much has been said by many of the other contributors with one exception. It is not a film to be rushed. Rather you need to view at the speed the film dictates - not unlike "Paris, Texas. Like the swirling mists and snow it slowly envelops you. No frame is wasted. Even a casual remark in the aeroplane en-route to Iceland gives a link for the future.
Many different cultures have their cultural layers peeled back; American, Japanese, Icelandic and Norse mythology. It's up to the viewer to see what he or she sees.
I think the most telling scene in the film is the Icelander who befriends Hirata. Although he does not want to accompany Hirata to the ritual grave scene because of a 'spirit dream', he nonetheless is there to show him the way home. In so doing, he witnesses a universal value with Hirate - the passing of life.
There's much to be said for good small budget films. The story and direction have to be tightly constrained.
Many different cultures have their cultural layers peeled back; American, Japanese, Icelandic and Norse mythology. It's up to the viewer to see what he or she sees.
I think the most telling scene in the film is the Icelander who befriends Hirata. Although he does not want to accompany Hirata to the ritual grave scene because of a 'spirit dream', he nonetheless is there to show him the way home. In so doing, he witnesses a universal value with Hirate - the passing of life.
There's much to be said for good small budget films. The story and direction have to be tightly constrained.
This film is evidently a long commercial to lure tourists to Iceland. It contains all the famous national specialities of the country, and of course the beautiful landscape is presented in a particularly beautiful manner. Just like Ein Schloss am Wörthersee is advertising Carinthia only much more charming!
I find the idea to use as a `hero' a Japanese who comes to Iceland unwillingly quite original (a friend of mine said she had never seen such an ornery Japanese before). The weird characters he meets on his way to the probably remotest and most unpleasant place in the world help to construct some kind of plot, and the movie is a pleasure to watch throughout.
I am going to visit Iceland next week, and after watching Cold Fever I am particularly looking forward to it. And that's the result Jim Stark and Friðrik Friðriksson were out for, isn't it?
I find the idea to use as a `hero' a Japanese who comes to Iceland unwillingly quite original (a friend of mine said she had never seen such an ornery Japanese before). The weird characters he meets on his way to the probably remotest and most unpleasant place in the world help to construct some kind of plot, and the movie is a pleasure to watch throughout.
I am going to visit Iceland next week, and after watching Cold Fever I am particularly looking forward to it. And that's the result Jim Stark and Friðrik Friðriksson were out for, isn't it?
Something about this film has kept me thinking about it since I saw it in 2001. I had the fortunate opportunity to see it because, at that time, Des Moines (Iowa) had one of the best indie-movie rental places (Oddities), ever. Oddities just stocked walls of foreign films and rows of independent films.
Cold fever had the intriguing elements of a young Japenese businessman reluctantly, and by family obligation, traveling around Iceland. That was enough for us to want to check it out.
The story is tremendous. I love the style and the performances give by the actors. Friðrik Þór Friðriksson really captures the feeling of the main character on film. It is almost haunting how Hirata operates... how he meanders through the vastness of the landscape.
Great film, great ending. I wish they would get it on DVD along with other works by the director
Cold fever had the intriguing elements of a young Japenese businessman reluctantly, and by family obligation, traveling around Iceland. That was enough for us to want to check it out.
The story is tremendous. I love the style and the performances give by the actors. Friðrik Þór Friðriksson really captures the feeling of the main character on film. It is almost haunting how Hirata operates... how he meanders through the vastness of the landscape.
Great film, great ending. I wish they would get it on DVD along with other works by the director
Masatoshi Nagase (best known for his role in Jarmusch's Mystery Train, and also the Japanese films Suicide Club, The Hidden Blade and Electric Dragon 80.000V) stars as a Japanese man whose grandfather (cult director Seijun Suzuki, who appears for a couple of minutes) insists he spend his vacation performing traditional burial rites of his parents, who died while living in Iceland. Nagase flies to Reykjavik and proceeds to drive across the country in the middle of the winter to the remote spot where they passed. Though they don't go into any details on his parents' death, Iceland seems like a very likely place to die, since it's full of dangerous, unpopulated terrain. This is basically a road movie, where Nagase meets various odd people along his way. It's maybe a bit weirder than most - I'd say it's kind of one of those weird-for-the-sake-of-weird type movies. But Fridriksson does a great job of making his home country look like a world of wonder. "Iceland is very strange country" Nagase always says when someone asks him what he thinks of it, in English of course, since it's the common language between him and most Icelanders (I'd say about 80% of the dialogue is in English). The film doesn't really go anywhere plot-wise, and some of the episodes are more successful than others. The most notable flop is the long sequence where Nagase picks up a couple of stranded American tourists, Fisher Stevens and Lili Taylor. Those two are painfully annoying, especially when they talk to each other via their sock puppets. That's really some needless quirk. Overall, though, I was intrigued.
This is really a wonderful film! I might be a little influenced by the fact that I've been to Iceland twice and I loved it (and still do, and pretty surely there's going to be a third time), but I really did feel this movie. The storyline is quite simple and has been well described by other reviewers, so straight to what this movie contains.
Well, anybody who's been to Iceland will realize immediately the high grade of realism, both in the landscapes and in the people the main man meets on his way, their attitudes, mentality, way of talking and all the rest. Icelanders really ARE the way you see them in this movie! Also the atmosphere of the country in the winter is perfect, deeply charming in its desolation. But whats gets the most in this film is the humanity of the various characters.
The main man is a likable guy, a little stiff in his behaving with the rest of the world, but that might be part of the Japanese culture as far as I know. Completely unlikable the two Americans, who are indeed negative characters, while I loved the old man who befriends the protagonist in the last part of the movie. The deepest humanity is to be found in him.
This is a movie that will get stuck into your mind for a very long time, don't miss it!
Well, anybody who's been to Iceland will realize immediately the high grade of realism, both in the landscapes and in the people the main man meets on his way, their attitudes, mentality, way of talking and all the rest. Icelanders really ARE the way you see them in this movie! Also the atmosphere of the country in the winter is perfect, deeply charming in its desolation. But whats gets the most in this film is the humanity of the various characters.
The main man is a likable guy, a little stiff in his behaving with the rest of the world, but that might be part of the Japanese culture as far as I know. Completely unlikable the two Americans, who are indeed negative characters, while I loved the old man who befriends the protagonist in the last part of the movie. The deepest humanity is to be found in him.
This is a movie that will get stuck into your mind for a very long time, don't miss it!
Você sabia?
- ConexõesFeatured in Century of Cinema: Scandinavie, Stig Björkman (1995)
- Trilhas sonorasBlue Intro
Written by Thorhallor Skullason (as Þ. Skúlason) and S. Þorgrìmsson
Performed by Ajax
Courtesy of Smekkleysa s.m.h.f.
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- Data de lançamento
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- Também conhecido como
- Cold Fever
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- ISK 130.000.000 (estimativa)
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