Um psicoterapeuta de sucesso perde a cabeça depois que um de seus pacientes mais dependentes, um neurótico obsessivo-compulsivo, o rastreia durante as férias de sua família.Um psicoterapeuta de sucesso perde a cabeça depois que um de seus pacientes mais dependentes, um neurótico obsessivo-compulsivo, o rastreia durante as férias de sua família.Um psicoterapeuta de sucesso perde a cabeça depois que um de seus pacientes mais dependentes, um neurótico obsessivo-compulsivo, o rastreia durante as férias de sua família.
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- 2 vitórias e 2 indicações no total
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Avaliações em destaque
Frank Oz directed this comedy that stars Bill Murray as Bob Wiley, a neurotic, needy and lonely man who has seen many psychiatrists, but feels most comfortable with egotistical Leo Marvin(played by Richard Dreyfuss). However, after Dr. Marvin takes a month-long vacation with his family in rural New Hampshire(where he expects to be interviewed by a network morning show) he is stunned to find that Bob has somehow followed him there, and refuses to leave, even ingratiating himself with his wife and children, and that's just the beginning... Amusing comedy with terrific performances, and a most sly premise, which could easily have been turned into a suspense thriller involving stalking!
I loved this movie. I am sure most people would disagree with me but I would probably put it in my list of the ten best comedies I have ever seen, all time.
This is Bill Murray's best work since Ghostbusters, at least as far as comedy goes. I also liked him in Broken Flowers and Lost in Translation but those were more dramatic roles.
I loved the way that Bill Murray and Richard Dreyfuss played off of each other. I don't want to say too much or I'll give away what happens between them through the movie but I thought they did a fantastic job at creating comedic moments. The scenes where Bob horned in on Leo's family moments and right into their home were incredible. I laughed out loud through the entire movie. And it's a good family movie anyone can enjoy.
Ten out of ten from me.
This is Bill Murray's best work since Ghostbusters, at least as far as comedy goes. I also liked him in Broken Flowers and Lost in Translation but those were more dramatic roles.
I loved the way that Bill Murray and Richard Dreyfuss played off of each other. I don't want to say too much or I'll give away what happens between them through the movie but I thought they did a fantastic job at creating comedic moments. The scenes where Bob horned in on Leo's family moments and right into their home were incredible. I laughed out loud through the entire movie. And it's a good family movie anyone can enjoy.
Ten out of ten from me.
I thoroughly enjoyed this movie the first time I saw it, laughing most of the way. By the second look, Bill Murray's deliberately obnoxious-pushy character now started driving me crazy, too. No longer was it just Richard Dreyfuss being tormented. By the third viewing, I'd had enough.
Murray, "Bob," is so annoying, so irritating, that you either laugh or want to kill this guy yourself as he hounds his psychiatrist all over the place. Kudos to Dreyfuss to put up with, even if it's just acting. Murray certainly did his job well in this film. He was the perfect actor to play "Bob."
Highly recommended for one but beware "Bob" may drive you nuts, too.
Murray, "Bob," is so annoying, so irritating, that you either laugh or want to kill this guy yourself as he hounds his psychiatrist all over the place. Kudos to Dreyfuss to put up with, even if it's just acting. Murray certainly did his job well in this film. He was the perfect actor to play "Bob."
Highly recommended for one but beware "Bob" may drive you nuts, too.
It might be a little simplistic to call this "Bill Murray's Movie",because in truth,this film works just as well because it has a fantastic support from Richard Dreyfuss,Julie Haggerty,Charlie Korsmo,KAthryn Erbe and director Frank Oz. Still,you cannot watch this film without feeling like Murray's complete abandon in this film is what gives this film its pep,spark and life. This might be one of the more energized performances of his long and well-padded career.
Dr.Leo Marvin(Dreyfuss,who has settled into being the 'Uptight fuddy-dudd' roles from here,as opposed to the more restive,youthful roles of past movies like "Jaws" and "Goodbye Girl")seems to have it all. Loving wife,healthy,normal kids and a career that is on the verge of taking off:a comfortable private practice in New York and a self-help book about to be published nationwide. At the last minute,he accepts another colleague's patient(for whom he does not wonder as to why his peer is so breathlessly trying to pass this patient off to him):one Bob Wiley(Murray). Bob doesn't have anything wrong with him;he has MANY things wrong with him. Multiphobic,clingy and more than a little under-developed in his sense of emotional attachment,Bob misreads the good doctor's brush off(As the doctor gets ready for a Labor Day getaway with his famille)as being a cure-all,and is immediately smitten with the doctor's methods,approach,diagnosis and treatment. He decides he's going to insinuate himself into Dr.Marvin's life(in somewhat of a mixture of gratitude and need),and follows him to the rural,New England lakeside vacation where the Marvins are staying.
Alvin Sargent and Laura Ziskin's story and script make the actors' moves and lines so easy you'd almost think there were elements of improvisation. But Murray and Dreyfuss are(and not to belabor a point here but...)the key here. Murray's socially oblivious and free sense of bonding clashes DRAMATICALLY with the button-down professionalism of Dreyfuss' doctor,and as Muray thinks himself "Better",Dreyfuss' shrink seems to be getting worse,confounded by his unwanted patient's persistence and loyalty. While the unabashed enthusiasm of Murray's character might drive away some viewers who might see this as "annoying" or "too much", Murray fans and,I think,fans of sort of odd,non-formula comedies will DEFINITELY appreciate the whole story and rhythm of this film. Perhaps it's a bit too early to state this(though this film,which I first caught in the theaters in first release sixteen years ago,has had more than a decade to simmer in the memories of moviegoers),I feel this is something of a modern comedy classic. I've seen this film no less than three times and,to chime in with an IMDb message board poster,this IS a truly re-watchable movie.
