Bloodfist III: Forced to Fight

i have all eight of em.this one is quite noteworthy of recollection.especially if i need to laugh.dont get me wrong.overall it's not too shabby.i'd give it a 6/10 and the dragon is a legendary and highly respectable kickboxer and his acting is so so for a kickboxer i guess,but like i said.if i need to recollect something to make me laugh then i meditate and remember this flick with it's one very unique character...... none other than the nerd who's convicted for....ummm.never mind that.it's just not worth elaborating on.it's too absurd to think an innocent nerd like that would do any harm to anyone anyhow.but anyway. the part where he gets killed is so ridiculous that it's actually got lots of unintentional humor aspects/or credentials going it's way.i mean,seriously.he's this weak little nerd and they need to stab him like 10x before he finally crumples into the corner and bows out.wtf???? i mean seriously.each and every stab he moans out through the towel they have around his mouth.does this guy have extra internal organs keeping him going or something?everybody else i see getting stabbed to death in flix die after the first stab pretty much.maybe the second if they're real real tough.i mean,think about it.it's freakin hilarious!!! nevertheless.i recommend this one for plenty of prison fistucuffs and don wilson kick expertise. just had to point out that one scenes extremely strange and wonderous particularities though. peace!!!

Bloodfist III is a credible movie on many levels. It is an excellent prison movie, a legitimate hand-to-hand combat movie, and even a good message movie. It's far better than Stallone's Lock-Up. The fight scenes are much closer to being real than most of Don "The Dragon" Wilson's movies. Most people wind up hurt severely and unconscious after just one of two blows (just like real life). I'd give this one a solid 8.

I felt that Don Wilson, the director and his supporting cast did a lot with little money. The script was strong as well as the performances of much of the cast. This ensemble helped bring Wilson's acting to another level. The action was OK, It could've been much better but it wasn't bad.

Bloodfist III:Forced To Fight respectively stars Don Wilson as a prisoner who fights to survive the violence caused by racial gangs and the fury delivered by the leaders after a shift in power. Richard "Shaft" Roundtree is the mentor who takes Don Wilson under his wing and is the best thing about the movie. Don Wilson gets about as good as he ever gets and it helps that he is supported by a group of good supporting actors who give conviction to their roles. The main problem is that I was expecting kickboxing and lots of it, while it delivered enough of this to satisfy me, the whole Shawnshank Redemption approach mixed with kickboxing to the head never quite comes together the way it should. Others have given great reviews on this movie and while I agree that this is probably the best of the series it is still far from a good movie. It is instead just a decent martial arts time killer. The film's biggest crime however was inspiring the ultra lame Live By The Fist.

* *1/2 out of 4-(Pretty good)

My review was written in January 1992 after watching the movie on New Horizons video cassette.

This prison story is the best screen vehicle to date for kickboxing champ Don (The Dragon) Wilson. Currently in regional theatrical release, "Bloodfist III" should prove a winner for fledgling home video label New Horizons.

Action genre stars Sylvester Stallone, Tom Selleck and Jean-Claude Van Damme were in stir a couple years back, and the Big House also works well for Wilson.. He's a wrongly convicted guy in a state pen who continually has to prove himself against bigger and feistier convicts.

Scripter Allison Burnett and Charles Mattera wisely resist the temptation to write in a round-robin competition or some other corny excuse to put Wilson and fellow cmaps Stan Longinidus and Peter Cunningham in the ring. Instead, all the pic's well-executed fights are part of the dramatic action.

Under director Oley Sassone (a/k/a Francis Sassone), who previously co-scripted the radically dissimilar Disney family film "Wild Hearts Can't Be Broken", the film is tightly constructed. Wilson befriends John Cardone, a nerdy prisoner shunned by the other inmates and is in turn taken under the wing of prison sage Richard Roundtree.

Racism is the key theme, as white and black cons are continually fighting, with "half-breed" (half-Japanese) Wislon caught in the middle.. Per genre tradition, when the baddies attack Wilson's best friends, the star whips into action and cleans up the place. In a character roel, Roundtree is extremely sympathetic while laconic Wilson fits the bill as a no-nonsense hero. Cast is nearly all-male, except for a small role assigned to Laura Stockman as a TV news reporter covering the prison beat.