Adicionar um enredo no seu idiomaAn American woman trapped in Islamic Iran by her brutal husband must find a way for her and her daughter to escape.An American woman trapped in Islamic Iran by her brutal husband must find a way for her and her daughter to escape.An American woman trapped in Islamic Iran by her brutal husband must find a way for her and her daughter to escape.
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- Prêmios
- 2 vitórias e 1 indicação no total
- Nasserine
- (as Soudabeh Farrokhnia)
- Direção
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- Elenco e equipe completos
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Avaliações em destaque
Here you are in Iran. Strange place, strange people, restricted freedoms. Okay I can handle this for a few days I guess. Then you are told we are never going back home. Woe!!!!!!!!! Talk about a sudden feeling of fear and anger. Sally did a great job of putting you in the driver seat, right with her. All I could do was root for her to get her daughter and get the hell out of that place.
As for the comments about the mother being selfish and not respecting his wishes. She agreed to go visit his family, and he lies to her tricking her into staying.
I agree this would have been a good Lifetime drama, but not a bad movie at all. I give it an 8 out of 10.
If this movie is a true reflection of (Iran's version) Islam, I can't comprehend how any 'supreme being' can allow the total dominance of one human being over another!! We (as westerners) live (supposedly) in a world of equality and I have a hard time understanding how anyone can follow a religion that suppresses someone's freedom, to the point of slavery!!
This movie hit a cord with me, knowing what has transpired in the last number of years. With religions and beliefs all over the world battling against each other, (Jews/Muslims, Christians/Muslims, Hindus/Muslims, BinLaden/Freeworld)
I have nothing against Muslims, I have lots of friends that are Muslims. What I don't understand is how these 'radical' factions get away with what they do, without being castigated from their peers!!
"Can't we all just get along"
Cheers TheMovieWatcher..
First, the movie. It is about an international custody battle. That is a very real problem in this day and age. When couples from different countries break up they often each want the children to live with them and grow up in the country (and culture) in which they were raised. Each naturally thinks the way he or she was raised is better for their children.
This movie is Betty Mahmoody's story. And the culture clash is between the United States and Iran. It takes place in 1984. The Ayatollah Khomeini was still very much the leader Iran and the Iran-Iraq war had been going on for 4 years and would continue for another 4. Iran was quite isolated from much of the world at that time.
And 'Moody' Mahmoody, an Iranian-born doctor practicing in the U.S., brings his American wife, Betty, and their daughter, Mahtob, to Iran for a visit. When they arrive, Moody is dismayed at the changes in Iran, especially the breakdown of the education system and the resulting shortage of doctors. Then he becomes an ultra, ultra fundamentalist Muslim so reactionary he makes suicide bombers look moderate. He demands that Betty dress and behave how he thinks a good Muslim wife should and wants their daughter to be raised to do the same. He becomes physically abusive to Betty. If she wants to return to America, it is fine with him, but Mahtob will remain with him in Iran. So Betty plans a dangerous escape for herself and her daughter.
Does the movie work? Somewhat. 'Women in peril' movies are always a guilty pleasure and Sally Field is a good actress. The biggest problem is with Moody's character. Alfred Molina is a wonderful actor, but it's hard to do much with a character that undergoes such a radical change in his basic character in a matter of weeks. I kept expecting to learn that he had once been diagnosed as psychotic or schizophrenic.
Is the movie unfair to the Iranian people? Again, somewhat. Virtually all the characters in the movie except Betty and Mahtob are Iranian. Some are good. Some are bad. But you can't have a 'woman in peril' with no peril. And that is provided by Moody and his family. But the people who help Betty escape are also Iranian. What unfairness there is lies not in maligning the Iranian people (it doesn't do that) but in implying (and sometimes saying explicitly) that the Iranian culture is inferior just because it is not westernized. As a free American woman I would not want to live in any fundamentalist society, regardless of which religion was in control. But post-revolution Iran is no more representative of thousands of years of Persian culture than Italy under Mussolini was representative of a land that produced the Roman Empire and Michelangelo.
