Um intelectual bilionário e dois homens mais jovens lutam para se unir e sobreviver depois de ficarem presos no deserto do Alasca com um urso Kodiak sedento de sangue.Um intelectual bilionário e dois homens mais jovens lutam para se unir e sobreviver depois de ficarem presos no deserto do Alasca com um urso Kodiak sedento de sangue.Um intelectual bilionário e dois homens mais jovens lutam para se unir e sobreviver depois de ficarem presos no deserto do Alasca com um urso Kodiak sedento de sangue.
- Prêmios
- 3 indicações no total
Gary A. Hecker
- Bear Vocals
- (não creditado)
Avaliações em destaque
This film was a revelation! When it was on general release in the cinema, I gave it a wide berth. I can't remember why, probably the combination of a weak title, Alec Baldwin in a starring role and a really unimaginative trailer. I've just seen it on a 14-inch TV screen and am so sorry I didn't catch it on the big screen (or even a 26-inch TV!).
David Mamet can write but he knows his place! This is an action adventure movie and so Mamet is not trying to make any great philosophical point. He does provide a wide variety of thematic ingredients (man V nature, youth V age, brains V brawn, machismo, infidelity) to ensure that the story line is far more interesting than most of Hollywood's action-movie schlock. And, of course, a furry killing machine that can smell a man from 10 miles and run through the forest at 30 mph!
Charles, (Anthony Hopkins' erudite billionaire character) starts out as the vulnerable, isolated character of the film. He's married to Mickey, his photo-model wife(Elle can act herself!) flirts quite openly with Bob the handsome, younger photographer (Baldwin). Charles seems set up for a fall. In his self-effacing way, he confesses to knowing a lot "in theory" but not being great at "practical application".
So when the plane crashes into an icy lake, Charles is the one for whom you most fear but that's when all the surprises start..........
The biggest disappointment for me is that a fine actor such as Harold Perrineau finds himself playing a role that is a classical Hollywood cliché, the nice black guy who gets killed. When are they going to cut this crap out? Either kill the guy in the crash or give him a character but don't just make him plot fodder. Seeing Stephen (Perrineau) with the other two on the lake shore, you just knew he would have all the longevity in this film as James Bond's first female conquest. As David Mamet doesn't share the writing credits with a studio committee or an executive producer, I suppose he has to take responsibility.
That said, this is a really gripping film. Well directed photographed and acted (even by Baldwin!). And the bear! How long do you have?
The shots where you (from Charles point of view) are staring down the roaring bear's throat and can see his uvula through an emerging cloud of steamy breath are just brilliant. I could almost smell that bear. I believe they made extensive use of prosthetics. Excellent FX!
David Mamet can write but he knows his place! This is an action adventure movie and so Mamet is not trying to make any great philosophical point. He does provide a wide variety of thematic ingredients (man V nature, youth V age, brains V brawn, machismo, infidelity) to ensure that the story line is far more interesting than most of Hollywood's action-movie schlock. And, of course, a furry killing machine that can smell a man from 10 miles and run through the forest at 30 mph!
Charles, (Anthony Hopkins' erudite billionaire character) starts out as the vulnerable, isolated character of the film. He's married to Mickey, his photo-model wife(Elle can act herself!) flirts quite openly with Bob the handsome, younger photographer (Baldwin). Charles seems set up for a fall. In his self-effacing way, he confesses to knowing a lot "in theory" but not being great at "practical application".
So when the plane crashes into an icy lake, Charles is the one for whom you most fear but that's when all the surprises start..........
The biggest disappointment for me is that a fine actor such as Harold Perrineau finds himself playing a role that is a classical Hollywood cliché, the nice black guy who gets killed. When are they going to cut this crap out? Either kill the guy in the crash or give him a character but don't just make him plot fodder. Seeing Stephen (Perrineau) with the other two on the lake shore, you just knew he would have all the longevity in this film as James Bond's first female conquest. As David Mamet doesn't share the writing credits with a studio committee or an executive producer, I suppose he has to take responsibility.
That said, this is a really gripping film. Well directed photographed and acted (even by Baldwin!). And the bear! How long do you have?
The shots where you (from Charles point of view) are staring down the roaring bear's throat and can see his uvula through an emerging cloud of steamy breath are just brilliant. I could almost smell that bear. I believe they made extensive use of prosthetics. Excellent FX!
