1 Dia 2 Pais

"Fathers' Day" seems to pride itself in its two main stars, Billy Crystal and Robin Williams. This is more of a film made out of vain then for comedic purposes. It is for the crowds out there who have been waiting for Billy Crystal and Robin Williams to star together in lead roles, almost like the fans of "Freddy vs. Jason" have been waiting for their heroes to duke it out. This movie combines two big stars, and the amazing thing is that it actually gets away with it.

Yes, "Fathers' Day" isn't all that great, and no, I didn't love it, but sue me: I enjoyed it. Is it too much to ask from a comedy that it simply entertain me, give me a few laughs? Films like "The Hot Chick" can't even manage to do this, but "Fathers' Day" pulls it off. Why? Maybe because it is so fun watching Crystal and Williams interact. They bring a dead script to life. I must admit that given a better script their pairing could have made for one of the funniest films of the year, but the screenplay for this movie is dead in the water. Crystal and Williams do their best and make it amusing, but it could have been so much more. When a film resorts to showing Robin Williams doing impersonations in front of a mirror for the umpteenth time, you know that the script isn't all it could and should have been.

And this is pretty strange, because Babaloo Mandez and Lowell Ganz are usually trustworthy to deliver an amusing and hysterical script. These are the men responsible for one of my favorite comedies in recent years, "City Slickers," and their script for "Fathers' Day" just sinks to predictability, sappiness and sterotypes.

Get this: Crystal plays an ambitious lawyer who gets a call from an ex-girlfriend he went out with 17 years earlier. She tells him that her sixteen-year-old son has run away from home, that he is the father, and that he must help retrieve the boy. She gives him a photo of the boy (who looks like the typical teenage snot named Scott), and touched by her story for whatever reason he agrees to find the boy.

Problem no. 1. Crystal is a lawyer. At the end of the film, he is lied to and knows this. His wife (Julia Louis-Dreyfuss) asks how he knows. He says, "I'm a lawyer, people lie to me all the time." If he is such a brilliant lawyer, why did he not look past his ex-girlfriend's little lie? Don't know, don't care - it is part of the film and what can you do?

And get this: Crystal's ex happens to be Williams' ex, too. She tells Williams the exact same story as Crystal, hoping to get at least one of them to find the boy. They both try. We know they will accidentally meet looking for him, there will be confusion, the boy will not be grateful for their helping him out until the very end, and so on and so forth.

But this movie entertained me. Crystal and Williams have good chemistry, even if a good script could have made their interaction a bit more. The jokes do fall flat at times, but the direction is nice (Ivan "Ghostbusters" Reitman), and to be honest, I had fun watching this movie. That's all I really ask for in some comedies.

(Also note a cameo by Mel Gibson, who dropped by the set during filming of "Lethal Weapon 4" at Warner Bros.!)

3/5 stars -

John Ulmer

Yeah, the plot's kinda lame and not too believable, but the stars are able to make it a fun time. In fact, the best moments are the ones that serve not to advance the story, but allow Williams and Crystal do their trademark acts.

Billy Crystal is a master of the non-response, such as when told that he has a 15 year old son, continuing to slowly drink his coffee. Robin Williams is the improv master. It's fun to guess which lines were written in the screenplay, and which ones just came from his head full of characters.

We know everything will turn out OK in the end, but there are enough unexpected twists and turns to keep the story interesting, and some pretty funny minor characters.

You would expect that when the comic talents of Robin Williams and Billy Crystal are combined the results would be fairly amusing...unfortunately they are not. This is another failed attempt by Hollywood to Americanize a French movie which is everything that this film is not. One of the biggest problems with this film is that the boy is so unlikeable - probably a fault of both the script and the actor. You can't believe that anyone would care that this little idiot ran away from home, and that two people were desperate enough to be his father to chase after him. Julia Louis-Dreyfuss & Nastassja Kinski have very little to do in their respective roles, especially Kinski, whose role is more of a cameo than a role of any substance. The entire setting and story behind the boys disappearance is ridiculous, as is the sub-plot involving Kinski's husband trying to find the boy as well. The leads are just not up to scratch compared to their usual comic abilities. A real let down, and a total waste of time.

When do they stop americanizing Francis Veber productions? Again a good example for a remake that is much worse than the original: over-psychologized, killing one gag after the other - the charming elements are left out to not make the film exactly the same, and nothing is left. I like Billy Crystal and I bear Robin Williams but they are not equal to Gérard Depardieu and Pierre Richard. One day - I see it with horror - they're going to re-produce Louis de Funès-classics starring Jim Carrey!

Stop me if you've heard this one before. Take a terrific French comedy, produce an American remake, and watch many of the laughs disappear. Even the two huge talents who star in this film can't save it. This film isn't nearly as bad as most of the reviews seem to suggest, but it really is nothing more than ordinary at best. Do yourself a favour, and watch the original film, "Les Comperes", instead of this one. Plus, Gerard Depardieu seems as though he could give a stronger head-butt than Billy Crystal, don't you think?