Adicionar um enredo no seu idiomaALL THE RAGE takes a satirical and poignant look at one gay man's obsessive pursuit of physical, sexual, and romantic perfection. Christopher Bedford is everyone's fantasy. He's gorgeous, yo... Ler tudoALL THE RAGE takes a satirical and poignant look at one gay man's obsessive pursuit of physical, sexual, and romantic perfection. Christopher Bedford is everyone's fantasy. He's gorgeous, young, clever, rich, and above all, totally buffed and every boy in Boston seems to want him... Ler tudoALL THE RAGE takes a satirical and poignant look at one gay man's obsessive pursuit of physical, sexual, and romantic perfection. Christopher Bedford is everyone's fantasy. He's gorgeous, young, clever, rich, and above all, totally buffed and every boy in Boston seems to want him. At thirty-one, he's gliding through life, celebrating himself as the 90's gay playboy id... Ler tudo
Avaliações em destaque
This is supposedly a satire of the shallowness of certain types of gays (they're called "twinks," "Gym Bunnies" and "Chelsea Boys" where I am) who are rich, overly groomed and superficial. It follows one guy, a shallow heartbreaker, as he falls in love with someone not of his "class."
A HUGE problem is the acting. I felt that a lot of the lines would have been funny if the actors could have sold them well. With a satire like this, the actors need to go at lines like "Are you telling me you dated someone who doesn't work out?" with absolutre sincerity, but what we get is a sort of "I'm just an actor, I'm not really like this, see" kind of irony. It kills the entire script. Lines that were funny when I read them in a review are absolutely flat on screen. One gets the impression the director asked his friends to be in the movie, and the result is the slightly embarrassed feeling of watching community theater.
Thematically, the movie is VERY tame. It doesn't really go far in satirizing its characters, and ends up in some ways reinforcing their viewpoints. A character who is not rich and doesn't work out is seen as SO DIFFERENT it's SHOCKING that our main character would even BE SEEN with him! So much for embracing diversity, huh? Near the end our protagonist is upbraided for not calling a guy when he said he would and basically being a playboy. Since when is this a crime in gay circles? Did he say he was a virgin and that they would be married? The effect one leaves the theater with is oe of those superficial types saying (and we've all heard it) "Oh I'm so superficial, it's awful" when you know they don't really mean it and won't change. I was curious to see WHO would go to see this movie, and was disappointed to see it's the very audience the movie pretends to criticize. They seemed absolutely unfazed.
But the fact that this movie DOES examine these attitudes at all I think makes it worth a viewing. It's one of those that's better to talk about than to sit through. And, if you're attracted to those kinds of hairless chiseled body types, there is ample chest on display... though if you're seeing the film for that reason, anything it has to say, I suspect, would be irrelevant to you.
--- Check out website devoted to bad, cheesy and gay movies: www.cinemademerde.com
While I agree that the acting and technical aspects of this film are sorely lacking, I had no problem ignoring the form and focusing on the content. Yes, it's just a movie about a cad who happens to be gay, but I can't think of another movie with this subject in the past 20 years. Most gay films these days seem afraid to turn a mirror on any part of its audience and say "you are the villain", which this movie does. I found it quite difficult to sit through the first half hour, during which we are introduced to two despicable gay men (Christopher and Larry) and two merely insufferable ones (Tom and David). Once Stewart showed up though, it was easier to feel something (other than disgust) for someone in this film, even though it was pretty inevitable what was going to happen to the poor guy.
As for the ending, it was no more out-of-left-field than the ending of Looking For Mr Goodbar, and at least no one wound up dead for no good reason in this movie (although even suggesting it might happen was a big mistake on the director's part).
This film leaves you lost in thought and practically forces you to reexamine your life and your attitude toward others. All in all, "All the Rage" is a remarkable debut for Tec -- definitely worth seeing!
But that's not always a bad thing.
If you know that a movie is going to be lousy right from the start, like "All the Rant", you can kick back and scream with laughter and pray to God you've found yourself sitting on a yet undiscovered camp classic. This movie just became more gruesome as it moved along (or didn't move along). By the credits everyone in the theater was either in stunned silence or laughing hard enough to soil themselves.
On another note, it's great that gay themed movies are starting to come out more regularly so the gay community doesn't have to LOVE whatever is handed out. I became a little tired or rewinding the "Maurice" tape...
I'd much rather see a movie that fails on all counts rather than a mediocre snooze fest that a lot of movies today seem to be.
Bravo! If you're going to be bad, be REALLY bad. Make sure you see this car accident.
Você sabia?
- ConexõesReferences A Feiticeira (1964)
- Trilhas sonorasBoy Crazy
Written by Paul Outlaw
Performed by Paul Outlaw and Dan Stark
Principais escolhas
- How long is All the Rage?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- All the Rage
- Locações de filme
- Boston Common, Boston, Massachusetts, EUA(Christopher and Larry walking together late in the film)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 97.433
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.508
- 18 de out. de 1998
- Tempo de duração1 hora 45 minutos
- Cor
- Proporção
- 1.66 : 1