Cidade do Ódio

Sure, you can find some plots holes in this film big enough to drive a semi through, but that just keeps it from gathering awards, not from being worth a view.

If you like revenge flicks, and noir, and lots of action, as well as a look at Lucy's Little Lius as she does a pole dance, then you might find this film interesting.

What makes it most interesting, however, is the presence of Harvey Keitel. Having him hunting you down is a real bummer. He manages to get shot and almost beat to a pulp by the Chinese, and still keeps on ticking like a Timex. Maybe he just dreamed of being on the beach in Port Arthur with Famke Janssen (of X-Men fame). It could have happened! Check it out to see who wins and loses and enjoy the ride because it is worth it.

I would describe Harvey Keitel's performance in this violent thriller as exceptional, except that he turns in such remarkable performances time after time. He plays Roy Egan, a veteran con helping his kid brother, Lee (Timothy Hutton), and two other desperados, pull a big jewel job in Palm Springs. The job goes well, but then one of the gang gets murderously greedy, and Roy goes into LA, after him and the loot.

The other element which lifts the movie from competent to first rate are the downtown and industrial locations. For once we see an LA not made up exclusively of lush areas like Beverly Hills on the one hand, and no-go ghettos like South Central on the other. At the same time, writer Ken Solarz and director John Irvin make good use of LA's ethnic mix, with both Chinese and Black gangs playing a part as Roy hunts his man. Hutton, Stephen Dorff, Wade Dominguez and Famke Janssen contribute solid performances, and Lucy Liu is also to be seen. The movie may descend into too much mayhem for some; and the sunny epilogue seems out of place; but this is a must-see for thriller-lovers.

In my book, this is one of the overlooked action classics of the 1990's. With solid production values and a top notch cast, and set against a sunny and seedy Los Angeles backdrop, this fast-paced story of desperate criminals driven by greed and revenge is the perfect vehicle for "Guy's Movie Night."

Harvey Keitel is at his best as Roy Egan, the hardened career criminal bent on avenging a double-cross by former partner-in-crime, Skip Kovich (played by Stephen Dorff, in his best performance ever). Also along for the ride are Timothy Hutton, the late Wade Dominguez ("Dangerous Minds"), and a very sexy Famke Janssen. As if this weren't enough, this movie is notable for providing the only film nude scenes of Lucy Liu (a brief role as Dorff's stripper ex-girlfriend), and Dana Barron (Audry Griswold in the original "Vacation").

Despite its occasional plot holes, this film gets better with repeated viewings. And for fans of what my Manly Man Movie Night associates have deemed "Keiteling" (the mandatory Harvey Keitel emotional and physical meltdown, e.g. the church scene in "Bad Lieutenant") it doesn't get any better than this. However, the film is quite violent, and I have not met many women who like it. Still, "City of Industry" belongs in the collection of any fan of revenge-based action thrillers.

I agree with Stephen. I watched this film mainly to see Harvey Keitel's work: I was wholly unprepared for the slam-bang surprise after the heist. I think it's a great revenge flick in the full Bronson mode.

Oh good another heist gone wrong movie - and it stars Harvey Keitel! The film started well and I thought it would compare favourably with other heist movies. However this one is pretty slow and not really interesting. Stephen Dorff is just mean and doesn't really act. Harvey Keitel is OK but elements of his performance are unoriginal and it's almost like the director said "Harvey - remember that bit at the end of Resevoir Dogs where you cried and struggled with your emotions? ok do that!".

Every element of this film reaks of copy of other films with the end result being quite poor.

Don't confuse the slow dark atmosphere of this film for it being thoughtful or deep - it's an atmospheric copy of better films.