Is the movie unfair to Moody? No, because this is BETTY's story. Talk to anyone in a bitter custody battle and they'll tell you all about why their ex is evil. And they wouldn't be lying. They are giving you their point of view. That doesn't mean Moody doesn't have a different point of view which is equally true and equally untrue (and which, I gather from the comments, was explored in another movie.) But 'Not Without My Daughter' doesn't pretend to be a sociological examination into the two sides of a dispute. Let me repeat for the third time, this is BETTY's story.
That brings me to why some of the comments disturb me so much. I would fully understand if some viewers thought the movie was silly or inaccurate or biased. But several writers have used their reviews as an excuse to joyfully bash the United States. My favorite was 'Who died and made Americans god to do movies about other countries??' That writer is from Sweden but doesn't seem to have a problem with Jan Troell making 'The New Land' (Nybyggarna) about America. And, were we to listen to her, we wouldn't have 'An American in Paris' or 'The Killing Fields' or 'Out of Africa' or 'Amadeus' (all of which are much better films than 'Not Without My Daughter.') But in the United States we have freedom of speech. That means that movie producers are free to make any movie to which they think they can sell tickets. And, as a member of the viewing public, when I disagree with what they are saying I have a very simple remedy. I don't buy a ticket.
Sally Field was excellent in the role of Betty and Alfred Molina was also disturbingly believable as "Moody" - her husband. As the story opens, the family are living a comfortable life in Michigan and Moody is a completely Americanized doctor working in a local hospital - a loving husband and father. Against her better judgement, Betty agrees to visit his family in Iran - a family more radically Islamic than Moody who from the moment they arrive begin to pressure him to stay and adopt their ways. Molina did a good job of showing the gradual changes in Moody's character and as he becomes more and more abusive and controlling toward Betty. Field superbly portrays Betty's growing desperation and her feelings of helplessness (and hopelessness) as every opportunity for her to escape with her daughter seems to close. Finally, with the help of some sympathetic Iranians, Betty and daughter Mahtoub make a mad escape attempt toward Turkey.
Whether all aspects of Iranian life and culture are accurately portrayed here seems somewhat beside the point to me. This isn't, after all, a documentary about life in Iran. This is Betty's own story as she experienced it and remembered it - and it's a story that makes the viewer ache for her as she tries to figure out a way to escape this nightmare she's caught up in. I found her story completely believable and brilliantly portrayed.
Você sabia?
- CuriosidadesAlfred Molina hated the fact that he had to hit Sally Field.
- Erros de gravaçãoAt the U. S. Embassy in Ankara, two Marine Security Guards in Service Uniforms are shown standing outside an entrance to the compound. In reality, they would be posted within the compound walls, in Utility Uniforms, for their safety and the safety of the American staff inside the Embassy. Turkish security personnel, employed by the Embassy, would handle security outside the walls, under the supervision and direction of the Marine Security Guards and the Regional Security Officer, a State Department senior Embassy official.
- Citações
Moody: I don't know how to say this to you. We're not going back. We're staying here.
Betty Mahmoody: [pauses] What do you mean? How long?
Moody: I want to get a job here in a hospital.
Betty Mahmoody: What?
Moody: I want us... to live in Iran.
Betty Mahmoody: [softly] No... No...
Moody: There's nothing for me in America.
Betty Mahmoody: No... What? Are you crazy? We're Americans. Your daughter's an American! Moody, honey, you're upset about your job. I understand that. We're going to go back today and we're going to fix it.
Moody: I want Mahtob to grow up here.
Betty Mahmoody: [increasingly angry] No!
Moody: I think she should become a Muslim!
Betty Mahmoody: [screams] No! No!
[pauses]
Betty Mahmoody: You lied to me. You lied to me! You held the Koran and you swore to me that nothing was going happen. You were planning this all the time. You lied to me!
Principais escolhas
- How long is Not Without My Daughter?Fornecido pela Alexa
- What is 'Not Without My Daughter' about?
- Is "Not Without My Daughter" based on a book?
- Did Moody intend to trap Betty and Mahtob in Iran before they went there?
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- No me iré sin mi hija
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 14.789.113
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.804.055
- 13 de jan. de 1991
- Faturamento bruto mundial
- US$ 14.789.113
- Tempo de duração1 hora 56 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1