AVALIAÇÃO DA IMDb
6,1/10
434
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaJack Bauer, a workaholic businessman, accidentally gets involved in a case of child kidnapping when he returns a doll found in the subway.Jack Bauer, a workaholic businessman, accidentally gets involved in a case of child kidnapping when he returns a doll found in the subway.Jack Bauer, a workaholic businessman, accidentally gets involved in a case of child kidnapping when he returns a doll found in the subway.
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Avaliações em destaque
How someone so successful in computer software could be so stupid is beyond me. While the first half of the film, maybe even 3/4 of it, worked quite well and was often amusing despite the subject matter, it went downhill like a ski champion towards the end. You know those moments when you are shouting at the screen things like 'leave their name in the message', tell security, they will put a halt to...' and so forth.
I liked the cast, and the acting, the storyline was good but seriously, when a screenwriter uses stupidity to build tension, the wrong kind of tension, more like infuriation...
... I just couldn't bear it. I hope my life never depends on such a clown.
I liked the cast, and the acting, the storyline was good but seriously, when a screenwriter uses stupidity to build tension, the wrong kind of tension, more like infuriation...
... I just couldn't bear it. I hope my life never depends on such a clown.
I watched In a Stranger's Hand before Shakma on Christmas eve and enjoyed it. I remember when I first watched this on Lifetime and Shakma on either Showtime, HBO, or Cinamax after I graduated from highschool. This was the first movie that I became familiar with Brett Cullen and then was Prehysteria, Complex of Fear, and Apollo 13. Plus, I like watching Megan Gallagher and others too. The music in this movie is suspenseful and so are certain scenes. Robert Urich plays a partner in a software expert business who becomes unexpectantly involved in a search for a missing girl. The deeper involved he becomes in the search, the more truth involving the girls disappearance is explained. Overall, this is a excellent movie for those who love suspense.
Classic. If you're into bad early 90's 'made for TV' movies. This one involves a child that vanishes. I had trouble paying attention (I have ADD) and combining attention defecit disorder with a bad early 90's TV movie makes for a rough situation.
It's awful. No two if ands it's or buts about it. But, if you laugh at horrible lines and a plot that any mildy intelligent person can pick apart within the first ten minutes, then this is for you. I have trouble giving a vote on this, because although being awful as it so obviously was, I was sickly drawn into watching it unfold. Like a book I've read 20 times, I knew every 'twist' and 'turn' involved. There weren't many to begin with, but a slow plot can sometimes be refreshing.
It's awful. No two if ands it's or buts about it. But, if you laugh at horrible lines and a plot that any mildy intelligent person can pick apart within the first ten minutes, then this is for you. I have trouble giving a vote on this, because although being awful as it so obviously was, I was sickly drawn into watching it unfold. Like a book I've read 20 times, I knew every 'twist' and 'turn' involved. There weren't many to begin with, but a slow plot can sometimes be refreshing.
I did not think this was a good movie. The overly loud musical score is poured over it like cheap gravy and I suspect that the dramatization of this true event was anything but subtle probably they thought they had to spice it up.
And yet, there is something deeply irritating about the whole affair that made it worth the watching time invested. The main character is oddly believable as a living doormat. I have to agree with other commentators that Robert Urich delivers a stunning performance. The man plays a big, intelligent fellow, a former football pro and a successful businessman, but people don't hesitate a second to walk right over him. The man seems to be outright plagued by an unhealthy kindness and, above all, an over developed sense of responsibility.
When a business partner sets an important meeting at a date when he is supposed to go on a long promised trip with his girlfriend he cancels the trip. When he wants to pass a found doll to a traffic cop who does not accept it, he takes it with him. When he tells his secretary she should send the doll to its owner by mail, the secretary refuses flat out and virtually orders him (her boss) to deliver it personally and he does it. The result: he gets nearly lynched as a supposed kidnapper and then beaten up time and time again. This becomes all the more grotesque as the guy's wardrobe seems to consist only of two ill fitting business suits which become more and more tattered and dirty as the story moves along. He never even removes his tie! It is very odd and slightly surreal.