10slhma10
I first saw this movie in 97 when it first came out.I had barely heard of Baldwin,Hopkins or Perrineau.It turned out to be one of those movies I sat on the "edge" of my seat and was stunned by the ending.I sat there,mouth agape.I found I had a deep respect for all three actors.This movie,in every discernible way,is a masterpiece.The cinematography is breathtaking.The musical score is one of the most beautiful themes I have ever heard.The plot is smooth and the acting superb.I had heard of Baldwin but had not thought he was a great actor until seeing The Edge.Hopkins has made some great movies but this one..well it my personal favorite.The subtleties are numerous,the suspense captivating and the message is profound.The bear is without a doubt frightening and primal.This movie evoked emotions in me that were also primal.And the ending? It is the best ending to any movie I have ever seen.Perhaps you might have to appreciate the complexities of human nature as well as the action sequences in The Edge to get the most out of the viewing experience.It truly is the best of both worlds.
The Edge is a powerful motion picture that satisfies in every way. First of all, it delivers as an action/adventure film (which is what it is) by giving the audience some heart stopping sequences, and it never slows down. The Edge also delivers as a dramatic film, with an ending that is painfully sad, yet satisfying. This is one fine movie, and the performances by Hopkins (one of my favorite actors today) and Baldwin are superb. They portray their characters with an honesty, and with a realistic nature that only great actors can accomplish. As the plot twists and the pace picks up, you start to become so involved that you forget time is passing by. I strongly suggest this one to action lovers and to anyone who enjoys a good story.
Boy, here's an intense film, a survival-in-the-wilderness adventure/thriller starring the unlikely duo of Anthony Hopkins and Alec Baldwin. It's not hard to guess who's the villain, in addition to a man-eating bear who stalks the two of them after their plane crashes in the woods of Alaska.
The sophistication of Hopkins, playing an extremely smart man, battling the crude Baldwin, who is insanely jealous of Hopkins' possessions, including his gorgeous wife (Elle McPherson), is intriguing to watch. So is the great scenery and best-of-all, a great action story that has you focused intently for the full two hours.
A human characteristic so often ignored in films the past half century is put on display here: compassionate forgiveness. Seeing forgiveness demonstrated instead of revenge is almost shocking to see. Kudos to the filmmakers, too, for not going overboard on the brutality in this adventure.
The sophistication of Hopkins, playing an extremely smart man, battling the crude Baldwin, who is insanely jealous of Hopkins' possessions, including his gorgeous wife (Elle McPherson), is intriguing to watch. So is the great scenery and best-of-all, a great action story that has you focused intently for the full two hours.
A human characteristic so often ignored in films the past half century is put on display here: compassionate forgiveness. Seeing forgiveness demonstrated instead of revenge is almost shocking to see. Kudos to the filmmakers, too, for not going overboard on the brutality in this adventure.
I vaguely remembered The Edge from a trailer on an old VHS from when i was a kid and it would pop in to my brain from time to time over the years as "That Anthony Hopkins bear movie" but i never actually watched it.
I just picked it up today on DVD and i really enjoyed it.
It's well acted, has satisfying plot twists and the scenery is beautiful to look at. It starts off a little slow but once the pace picked up i was on the edge of my seat during the scenes where the characters have to fight for their lives against a massive man eating bear and it looks great as a real trained bear was used in the scenes.
Another thing i liked was the story and action felt more grounded and based in reality, it was exciting but no one did anything which regular humans wouldn't be able to do and it made it seem more realistic and convincing.
Highly recommended if you're looking for some old overlooked movies or something a little different, it's a good time.
Você sabia?
- CuriosidadesSir Anthony Hopkins had a brush with death during filming in Alberta. He was taking painkillers for a neck problem. He fell in a river, and didn't feel how cold he was becoming until he began to suffer from hypothermia. He had to be rushed to the hospital to be treated.
- Erros de gravaçãoWhen discussing Kodiak bears, Styles says that they are highly aggressive, readily attacking and killing people without provocation. In fact, Kodiak bears are very shy, and when they encounter human beings, they typically withdraw. (Attacks do occur, but they are quite rare and almost never fatal.)
- Cenas durante ou pós-créditosJust before the end credits start rolling, a caption appears on the screen: "Twentieth Century Fox and the producer wish to thank Bart the Bear and his trainer Doug Seus, for their contribution to this film."
- Trilhas sonorasHappy Birthday
Written by Mildred J. Hill and Patty S. Hill
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Detalhes
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 27.873.386
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.733.445
- 28 de set. de 1997
- Faturamento bruto mundial
- US$ 43.312.294
- Tempo de duração
- 1 h 57 min(117 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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