Enquanto matchmaking para amigos e vizinhos, uma jovem inglesa do século XIX quase perde sua própria chance de amar.Enquanto matchmaking para amigos e vizinhos, uma jovem inglesa do século XIX quase perde sua própria chance de amar.Enquanto matchmaking para amigos e vizinhos, uma jovem inglesa do século XIX quase perde sua própria chance de amar.
- Ganhou 1 Oscar
- 3 vitórias e 7 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
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Você sabia?
- CuriosidadesToni Collette had to gain weight to portray "the Rubenesque Harriet" and she explained, "I think it's important for people to look real in films. There's a tendency to go Barbie doll and I don't agree with that at all."
- Erros de gravaçãoFrank Churchill's hair changes length in the scenes when he says goodbye to Emma - shorter when he arrives and longer when he leaves.
- Citações
Mr. Knightley: Emma, how could you be so unfeeling to Miss Bates? How can you be so insolent to a woman of her age and situation? I had not thought it possible.
Emma: How could I help saying it? I daresay she did not understand me.
Mr. Knightley: I assure you, she felt your full meaning. She cannot stop mentioning it. I wish you could have heard her honour your forbearance in putting up with her when her society is so irksome.
Emma: I know there is no better creature in all the world, but you must allow that blended alongside the good, there is an equal amount of the ridiculous in her.
Mr. Knightley: Were she prosperous or a woman equal to you in situation, I would not quarrel with you about any liberties of manner. But she is poor, even more so than when she was born. And should she live to be an old lady, she will sink further still. Her situation being in every way below you should secure your compassion! Badly done, Emma. Badly done. She has watched you grow from a time when her notice of you was an honour to this, humbling her, laughing at her in front of people who would be guided by your treatment of her. It is not pleasant for me to say these things, but I must tell you the truth while I can, proving myself your friend by the most faithful counsel, trusting that sometime you will do my faith in you greater justice that you do it now.
- Cenas durante ou pós-créditosThanks to ... the people of Evershot.
- ConexõesFeatured in Siskel & Ebert & the Movies: Chain Reaction/Matilda/Emma/Stonewall (1996)
- Trilhas sonorasDeck the Halls with Boughs of Holly
Traditional tune, lyrics by Thomas Oliphant (uncredited)
Arranged by Rachel Portman
I like Gwyneth Paltrow, and I love Jane Austen. (That sounds bad. Sorry Gwyneth.)
And this is a great movie for its writing, and a stiff and imperfect movie for its acting. And for Austen fans (and fans is an understatement for some of them) this is almost awful movie. Awful if you love sublime writing and can't stand to see it so wooden.
Paltrow is good. She's pretty. She's appropriately upright. But she insists on "delivering" her lines. She has them memorized, yes. But she doesn't inhabit the character. And Emma, the character, is one of the best of all literature, filled with sassy individualism and social blindness due to ordinary teenage arrogance. The material is there, and it's a great story (if you like early 19th Century melodramas bordering on soap opera of the highest level).
So, it's not a terrible presentation of the movie, but it is, to be sure, a presentation. I honestly think (and don't tremble in rage here) that Alisha Silverstone in "Clueless" gets the spirit of Emma much closer. There is of course a gap of sensibilities here that I'm ignoring—a girl in 1995 (Silverstone) is no match for a girl in Austen's time. I'll leave that one vague.
About "Emma" it's worth saying that the sets and costumes are so convincing you don't really think about them. Everything is brightly lit (which I suppose is a reasonable choice, though it flattens the film emotionally as opposed to, say, the Merchant-Ivory approach). The whole spectacle is spread before the camera lovingly, if a bit predictably.
In the end it's Austen who wins. The writing, both in the specific dialog and in the general plot outline, are delicate and witty and insightful. Nothing sensational here, just drawing room observation at its best. Kudos for that much, and a reasonable translation to film. It's Austen who wins all those stars.
- secondtake
- 16 de jan. de 2014
- Link permanente
Principais escolhas
- How long is Emma?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 6.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 22.231.658
- Fim de semana de estreia nos EUA e Canadá
- US$ 240.649
- 4 de ago. de 1996
- Faturamento bruto mundial
- US$ 22.231.658
- Tempo de duração2 horas
- Mixagem de som
- Proporção
- 1.85 : 1