Chain of Desire

A friend recently gave me a copy of this very beautiful, funny, moving and sophisticated movie. One of the most poignant and intelligent depictions of sexuality I've ever seen. Every single actor playing one of the 14 main characters in the interlinked stories makes an impression. As does the moody photography capturing "La Dolce Vita" of 1980's Manhattan. This is a very special cinematic experience. Not flawless in its overall ambition, but still fascinating as a thought-provoking and panoramic chronicle of urban life at the end of the millennium.

It's too bad this little seen gem of a film is almost impossible to rent

-- it's a real winner. From it's sexy and provocative style, to its

pulsating score, this is a film made with real commitment and passion.

Chain of Desire is life and love on the steamy streets of New York, told

through couples who lead us to other couples. It's a modern day La

Ronde, but it never feels like a rip off -- it's original, romantic and

downright hot. Linda Fiorntino is, for once in her career, vulnerable

and sympathetic. Director Lopez has drawn beautifully nuanced

performances from all his cast. And what a cast! Some of the freshest

faces, that even 10 years later hold up. Anyone that has ever spent a

hot summer night in New York will love this film. It's a love letter to

the city that never sleeps, but more importantly, it's a testament to

the spirit and permissivness of late 80's and the people who survived

it. A beautiful, sexy and haunting film that I saw at least five times

in a theatre. Everyone I dragged to it loved it as much as I did. A

sensual masterpiece. ....

Chain of Desire captures New York City and modern urban America in a powerfully truthful way, years before others portrayed sex in the big apple. It is not so much about sensual desire but the hopes and dreams of each character and how only other people can help to forward these dreams. Meanwhile as characters pursue their dreams the strength of sexuality, sex, perhaps a dark desire or perhaps a gift from heaven descends on the characters caught in a more dangerous time. Today desire is considered wrong.

The film takes you through human drama with reflections of greek comedy and tragedy that touches intense feelings and untamed moments. Linda Fiorentino, now famous but then just becoming known, gives a clear performance magically transforming her character above a torch song singer.

Eyes Wide Shut was also drawn from the same European theater roots as Chain of Desire, but Temi Lopez shows us a realist possible life whereas Kubrick makes a film more unbelievable than 2001. Stylish, seductive, vibrant, provocative, intelligent describe the film.

I got talked into seeing this movie years ago by some pretentious friends, wasn't all that impressed by it, and insulted it gratuitously on the walk home from the theater. It's not very well-acted, the plot is incomprehensible inasmuch as it even exists, and the sex scenes, explicit and implicit, are nowhere near as titillating as the title or promotion would suggest. But somehow I remember this movie with near-perfect clarity over a decade later. Why? The structure is fascinating -- I'd never seen a narrative structured as a progression of random encounters. And even if no scene is particularly compelling and no character is especially distinctive, the movie manages to be thought-provoking. Since every scene is obviously intended to depict a seduction, you start to wonder about the nature of attraction and power relationships. On a cinematic level, New York looks pretty, Linda Fiorentino is hot, the gay boys are all handsomely lit, and Malcolm McDowell is an embarrassment to the art of acting. Stop now before you hurt someone else.

Max Ophuls gave us one of the great films of all time, La Ronde. A stylish seduction about the art and enterprise of seduction with an extraordinary cast. Filmmaker Temistocles Lopez marvellously modernizes what was a cautionay tale about syflis, setting it in a sexually charged Manhattan at the height of the AIDS epidemic. Again the storytelling is that of the portmanteau or multi-plot, multi-character as one character from each sexual coupling, couples with another, hence the chain of the title or "round" as in the Ophuls film taking us back to the first character. Though low budget and less elegant than the original, Lopez's actors rise magnificently to the occassion. To list these names, hardly an "A" list in the conventional sense, but there is nothing conventional about this movie, is to provide us not with a roster of famous movie stars, but a lineup of highly accomplished and versatile actors from a diverse film background in several countries. Linda Fiorentino, Malcolm McDowell (UK), Assumpta Serna (Spain), Seymour Cassel (the Bronx), Grace Zabriskie (New Orleans), Patrick Bauchau (France), Elias Kotais (Canada), Tom Guinee, Dewey Weber, etc. provide a rich, sexy and fascinating work force to weave us irrevocably into this spellbinding tale of modern urban seductions. Not to be missed!