Dr.Leo Marvin(Dreyfuss,who has settled into being the 'Uptight fuddy-dudd' roles from here,as opposed to the more restive,youthful roles of past movies like "Jaws" and "Goodbye Girl")seems to have it all. Loving wife,healthy,normal kids and a career that is on the verge of taking off:a comfortable private practice in New York and a self-help book about to be published nationwide. At the last minute,he accepts another colleague's patient(for whom he does not wonder as to why his peer is so breathlessly trying to pass this patient off to him):one Bob Wiley(Murray). Bob doesn't have anything wrong with him;he has MANY things wrong with him. Multiphobic,clingy and more than a little under-developed in his sense of emotional attachment,Bob misreads the good doctor's brush off(As the doctor gets ready for a Labor Day getaway with his famille)as being a cure-all,and is immediately smitten with the doctor's methods,approach,diagnosis and treatment. He decides he's going to insinuate himself into Dr.Marvin's life(in somewhat of a mixture of gratitude and need),and follows him to the rural,New England lakeside vacation where the Marvins are staying.
Alvin Sargent and Laura Ziskin's story and script make the actors' moves and lines so easy you'd almost think there were elements of improvisation. But Murray and Dreyfuss are(and not to belabor a point here but...)the key here. Murray's socially oblivious and free sense of bonding clashes DRAMATICALLY with the button-down professionalism of Dreyfuss' doctor,and as Muray thinks himself "Better",Dreyfuss' shrink seems to be getting worse,confounded by his unwanted patient's persistence and loyalty. While the unabashed enthusiasm of Murray's character might drive away some viewers who might see this as "annoying" or "too much", Murray fans and,I think,fans of sort of odd,non-formula comedies will DEFINITELY appreciate the whole story and rhythm of this film. Perhaps it's a bit too early to state this(though this film,which I first caught in the theaters in first release sixteen years ago,has had more than a decade to simmer in the memories of moviegoers),I feel this is something of a modern comedy classic. I've seen this film no less than three times and,to chime in with an IMDb message board poster,this IS a truly re-watchable movie.
Bob Wiley (Bill Murray) is a wacky oddball. Doctor Leo Marvin (Richard Dreyfuss) is a confident NY psychotherapist who is looking forward to a "Good Morning America" appearance to push his book. A colleague pawns Bob off to Leo as a new patient. Bob is immediately attached to Leo and his book's advise of Baby Steps. When Leo tells Bob that he's going on vacation with his family, Bob can't take it and tracks him down. Leo thinks his life is great, but not everything is going as well as he supposes. His townie neighbors hate him. His son is afraid to dive. His daughter hates to be over-analyzed and has normal boy troubles. His wife could do with more consideration from Leo. And worst of all, everybody loves Bob.
Bill Murray and Richard Dreyfuss make for a great odd couple. They are both doing something within their skill sets. Bill Murray is especially wacky in this, and Dreyfuss plays annoyed very well without being completely unlikeable. One could certainly understand Leo's point of view, but it's also obvious how wrong he is.
Bill Murray and Richard Dreyfuss make for a great odd couple. They are both doing something within their skill sets. Bill Murray is especially wacky in this, and Dreyfuss plays annoyed very well without being completely unlikeable. One could certainly understand Leo's point of view, but it's also obvious how wrong he is.
Você sabia?
- CuriosidadesRobin Williams was the first choice for the role of Bob Wiley, as he had been nominated for an Oscar for his performance in screenwriter Tom Schulman's Sociedade dos Poetas Mortos (1989), also distributed by Touchstone Pictures. However, at the time filming was to begin, Williams had just finished filming O Pescador de Ilusões (1991) and was forced to turn down the role. Williams and Charlie Korsmo, who plays Richard Dreyfuss's son in this movie, would go on to star in Steven Spielberg's Hook: A Volta do Capitão Gancho (1991) the same year.
- Erros de gravaçãoWhen Marie from Good Morning America (1975) is interviewing Dr. Marvin and Bob, Leo inadvertently calls her "Joan" the first time he speaks to her. Joan Lunden plays/is the home-base correspondent for GMA. Leo had been rehearsing his speech to Joan Lunden all night, but Marie was the interviewer that came to his house. Leo froze up on TV and repeated his rehearsed message even though it was no longer appropriate.
- Citações
Dr. Leo Marvin: I want some peace and quiet!
Bob Wiley: Well, I'll be quiet.
Siggy: I'll be peace!
[Bob and Siggy burst into giggles]
- Versões alternativasRecent 2004 airing on TBS uses the term "tourette's syndrome" instead of the TV-friendly toned-down "Buddy's disease", and used *almost* all of the original dialog associated with it.
- Trilhas sonorasJolt
Written by Gerry Hurtado and Chris Abbott
Performed by Skatemaster Tate and The Concrete Crew
Courtesy of Russett Records
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- How long is What About Bob??Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- ¿Qué tal, Bob?
- Locações de filme
- 8254 Scruggs Road, Moneta, Virgínia, EUA(house location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 39.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 63.707.829
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.216.334
- 19 de mai. de 1991
- Faturamento bruto mundial
- US$ 63.707.829
- Tempo de duração
- 1 h 39 min(99 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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