The man is coerced into helping to find a girl who disappeared by the girl's single mother, a waitress. She transfers part of her guilt and responsibility over to that stranger she had never met before and who has nothing to do at all with the kidnapping. And he accepts the transfer. This is beautifully shown in the scene where he stays in the woman's apartment because she can't sleep. She leans against him and falls asleep at last. In the morning they both awake, the woman refreshed the man (unshaven, in creased business suit and limp tie) with a numb side against which the woman had leaned. But the masochistic climax is definitely the moment when the woman storms into a restaurant where the afore mentioned important business meeting takes place and tells the guy to go with him. He tells her he will, when the meeting is over. But for her it cannot be in a few minutes, it has to be RIGHT NOW. The urgency is clearly irrational but he dithers and dithers and then obeys. Oh, it was hard to bear.
The bottom line: This movie shows that different genders have different agendas and priorities and how not to deal with that issue. The rather downbeat ending is very telling in that aspect.
And yet, there is something deeply irritating about the whole affair that made it worth the watching time invested. The main character is oddly believable as a living doormat. I have to agree with other commentators that Robert Urich delivers a stunning performance. The man plays a big, intelligent fellow, a former football pro and a successful businessman, but people don't hesitate a second to walk right over him. The man seems to be outright plagued by an unhealthy kindness and, above all, an over developed sense of responsibility.
When a business partner sets an important meeting at a date when he is supposed to go on a long promised trip with his girlfriend he cancels the trip. When he wants to pass a found doll to a traffic cop who does not accept it, he takes it with him. When he tells his secretary she should send the doll to its owner by mail, the secretary refuses flat out and virtually orders him (her boss) to deliver it personally and he does it. The result: he gets nearly lynched as a supposed kidnapper and then beaten up time and time again. This becomes all the more grotesque as the guy's wardrobe seems to consist only of two ill fitting business suits which become more and more tattered and dirty as the story moves along. He never even removes his tie! It is very odd and slightly surreal.
The man is coerced into helping to find a girl who disappeared by the girl's single mother, a waitress. She transfers part of her guilt and responsibility over to that stranger she had never met before and who has nothing to do at all with the kidnapping. And he accepts the transfer. This is beautifully shown in the scene where he stays in the woman's apartment because she can't sleep. She leans against him and falls asleep at last. In the morning they both awake, the woman refreshed the man (unshaven, in creased business suit and limp tie) with a numb side against which the woman had leaned. But the masochistic climax is definitely the moment when the woman storms into a restaurant where the afore mentioned important business meeting takes place and tells the guy to go with him. He tells her he will, when the meeting is over. But for her it cannot be in a few minutes, it has to be RIGHT NOW. The urgency is clearly irrational but he dithers and dithers and then obeys. Oh, it was hard to bear.
The bottom line: This movie shows that different genders have different agendas and priorities and how not to deal with that issue. The rather downbeat ending is very telling in that aspect.
There is a clandestine circle in kidnapping children. One girl disappears and her mother puts up "Missing" posters. A businessman on his way home from work notices the girl in the poster looks exactly like a child that he saw in a train. His search goes through many places to help the mother find her daughter. A very stylish and interesting movie.
Você sabia?
- Erros de gravaçãoThe character played by [[Maria O'Brien]] is credited as Mary, but more than once, Jack Bauer seems to call her Paula. There is another Mary amongst the characters, this one played by [[Janel Moloney]], and there is no reason one cannot have two characters with the same first name, as this occurs in real life, but perhaps both Marys were confused with each other, and the one played by Maria O'Brien was referred to as Mary, because of the similarity of her real name to this character name.
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- Data de lançamento
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- ...And Then She Was Gone
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- Distrito de Los Angeles, Califórnia, EUA(Location)
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By what name was Nas Mãos de um Estranho (1991) officially released in Canada in English?
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