James e o Pêssego Gigante

The visual style is a bit "freaky" and the characters are a bit offbeat but that gives it some charm. I loved the banter between all the different insects who have a rivalry but are all good people. Their adventure is very engaging. The only downside is that sometimes the film is a bit over the top which makes it hard to empathise with James because his struggles can seem a bit comedic.

The 1996 Disney filmization of Roald Dahl's first book for children, 1961's "James and the Giant Peach," is a delightful confection that, like its original, should prove as much fun for the adults as the kiddies. The film hews fairly closely to its source material, with some important differences, and really is quite the exemplar of modern-day animation arts. In it, we are introduced to James Henry Trotter, an orphaned boy whose miserable existence with his two witchlike aunts takes a decided turn for the better when a mysterious old man gives him a bagful of magical green crystals. These crystals cause the previously barren peach tree in his front yard to grow the titular giant fruit, and James soon meets, inside the stone of the fruit, six new friends, giants all: a grasshopper, a spider, an earthworm, a glowworm, a ladybug and a centipede (the book's silkworm character, for some reason, has been omitted). The seven make a hazardous trans-Atlantic journey to NYC aboard the peach, a journey that tests the mettle of each of the team indeed. The film differs from Dahl's book in that the journey to NYC is a goal, rather than a happy accident. The film also tones down the book's violence (James' aunts are not killed in the film), turns the shark into some kind of killer robot, and, most unwisely, drops the entire sequence with the Cloud Men in favor of a haunted pirate ship not at all present in Dahl's text. The nature of the rhino that ate James' parents is also, strangely, much altered. The filmmakers have added some musical numbers to the mix, and although Randy Newman's charms are usually lost on me, I found his five contributions here to be quite entertaining. The picture blends live action, stop-motion animation and what looks to be (in James' dream) animated collages seamlessly and effectively, and the whole production really is something of a technical marvel. Despite the changes, this is one very winning entertainment indeed.

There is sooo much I like with this movie. It has imagination, a sense of wonder and characters you either love or hate. And the blend of live action and stop-motion animation is a delight. The songs incorporated in this story is not very memorable but sweet and fit their purpose. And you simply have to love to hate Margoyles and Lumley in their parts as the aunts from hell. They treat poor James so horribly that I thought that "Cinderella had it easy"! Compared to "nightmare before Christmas" I actually liked this movie better. It has more of a heart even if the story itself may be just a bit less interesting and inventive. There are so many good scenes but among the highlights is the arctic adventure and the New York sequence. But, mind you, the opening is very deceptive and might scare younger parts of the audience. Otherwise, a must-see!!!

I was surprised that people thought this film was average, or so-so. I found it to me a movie that was so much fun to watch.

Starts out live-action, than it seagues into stop-motion animation. Some of the scenes are very memorable (the pirate attack) and the voices are delightful. Not as good as Nightmare Before Christmas, but every bit as imaginative.

True, it isn't as good as the book, which is a childhood favourite of mine, but it is still a delightful and charming film. The look of the film is splendid, with bright colours in most scenes and some very memorable scenes such as the killer sharks, and the peach was stupendous. The script is very clever and funny, especially with Centipede, who has some truly hilarious lines. The performances are exceptional, Paul Terry is very appealing as James and Pete Postelthwaite delights as the mysterious man, who is responsible for changing James's life forever. There is also a terrific voice cast, including Simon Callow, Richard Dreyfuss, Susan Sarandon and David Thewlis who breathe fresh air into the screenplay, but it is certainly Miriam Margoyles and Joanna Lumley as the ghastly aunts who steal the show. I do however have two complaints of the film. I did find Randy Newman's songs forgettable, and they occasionally mar the film's pacing, and Paul Terry's singing voice just was a bit weak. Other than that, it is a delightful film, with an 8/10. Bethany Cox