Adicionar um enredo no seu idiomaNora Rogers, who grew up to become journalist and writer Adela Rogers St. John, had a unique view of the law practice of her celebrated and notorious father Earl Rogers, who was st the top o... Ler tudoNora Rogers, who grew up to become journalist and writer Adela Rogers St. John, had a unique view of the law practice of her celebrated and notorious father Earl Rogers, who was st the top of his profession at the turn of the 20th century.. This film is adapted from her 1962 biog... Ler tudoNora Rogers, who grew up to become journalist and writer Adela Rogers St. John, had a unique view of the law practice of her celebrated and notorious father Earl Rogers, who was st the top of his profession at the turn of the 20th century.. This film is adapted from her 1962 biography of him, "Final Verdict."
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 indicações no total
Fotos
- The Louisville Sport
- (as Wayne DeHart)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I hoped for the first 20 minutes that it would have a twist at the end, then realised it wouldn't. It's "To Kill a Mockingbird" lite.
I know I'm in England, but was US law in this period REALLY that shoddy? I didn't believe it for a minute.
Good performances all round, though: special mention to Fionnula Flanagan (Pearl, the Madame) - she really should, at least, have been Oscar nominated for Best Supporting for "The Others" this year.
Good cast,solid direction, good art direction. Pity about the story & script.
See "To Kill a Mockingbird" or "Inherit the Wind" instead.
It's a good thing that this was released (just 3 years) after Adela Rogers' (author) death so that she never had to see it.
A truly epic film could be made about this legal defense legend, who in his only role as prosecutor in the LA Times bombing, defeated the bomber's defense attorney Clarence Darrow, then defended Darrow against jury tampering charges and got him acquitted.
Adela's book 'Final Verdict' (1962), and 'Take the Witness' (1932), both outline Earl Rogers as a groundbreaking attorney who introduced modern forensics, ballistics, alcohol defense, and other modern concepts into American courts with a flair never before seen. Roger's precedent of allowing the defendant (Darrow) to summarize his own defense to the jury was cited in the Simpson trial in the 1990's.
His life would make an excellent TV miniseries centered around his most famous and groundbreaking cases - without the needless melodrama.
Someone please make it.
Aspect ratio: 1.33:1
Sound format: Mono
Treat Williams plays Earl Rogers, a defense lawyer who specialised in sensational murder trials in turn of the century California, in the true-life TV movie FINAL VERDICT. Williams' performance is restrained and dignified, much like the film itself, which lacks passion. Instead of relating Rogers' entire life story, the film chooses to focus on the events surrounding two particular trials, and is narrated from the point of view of his inquisitive young daughter (Olivia Burnette), who's admiration for her father's legal skills was always tempered by his battle with alcoholism and by the dissolute nature of some of the people he defended. It's a sugar-coated reminiscence, glossy and nostalgic, but the pacing is just a little too laidback for its own good, and the film never really rises to the occasion. But Williams is excellent, as usual, and the production values are solid.
Você sabia?
- CuriosidadesGlenn Ford's final TV project.
- ConexõesReferenced in Striptease (1996)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Veredicto final
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro