AVALIAÇÃO DA IMDb
5,6/10
2,7 mil
SUA AVALIAÇÃO
Verloc mora na Londres de 1886 com uma bela esposa e seu irmão retardado. Ele é agente da embaixada russa. Um novo embaixador quer mais dele do que nos últimos anos - algo com uma bomba. Ver... Ler tudoVerloc mora na Londres de 1886 com uma bela esposa e seu irmão retardado. Ele é agente da embaixada russa. Um novo embaixador quer mais dele do que nos últimos anos - algo com uma bomba. Verloc também informa a polícia.Verloc mora na Londres de 1886 com uma bela esposa e seu irmão retardado. Ele é agente da embaixada russa. Um novo embaixador quer mais dele do que nos últimos anos - algo com uma bomba. Verloc também informa a polícia.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Louis Costa
- Beggar Boy
- (não creditado)
Toby Hinson
- Student
- (não creditado)
Robin Williams
- The Professor
- (não creditado)
Fred Wood
- Man Jostled in Alley ( by 'The Professor')
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
"I have no future, but I am a force," says the Robin Williams character, minutes before he completes his mission. A chilling glimpse into the mind of the fanatic. Superb performances by almost everyone (Eddie Izzard does the most unconvincing accent since the last time John Malkovich played an Englishman), a great score by Philip Glass, and the last five minutes will freeze your blood. (Two Academy Award winners here, and neither of them is Bob Hoskins -- what is wrong with those people in Hollywood?)
The Secret Agent was pretty good, but not as good as I had expected, especially since it starred Bob Hoskins. I am a big fan of Bob Hoskins, but here his performance was below average. In fact, the entire cast performed badly, except for Robin Williams. Williams has a minor role but he makes the best of it and steals every one of his scenes. Overall I give a couple of points for an interesting storyline and a few more for Robin Williams. 5/10
This is a very dark and mysterious piece of work that captures the sooty mood and gritty feel of Victorian London. Even the extras seem plucked, unbathed, right out of Limehouse and Whitechapel. An unshaven mad bomber is an odd role for Robin Williams. As always, he does it well but unfortunately Williams is Williams and all I could think of was Patch Adams. Bob Hoskins may be best portrayer of losers in all filmdom. Certainly his character here, Verloc, is a confused and pitiable loser. The plot is dark and even a little pointless. The sombre cinematography with its muted colours, deep shadows and European texture emphasizes the grim story of shattered lives . At times there is some needless "creative" camera work. Nevertheless this very unconventional film makes for a satisfying if, at times, puzzling couple of hours
I'm constantly amazed how well Conrad is adapted by modern film makers. The political intrigue can be mostly ignored, as it is slight and not very interesting. What this movie does well is depict human emotions and reactions in difficult situations, and here is where the well picked cast delivers. Robin Williams is unbilled, but provides a fascinating character study of a true anarchist which contrasts nicely against Bob Hoskins' unwilling agent role. I was beginning to grow tired in the middle of the film, thinking the shallow political action was the ending, but the later intense focus on the human reactions and struggles following the incident do a wonderful job of drawing you back in.
Anyone looking for some exciting tale along the lines of the Bourne trilogy in a film named The Secret Agent is going to be disappointed.
What you have here is a dark and deep intellectual exercise in the actions of spies, anarchists, agent provocateurs, and the like in 19th Century England.
While Bob Hoskins (Unleashed, Who Framed Roger Rabbit) leads the cast, it is truly an ensemble film.
Hoskins is a man playing all sides. He is an anarchist, but in the employ of the Russians, and under the thumb of a local police inspector (Jim Broadbent). His wife (Patricia Arquette) only married him to gain protection for disabled brother (Christian Bale). When the Russian boss (Eddie Izzard) puts the pressure on, he has to act and he manages to kill the brother. Everything falls apart at that point, and it is where the film really gets interesting. So, if you bail before that, you miss it all.
One of the most interesting things in the film was his actions after his wife found out that her brother was killed. She is leaving, and he orders her to stay. He is stuffing his face while "consoling" her and sits on the couch. He then tells her, "I know what you need. Come over here." I hope this is not a reflection of the attitude of men towards women in this period, but I am afraid that it probably is. Anyway, it was what she needed, but not in the way he imagined.
Things do not end well in this film. There is a good performance by Gérard Depardieu (Cyrano de Bergerac, The Man in the Iron Mask) towards the end, and a great performance by Robin Williams throughout.
They must really like Conrad's story, as it has been done on TV a couple of times before this film. It is worth your time.
What you have here is a dark and deep intellectual exercise in the actions of spies, anarchists, agent provocateurs, and the like in 19th Century England.
While Bob Hoskins (Unleashed, Who Framed Roger Rabbit) leads the cast, it is truly an ensemble film.
Hoskins is a man playing all sides. He is an anarchist, but in the employ of the Russians, and under the thumb of a local police inspector (Jim Broadbent). His wife (Patricia Arquette) only married him to gain protection for disabled brother (Christian Bale). When the Russian boss (Eddie Izzard) puts the pressure on, he has to act and he manages to kill the brother. Everything falls apart at that point, and it is where the film really gets interesting. So, if you bail before that, you miss it all.
One of the most interesting things in the film was his actions after his wife found out that her brother was killed. She is leaving, and he orders her to stay. He is stuffing his face while "consoling" her and sits on the couch. He then tells her, "I know what you need. Come over here." I hope this is not a reflection of the attitude of men towards women in this period, but I am afraid that it probably is. Anyway, it was what she needed, but not in the way he imagined.
Things do not end well in this film. There is a good performance by Gérard Depardieu (Cyrano de Bergerac, The Man in the Iron Mask) towards the end, and a great performance by Robin Williams throughout.
They must really like Conrad's story, as it has been done on TV a couple of times before this film. It is worth your time.
Você sabia?
- CuriosidadesBob Hoskins was originally set to direct as well.
- ConexõesReferenced in Aliens vs. Predator 2 (2001)
Principais escolhas
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- How long is The Secret Agent?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The Secret Agent
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 7.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 106.606
- Fim de semana de estreia nos EUA e Canadá
- US$ 25.909
- 10 de nov. de 1996
- Faturamento bruto mundial
- US$ 106.606
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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