Rápida e Mortal

Not a bad movie at all, but it does take a bit to really settle into. For a while, Sharon Stone is really trying to sell the macho gunslinger with baggage, but she's doing it with her Hollywood looks and pearly whites; she's missing grit. And that does improve later on, but like I said, patience is needed.

That said, Sam Raimi is clearly having fun in a sandbox full of Western cliches. The draws, the face zooms, the shots. It looks fantastic. If that's not enough, then it's worth a look for Gene Hackman's performance. No trace of Unforgiven here; dude's a genuine scumbag.

"The Quick and the Dead" is a "splatter Western," directed by horror vet Sam Raimi (whose latest, as of this writing, is "Spider-Man," but who cut his teeth on the "Evil Dead" trilogy). It's set in the oh-so-ironically named lawless town of Redemption, a haven of grotesques that gives us an idea what the wild West would've looked like if had been painted, not by Frederic Remington, but by Heironymus Bosch.

In a surfeit of Biblical nomenclature, the town's mayor/owner/capo is named Herod (Gene Hackman at his oiliest, complete with bad hair). Into town there rides a mysterious stranger, not Clint Eastwood this time but Sharon Stone. I'm not the world's biggest Stone fan, but this movie and "Total Recall" indicate that she has her uses in kick-butt action roles that make no demands on her limited thespianic skills. As gunslinger Ellen, she's doubly armed--with a six-shooter, and with an axe to grind; even her "inner child" packs a gun. She enters Herod's to-the-death fast-draw tournament, a no-win, no-exit, potentially no-survivors affair, with an agenda on her mind other than just winning the prize money.

This is an overripe, over-wrought movie, but it mostly works. Raimi all but erases the slim wall between the horror and Western genres: Redemption is another Transylvanian village of simple peasants lorded over by by an evil baron, and the atmosphere--palpably oppressive and claustrophobic--could be cut with a knife. Leonardo di Caprio and veteran character actors Lance Henriksen and Roberts Blossom effectively round out the cast, and the action scenes--exaggerated, mythic, often darkly humorous--deliver. If you're more of a horror fan than a Western fan, this may be the Western for you.

With The Quick and the Dead, Sam Raimi approaches the old west with a very new/contemporary style. With its brisk energy and competitive characters, the story often feels like a sports movie with lots of photography tricks. If you want a top western, this might not be your film, but if what you seek you is good old pistol-whippin' American fun, this might do the trick.

Thanks to James Cameron, since T2, there has been nothing sexier than a woman with a gun. Sharon Stone actually brings a fairly macho 'Sarah Conner' quality to her character. She plays Ellen, a young cowgirl who rides into a mysterious town for a very special event, a gunslinging competition. The mayor of the town is a dangerous fella and one of the most feared gunslingers around. It is this man who Ellen is after. The question is, why? In order to fight him, she must beat everyone else in the competition. There will be blood, for sure.

In order to make up for his superficial plot, Sam Raimi has a lot of tricks up his sleeve. One of his most recognizable through his career is going over the top in an amusing way, which he does here too, mostly at the climax. He doesn't make great movies, but he makes clever and entertaining ones, which this is.

In the Western town of Redemption John Herrod runs everything, they say he gets half of every dollar spent or earned. In order to face his enemies face on he runs an annual quick draw contest where fights battle each other until only one remains. The winner takes home a small fortune – the losers leave wounded if they are lucky. Into this contest comes a group of hopefuls including a woman who has personal reasons for signing up.

Looking at the list of names it is evident that the casting director is very good at his/her job as they managed to catch several big names, get several stars who were a few years away from hitting big and also get veteran faces as well. The ensemble of well known faces suits this film as the focus is very much on style and appearance than it is on substance. As a plot it takes the well known genre of the revenge western and makes a sort of pastiche of it. Thus we have the OTT and hyper direction of Rami and gun fights that are delivered with energy and shots that have no bearing to reality.

When I think about the actual plot, it really should bother me more than it does. The plot is pretty thin and contains nothing that you can't see coming from about the first 20 minutes of the film – certainly the woman's `secret' will be no mystery to anyone who has seen `Once Upon A Time In The West' which it clearly apes in this regard. What exists in the place of a wider plot is characters and style. The style is fun and energetic and will appeal to fans of Evil Dead etc.

The characters themselves are also pretty good, each has a little back story which helps to fill out the running time without getting too serious. Stone does surprisingly well in the lead, she's no Clint Eastwood but she leads the cast well – which is no mean feat when you look at the credits. Hackman is a gleefully good villain – even more mean and unrepentant that his character in Unforgiven. Crowe and DiCaprio were both a few years from the levels of stardom they now hold, but both are engaging and enjoyable. The support cast is also full of names and faces you'll recognise – either as solid support actors of recent films or older faces. For example – Henriksen, David, Sinise, Hingle, Bell and Blossom.

Overall this film might infuriate you if you are looking for a film that has more substance than style, as this is the other way round. However fans of Rami's style and/or revenge westerns will find much to enjoy here. Every time I see it I always find it hard not to get caught up in the atmosphere it creates.

A great western by Sam Raimi starring some super power talent in Russell Crowe, Sharon Stone, Leo Di Caprio and Gene Hackman. The cinematography is really good and clearly a homage to The man with no man movies. Direction is crisp and Sam Raimi should be applauded for that. On the cinematography, the great Ebert wrote that it reeks of biblical vengeance. Just watch this for the setting.